Grace > Grace's Quotes

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  • #1
    Melody Carlson
    “Girls can be so petty and jealous. I swear they're worse than guys sometimes. Except they're all quiet about it. They sugarcoat it or else they talk behind each other's backs. It's seriously twisted.”
    Melody Carlson, The Jerk Magnet

  • #2
    Charlotte Brontë
    “~Do you like him much?
    ~I told you I like him a little. Where is the use of caring for him so very much? He is full of faults.
    ~Is he?
    ~All boys are.
    ~More than girls?
    ~Very likely. Wise people say it is folly to think anyboy perfect, and as to likes and diskiles, we should be friendly to all, and worship none.”
    Charlotte Brontë, Villette

  • #3
    Leah Raeder
    “Girls get under each other's skin. We get too close, too attached, too crazy, and then we can't let go. Our claws sink too deep. When we separate, we tear each other apart.”
    Leah Raeder, Black Iris

  • #4
    Amy Mah
    “Sleeping with another girl does not always mean you are a lesbian, sometimes it just means the central heating needs fixing”
    Amy Mah, Fangs Rule: A Girls Guide to Being a Vampire

  • #5
    Suzanne Collins
    “You love me. Real or not real?"
    I tell him, "Real.”
    Suzanne Collins, Mockingjay

  • #6
    Roman Payne
    “Ô, the wine of a woman
    from heaven is sent,
    more perfect than all
    that a man can invent.

    When she came to my bed and begged me with sighs
    not to tempt her towards passion nor actions unwise,
    I told her I’d spare her and kissed her closed eyes,
    then unbraided her body of its clothing disguise.

    While our bodies were nude bathed in candlelight fine
    I devoured her mouth, tender lips divine;
    and I drank through her thighs her feminine wine.

    Ô, the wine of a woman
    from heaven is sent,
    more perfect than all
    that a man can invent.”
    Roman Payne

  • #7
    “There is only one creature who is always right is a WOMAN...!!!”
    M.Rehan Behleem

  • #8
    Suzanne Collins
    “They play in the Meadow. The dancing girl with the dark hair and blue eyes. The boy with blond curls and gray eyes, struggling to keep up with her on his chubby toddler legs. It took five, ten, fifteen years for me to agree. But Peeta wanted them so badly. When I first felt her stiring inside of me, I was consumed with a terror that felt as old as life itself. Only the joy of holding her in my arms could tame it. Carrying him was easier, but not much.

    The questions are just beginning. The arenas have been completely destroyed, the memorials have been built, there are no more Hunger Games. But they still teach about them at school, and the girl knows we played a role in them. The boy will know in a few years. how can I tell them about that world without frightning them to death? My children, who take the words of the song for granted:

    Deep in the meadow, under the willow
    A bed of grass, a soft green pillow
    Lay down your head, and close your eyes
    And when again they open, the sun will rise
    Here it's safe, here it's warm
    Here the daisies guard you from every harm
    Here your dreams are sweet snd tomorrow brings them true
    Here is the place where I love you.”
    Suzanne Collins, Mockingjay

  • #9
    Suzanne Collins
    “No, you won her over. Gave up everything for her. Maybe that's the only way to convince her you love her.”
    Suzanne Collins, Mockingjay

  • #10
    Suzanne Collins
    “I take a few breaths to calm myself, step back, and lift Buttercup by the scruff of the neck. 'I should have drowned you when I had the chance.' His ears flatten and he raises a paw. I hiss before he gets a chance, which seems to annoy him a little, since he considers hissing his own personal sound of contempt. In retaliation, he gives a helpless kitten mew that brings my sister immediately to his defense.
    'Oh, Katniss, don't tease him,' she says, folding him back in her arms. 'He's already so upset.'
    The idea that I've wounded the brute's tiny cat feelings just invites further taunting. But Prim's genuinely distressed for him. So instead, I visualize Buttercup's fur lining a pair of gloves, an image that has helped me deal with him over the years.”
    Suzanne Collins, Mockingjay

  • #11
    Suzanne Collins
    “Are you, are you
    Coming to the tree
    They strung up a man
    They say who murdered three.
    Strange things did happen here
    No stranger would it be
    If we met at midnight
    In the hanging tree.

