Danielle > Danielle's Quotes

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  • #1
    Catherynne M. Valente
    “the only wall we could ever build against What’s Going On was the glitter and the shine and the synth and the knowing grin that never stops knowing. The show. Because the opposite of fascism isn’t anarchy, it’s theater. When the world is fucked, you go to the theater, you go to the shine, and when the bad men come, all there is left to do is sing them down.”
    Catherynne M. Valente, Space Opera

  • #2
    E.A. Bucchianeri
    “Theatres are curious places, magician's trick-boxes where the golden memories of dramtic triumphs linger like nostalgic ghosts, and where the unexplainable, the fantastic, the tragic, the comic and the absurd are routine occurences on and off the stage. Murders, mayhem, politcal intrigue, lucrative business, secret assignations, and of course, dinner.”
    E.A. Bucchianeri, Brushstrokes of a Gadfly

  • #3
    Terry Pratchett
    “The phrase 'Someone ought to do something' was not, by itself, a helpful one. People who used it never added the rider 'and that someone is me'.”
    Terry Pratchett, Hogfather

  • #4
    Catherynne M. Valente
    “Never put your faith in a Prince. When you require a miracle, trust in a Witch.”
    Catherynne M. Valente, In the Night Garden

  • #5
    Catherynne M. Valente
    “It is well known that reading quickens the growth of a heart like nothing else.”
    Catherynne M. Valente, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making

  • #6
    Catherynne M. Valente
    “This is what it means to be a woman in this world. Every step is a bargain with pain. Make your black deals in the black wood and decide what you’ll trade for power. For the opposite of weakness, which is not strength but hardness. I am a trap, but so is everything. Pick your price. I am a huckster with a hand in your pocket. I am freedom and I will eat your heart.”
    Catherynne M. Valente, Six-Gun Snow White

  • #7
    George Saunders
    “When I was young, I admired clever people. Now that I am old, I admire kind people.”
    George Saunders

  • #8
    William  Alexander
    “Backstage was chaos distilled into a very small space.”
    William Alexander, Goblin Secrets

  • #9
    Iris Murdoch
    “The theatre is an attack on mankind carried on by magic: to victimize an audience every night, to make them laugh and cry and suffer and miss their trains. Of course actors regard audiences as enemies, to be deceived, drugged, incarcerated, stupefied. This is partly because the audience is also a court against which there is no appeal.”
    Iris Murdoch, The Sea, the Sea

  • #10
    Meg Howrey
    “When you step from the wings onto the stage you go from total blackness to a blinding hot glare. After a moment you adjust, but there is that moment. like being inside lightning.”
    Meg Howrey, The Cranes Dance

  • #11
    Kathe Koja
    “The stage is not only a world apart, it is a myriad of worlds, and in those worlds a man can have anything he fancies, if only he believes in what he sees.”
    Kathe Koja, Under the Poppy

  • #12
    Tom Robbins
    “We are our own dragons as well as our own heroes, and we have to rescue ourselves from ourselves.”
    Tom Robbins, Still Life with Woodpecker

  • #13
    “Movies will make you famous; Television will make you rich; But theatre will make you good.”
    Terrence Mann

  • #14
    David Hume
    “Beauty is no quality in things themselves: It exists merely in the mind which contemplates them; and each mind perceives a different beauty.”
    David Hume, Of the Standard of Taste and Other Essays

  • #15
    Kate Chopin
    “But the beginning of things, of a world especially, is necessarily vague, chaotic, and exceedingly disturbing. How few of us ever emerge from such beginning! How many souls perish in its tumult! The voice of the sea is seductive; never ceasing, whispering, clamoring, murmuring, inviting the soul to wander for a spell in abysses of solitude; to lose itself in mazes of inward contemplation.
    The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in its soft, close embrace.”
    Kate Chopin, The Awakening

  • #16
    E.A. Bucchianeri
    “That´s the problem with planning a late night supper after the opera, not only does the hero or the heroine die singing, but you end up famished after the last notes of the finale.”
    E.A. Bucchianeri, Brushstrokes of a Gadfly

  • #17
    Abraham Joshua Heschel
    “Remember that there is meaning beyond absurdity. Know that every deed counts, that every word is power...Above all, remember that you must build your life as if it were a work of art.”
    Abraham Heschel

  • #18
    Abraham Joshua Heschel
    “Our goal should be to live life in radical amazement. ....get up in the morning and look at the world in a way that takes nothing for granted. Everything is phenomenal; everything is incredible; never treat life casually. To be spiritual is to be amazed.”
    Abraham Joshua Heschel

