Tom > Tom's Quotes

“It’s not over if you’re still here,” Chronicler said. “It’s not a tragedy if you’re still alive.”

Bast nodded eagerly at this, looking back at Kvothe.

Kvothe looked at both of them for a moment, then smiled and chuckled low in his chest. “Oh,” he said fondly. “You’re both so young.”
― Patrick Rothfuss, The Wise Man's Fear

“Things are too full of life in the spring months. In the summer, they're too strong and won't let go. Autumn..." He looked around at the changing leaves on the trees. "Autumn's the time. In autumn everything is tired and ready to die.”
― Patrick Rothfuss, The Name of the Wind

“I cannot help but wonder how many of us walk through our lives, day after day, feeling slightly broken and alone, surrounded all the time by others who feel exactly the same way.”
― Patrick Rothfuss, The Slow Regard of Silent Things

“Then I played the song that hides in the center of me. That wordless music that moves through the secret places in my heart. I played it carefully, strumming it slow and low into the dark stillness of the night. I would like to say it is a happy song, that it is sweet and bright, but it is not.”
― Patrick Rothfuss, The Wise Man's Fear

“In the midst of silence Lyra stood by Lanre's body and spoke his name. Her voice was a commandment. Her voice was steel and stone. Her voice told him to live again. But Lanre lay motionless and dead”
“In the midst of fear Lyra knelt by Lanre's body and breathed his name. Her voice beckoning. Her voice was love and longing. Her voice called him to live again. But Lanre lay dead and cold.”
“In the midst of despair Lyra fell across Lanre's body and wept his name. Her voice was a whisper. Her voice was echo and emptiness. Her voice begged him to live again. But Lanre lay breathless and dead”
― Patrick Rothfuss, The Name of the Wind

“None were good enough for her, so I held them in contempt and hated them. They in turn hated and feared me.

But we were pleasant to each other. Always pleasant. It was a game of sorts. He would invite me to sit, and I would buy him a drink. The three of us would talk, and his eyes would slowly grow dark as he watched her smile toward me. His mouth would narrow as he listened to the laughter that leapt from her as I joked, spun stories, sang. . . .

They would always react the same way, trying to prove ownership of her in small ways. Holding her hand, a kiss, a too-casual touch along her shoulder.

They clung to her with desperate determination. Some of them merely resented my presence, saw me as a rival. But others had a frightened knowledge buried deep behind their eyes from the beginning. They knew she was leaving, and they didn't know why. So they clutched at her like shipwrecked sailors, clinging to the rocks despite the fact that they are being battered to death against them. I almost felt sorry for them. Almost.

So they hated me, and it shone in their eyes when Denna wasn't looking. I would offer to buy another round of drinks, but he would insist, and I would graciously accept, and thank him, and smile.

I have known her longer, my smile said. True, you have been inside the circle of her arms, tasted her mouth, felt the warmth of her, and that is something I have never had. But there is a part of her that is only for me. You cannot touch it, no matter how hard you might try. And after she has left you I will still be here, making her laugh. My light shining in her. I will still be here long after she has forgotten your name.”
― Patrick Rothfuss, The Name of the Wind

“What if she was meant to be, or could have been, someone important in my life? I think that's what scares me: the randomness of everything. That the people who could be important to you might just pass you by. Or you pass them by. How do you know...I felt that by walking away I was abandoning [them], that I spent my entire life, day after day, abandoning people.”
― Peter Cameron, Someday This Pain Will Be Useful to You

“The Waystone was his, just as the third silence was his. This was appropriate, as it was the greatest silence of the three, wrapping the others inside itself. It was deep and wide as autumn’s ending. It was heavy as a great river-smooth stone. It was the patient, cut-flower sound of a man who is waiting to die.”
― Patrick Rothfuss, The Name of the Wind

“There are three things all wise men fear: the sea in storm, a night with no moon, and the anger of a gentle man.”
― Patrick Rothfuss, The Wise Man's Fear

“Half of seeming clever is keeping your mouth shut at the right times.”
― Patrick Rothfuss, The Wise Man's Fear

