“and then a Teixcalaanlitzlim of a gender Mahit didn’t recognize, and then it was back to the initial challenger—who changed the game again, adding another element: now each quatrain had to start with the last line of the previous one, be in dactylic verse with a vowel-repeated caesura, and be on the subject of repairs made to City infrastructure. Three Seagrass was annoyingly good at describing repairs to City infrastructure. She was lucid even through many glasses of ahachotiya, laughing, saying lines like the grout seal around the reflecting pool / lapped smooth and clear-white by the tongues of a thousand Teixcalaanli feet / nevertheless frays granular and impermanent / and will be spoken again, remade in the image / of one department or another / clamoring,”