    Are you, are you
    Coming to the tree
    Where the dead man called out
    For his love to flee.
    Strange things did happen here
    No stranger would it be
    If we met at midnight
    In the hanging tree.

    Are you, are you
    Coming to the tree
    Where I told you to run,
    So we'd both be free.
    Strange things did happen here
    No stranger would it be
    If we met at midnight
    In the hanging tree.

    Are you, are you
    Coming to the tree
    Wear a necklace of rope,
    Side by side with me.
    Strange things did happen here
    No stranger would it be
    If we met at midnight
    In the hanging tree.”
    Suzanne Collins, Mockingjay

  • #12
    Suzanne Collins
    “As we trudge back through the woods, we reach a boulder, and both Gale and I turn our heads in the same direction, like a pair of dogs catching a scent on the wind. Cressida notices and asks what lies that way. We admit, without acknowledging each other, it's our old hunting rendez-vous place. She wants to see it, even after we tell her it's nothing really.
    Nothing but a place where I was happy, I think.”
    Suzanne Collins, Mockingjay

  • #13
    Suzanne Collins
    “I'm running on hate. When the energy from that ebbs I'll be worthless.”
    Suzanne Collins, Mockingjay

  • #14
    Suzanne Collins
    “i can win but you cant lose, this makes us all even in our ways.”
    Suzanne Collins, Mockingjay

  • #15
    Suzanne Collins
    “I'll tell them that on bad mornings, it feels impossible to take pleasure in anything because I'm afraid it could be taken away.”
    Suzanne Collins, Mockingjay
    tags: fear

  • #16
    Suzanne Collins
    “It costs your life,” says Caesar.

    “Oh, no. It costs a lot more than your life. To murder innocent people?” says Peeta. “It costs everything you are.”
    Suzanne Collins, Mockingjay

  • #17
    Suzanne Collins
    “Here it's safe, here it's warm
    Here the daises guard you from every harm
    Here your dreams are sweet and tomorrow brings them true
    Here is the place where I love you”
    Suzanne Collins, Mockingjay

  • #18
    Suzanne Collins
    “Your favorite colour . . . it's green?"
    "That's right." Then I think of something to add. "And yours is orange."
    "Orange?" He seems unconvinced.
    "Not bright orange. But soft. Like the sunset," I say. "At least, that's what you told me once."
    "Oh." He closes his eyes briefly, maybe trying to conjure up that sunset, then nods his head. "Thank you."
    But more words tumble out. "You're a painter. You're a baker. You like to sleep with the windows open. You never take sugar in your tea. And you always double-knot your shoelaces.”
    Suzanne Collins, Mockingjay

  • #19
    Suzanne Collins
    “Finnick!" Something between a shriek and a cry of joy. A lovely if somewhat bedraggled young woman--dark tangled hair, sea green eyes--runs toward us in nothing but a sheet. "Finnick!" And suddenly, it's as if there's no one in the world but these two, crashing through space to reach each other. They collide, enfold, lose their balance, and slam against a wall, where they stay. Clinging into one being. Indivisible.
    A pang of jealousy hits me. Not for either Finnick or Annie but for their certainty. No one seeing them could doubt their love.”
    Suzanne Collins, Mockingjay

  • #20
    Richelle Mead
    “A ghostly smile flickered across his face. "If you weren't so psychotic, you'd be fun to hang around."
    "Funny, I feel that way about you too." He didn't say anything else, but the smile grew, and he walked away.”
    Richelle Mead, Vampire Academy

  • #21
    Richelle Mead
    “We can't..." he told me.
    "I know," I agreed.

    Then his mouth was on mine again, and this time, I knew there would be no turning back. There were no walls this time. Our bodies wrapped together as he tried to get my coat off, then his shirt, then my shirt. ... It really was a lot like when we'd fought out on the quad earlier-that same passion and heat. I think at the end of the day, the instincts that power fighting and sex aren't so different. They all come from an animal side of us.