“I've waited a long time to show these flowers how pretty you are.”
― Patrick Rothfuss, The Wise Man's Fear

“All the truth in the world is held in stories.”
― Patrick Rothfuss, The Wise Man's Fear

“There are so many men, all endlessly attempting to sweep me off my feet. And there is one of you, trying just the opposite. Making sure my feet are firm beneath me, lest I fall.”
― Patrick Rothfuss, The Wise Man's Fear

“I know," she said. "You have a stone in your heart, and some days it's so heavy there is nothing to be done. But you don't have to be alone for it. You should have come to me. I understand.”
― Patrick Rothfuss, The Wise Man's Fear

“Death was like an unpleasant neighbor. You didn’t talk about him for fear he might hear you and decide to pay a visit.”
― Patrick Rothfuss, The Wise Man's Fear

“It’s not over if you’re still here,” Chronicler said. “It’s not a tragedy if you’re still alive.”
― Patrick Rothfuss, The Wise Man's Fear

“That is how heavy a secret can become. It can make blood flow easier than ink.”
― Patrick Rothfuss, The Wise Man's Fear

“Perhaps the greatest faculty our minds possess is the ability to cope with pain. Classic thinking teaches us of the four doors of the mind, which everyone moves through according to their need.

First is the door of sleep. Sleep offers us a retreat from the world and all its pain. Sleep marks passing time, giving us distance from the things that have hurt us. When a person is wounded they will often fall unconscious. Similarly, someone who hears traumatic news will often swoon or faint. This is the mind's way of protecting itself from pain by stepping through the first door.

Second is the door of forgetting. Some wounds are too deep to heal, or too deep to heal quickly. In addition, many memories are simply painful, and there is no healing to be done. The saying 'time heals all wounds' is false. Time heals most wounds. The rest are hidden behind this door.

Third is the door of madness. There are times when the mind is dealt such a blow it hides itself in insanity. While this may not seem beneficial, it is. There are times when reality is nothing but pain, and to escape that pain the mind must leave reality behind.

Last is the door of death. The final resort. Nothing can hurt us after we are dead, or so we have been told.”
― Patrick Rothfuss, The Name of the Wind

“Bones mend. Regret stays with you forever.”
― Patrick Rothfuss, The Name of the Wind

“Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?"
Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?"
Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be."
Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations."
"That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story."
Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough."
His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen."
"What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now."
"I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.”
― Patrick Rothfuss, The Name of the Wind

“When the hearthfire turns to blue,
what to do? what to do?
run outside, run and hide

when his eyes are black as crow?
where to go? where to go?
near and far. Here they are.

see a man without a face?
move like ghosts from place to place.
whats their plan? whats their plan?
Chandrian. Chandrian”
― Patrick Rothfuss, The Name of the Wind

“There are times when the mind is dealt such a blow it hides itself in insanity. While this may not seem beneficial, it is. There are times when reality is nothing but pain, and to escape that pain the mind must leave reality behind.”
― Patrick Rothfuss, The Name of the Wind

“No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough."

His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen.”
― Patrick Rothfuss, The Name of the Wind

“When you love something, you have to make sure it loves you back, or you'll bring about no end of trouble chasing it.”
― Patrick Rothfuss, The Wise Man's Fear

“It was the patient, cut-flower sound of a man who is waiting to die.”
― Patrick Rothfuss, The Name of the Wind

“He was giving me enough rope to hang myself with. Apparently he didn't realize that once a noose is tied it will fit one neck as easily as another.”
― Patrick Rothfuss, The Name of the Wind

“You are not wise enough to fear me as I should be feared.”
― Patrick Rothfuss, The Name of the Wind

“To be so lovely and so lost. To be all answerful with all that knowing trapped inside. To be beautiful and broken.”
― Patrick Rothfuss, The Slow Regard of Silent Things

“That was another lesson I had learned perhaps too well: people meant pain.”
― Patrick Rothfuss, The Name of the Wind

“The desire for knowledge shapes a man.”
― Patrick Rothfuss, The Wise Man's Fear