  • #19
    Abraham Joshua Heschel
    “Few are guilty, but all are responsible.”
    Abraham Joshua Heschel, The Prophets

  • #20
    Robert A. Heinlein
    “I am free, no matter what rules surround me. If I find them tolerable, I tolerate them; if I find them too obnoxious, I break them. I am free because I know that I alone am morally responsible for everything I do.”
    Robert A. Heinlein

  • #21
    Robert A. Heinlein
    “Progress isn't made by early risers. It's made by lazy men trying to find easier ways to do something.”
    Robert Heinlein

  • #22
    Oscar Wilde
    “Be yourself; everyone else is already taken.”
    Oscar Wilde

  • #23
    Oscar Wilde
    “We are all in the gutter, but some of us are looking at the stars.”
    Oscar Wilde, Lady Windermere's Fan

  • #24
    Oscar Wilde
    “The truth is rarely pure and never simple.”
    Oscar Wilde, The Importance of Being Earnest

  • #25
    Catherynne M. Valente
    “I had some peculiar ideas about love. I’ll tell you what I thought on the subject back then: it’s about as much use as a barrel with no bottom. When I fed the pigs and two of them got to scrapping over an old soft onion, I thought: that’s love. Love is eating. Love is a snarling pig snout and long tusks. Love is a dress like the sun. Love is the color of blood. Love is what grown folk do to each other because the law frowns on killing.

    I said I loved her back. I put my hand on the door and I said I loved her back and when I said it I thought of kissing her and also of shooting her through the eye.”
    Catherynne M. Valente, Six-Gun Snow White

  • #26
    Catherynne M. Valente
    “Maybe it’s not a lesson so much as it’s a magic trick. You can make a little girl into anything if you say the right words. Take her apart until all that’s left is her red, red heart thumping against the world. Stitch her up again real good. Now, maybe you get a woman. If you’re lucky. If that’s what you were after. Just as easy to end up with a blackbird or a circus bear or a coyote. Or a parrot, just saying what’s said to you, doing what’s done to you, copying until it comes so natural that even when you’re all alone you keep on cawing hello pretty bird at the dark.”
    Catherynne M. Valente, Six-Gun Snow White

  • #27
    Catherynne M. Valente
    “Some things a girl has in her to say no to and some things cut her down before she knows she’s gone. Sure, some twiggy, thorny snap in her says: no, this is awry, this is a bent thing, in that place that tells her to belly up to the floor before anyone’s even shadowed the doorframe. But it don’t matter. You can’t ask why she did it, when she was warned, when she was told. The plum truth is you would too, if everything impossible stood out there saying you could be loved so perfect the past would go up like a firecracker and shatter across the dark.”
    Catherynne M. Valente, Six-Gun Snow White

  • #28
    Terry Pratchett
    “The reason that the rich were so rich, Vimes reasoned, was because they managed to spend less money.

    Take boots, for example. He earned thirty-eight dollars a month plus allowances. A really good pair of leather boots cost fifty dollars. But an affordable pair of boots, which were sort of OK for a season or two and then leaked like hell when the cardboard gave out, cost about ten dollars. Those were the kind of boots Vimes always bought, and wore until the soles were so thin that he could tell where he was in Ankh-Morpork on a foggy night by the feel of the cobbles.

    But the thing was that good boots lasted for years and years. A man who could afford fifty dollars had a pair of boots that'd still be keeping his feet dry in ten years' time, while the poor man who could only afford cheap boots would have spent a hundred dollars on boots in the same time and would still have wet feet.

    This was the Captain Samuel Vimes 'Boots' theory of socioeconomic unfairness.”
    Terry Pratchett, Men at Arms: The Play

  • #29
    Terry Pratchett
    “Samuel Vimes dreamed about Clues. He had a jaundiced view of Clues. He instinctively distrusted them. They got in the way. And he distrusted the kind of person who’d take one look at another man and say in a lordly voice to his companion, “Ah, my dear sir, I can tell you nothing except that he is a left-handed stonemason who has spent some years in the merchant navy and has recently fallen on hard times,” and then unroll a lot of supercilious commentary about calluses and stance and the state of a man’s boots, when exactly the same comments could apply to a man who was wearing his old clothes because he’d been doing a spot of home bricklaying for a new barbecue pit, and had been tattooed once when he was drunk and seventeen* and in fact got seasick on a wet pavement. What arrogance! What an insult to the rich and chaotic variety of the human experience!”
    Terry Pratchett, Feet of Clay

  • #30
    S.M. Stevens
    “When a show ends, for a few days, my body sizzles with leftover energy, like a tree in the wake of a lightning strike.”
    S.M. Stevens



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