    Yet, as more and more clothes came off, it went beyond just animal passion. It was sweet and wonderful at the same time. When I looked into his eyes, I could see without a doubt that he loved me more than anyone else in the world, that I was his salvation, the same way that he was mine. I'd never expected my first time to be in a cabin in the woods, but I realized the place didn't matter. The person did. With someone you loved, you could be anywhere, and it would be incredible. Being in the most luxurious bed in the world wouldn't matter if you were with someone you didn't love.”
    Richelle Mead, Shadow Kiss

  • #22
    Richelle Mead
    “Roza." His voice had that same wonderful lowness, the same accent . . . it
    was all just colder. "You forgot my first lesson: Don’t hesitate.”
    Richelle Mead, Blood Promise

  • #23
    Christopher Moore
    “Stephenie Meyer: Her vampires are sparkly, which I think we can all agree is wrong.”
    Christopher Moore

  • #24
    Meg Cabot
    “Chaz looks me dead in the eye and says, 'Why yes, Lizzie. I’m manically depressed because the girl I’ve finally realized I’ve always been in love with, and who I was beginning to think just might love me back, turned around and got herself engaged to my best friend, who, frankly, doesn’t deserve her. Does that answer your question?”
    Meg Cabot

  • #25
    Nicholas Sparks
    “A guy out there was meant to be the love of your life, your best friend, your soul mate, the one you can tell your dreams to. He'll brush the hair out of your eyes. Send you flowers when you least expect it. He'll stare at you during the movies, even though he paid $8 to see it. He'll call to say goodnight or just cause he's missing you. He'll look in your eyes and tell you, you're the most beautiful girl in the world, and for the first times in your life, you'll believe it.”
    Nicholas Sparks
    tags: love

  • #26
    Ally Carter
    “So the quesiton is," Bex said slowly,"How far are you willing to go?"
    I looked at my three best friends in the world. "How far is there?”
    Ally Carter , Only the Good Spy Young

  • #27
    “The sounds of people entering the kitchen snap me out of my thoughts. Before I can react, creepy moaning noises and breathless giggles erupt from the other side of my counter."Oh, Grant," a familiar voice sighs.I pop up suddenly, unable to believe my ears. Guess what I see? Jane, locked in the embrace of a balding middle aged man whom I'm pretty sure is married."Jane!" I gasp.They both scream a little and break apart, wide-eyed.
    "Violet!" Jane gasps, holding a hand against her heart."I thought you were a lesbian," I blurt out.
    "It's not what it—what? Why would you think I'm a lesbian?""Oh..." I shrug. "Never mind. I should go.”
    Nicole Christie, Falling for the Ghost of You

  • #28
    Melina Marchetta
    “So we get a karaoke machine.
    On the first night, the year tens stage a competition, insisting that every member of the House has to be involved, so we clear the year-seven and -eight dorms and wait for our turn. Raffy is on second and does an impressive job of "I Can''t Live, If Living Means Without You" but then one of the seniors points out to her that she's chosen a dependency song and Raffy spends the whole night neuroticising about it.

    "I just worked out that I don't have ambition," she says while one of the year eights sings tearfully, "Am I Not Pretty Enough?" I start compiling a list of all the kids I should be recommending to the school counsellor, based on their song choices.

    "I think she's reading a little to much into it, Raf."

    "No she isn't. Because do you know what my second and third choices were? 'Don't Leave Me This Way' and 'I Just Don't Know What To Do With Myself.'"

    "Mary Grace chose 'Brown-eyed Girl' and she's got blue eyes and Serina sang 'It's Raining Men' and she's a lesbian. You're taking this way too seriously. Let it go.”
    Melina Marchetta, On the Jellicoe Road

  • #29
  • #30
    “That's one of the things that "queer" can refer to: the open mesh of possibilities, gaps, overlaps, dissonances and resonances, lapses and excesses of meaning when the constituent elements of anyone's gender, of anyone's sexuality aren't made (or can't be made) to signify monolithically. The experimental linguistic, epistemological, representational, political adventures attaching to the very many of us who may at times be moved to describe ourselves as (among many other possibilities) pushy femmes, radical faeries, fantasists, drags, clones, leatherfolk, ladies in tuxedos, feminist women or feminist men, masturbators, bulldaggers, divas, Snap! queens, butch bottoms, storytellers, transsexuals, aunties, wannabes, lesbian-identified men or lesbians who sleep with men, or ... people able to relish, learn from, or identify with such.”
    Eve Sedgwick
    tags: queer



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