c > c's Quotes

“As he read, I fell in love the way you fall asleep: slowly, and then all at once.”
― John Green, The Fault in Our Stars

“Saying 'I notice you're a nerd' is like saying, 'Hey, I notice that you'd rather be intelligent than be stupid, that you'd rather be thoughtful than be vapid, that you believe that there are things that matter more than the arrest record of Lindsay Lohan. Why is that?' In fact, it seems to me that most contemporary insults are pretty lame. Even 'lame' is kind of lame. Saying 'You're lame' is like saying 'You walk with a limp.' Yeah, whatever, so does 50 Cent, and he's done all right for himself.”
― John Green

“The only way out of the labyrinth of suffering is to forgive.”
― John Green, Looking for Alaska

“Eleanor was right. She never looked nice. She looked like art, and art wasn't supposed to look nice; it was supposed to make you feel something.”
― Rainbow Rowell, Eleanor & Park

“In new situations, all the trickiest rules are the ones nobody bothers to explain to you. (And the ones you can't Google.)”
― Rainbow Rowell, Fangirl

“You were the sun, and I was crashing into you.”
― Rainbow Rowell, Carry On

“You have to pretend you get an endgame. You have to carry on like you will; otherwise, you can't carry on at all.”
― Rainbow Rowell, Carry On

“I am going to die kissing Simon Snow. Aleister Crowley, I'm living a charmed life.”
― Rainbow Rowell, Carry On

“Sharing a room with the person you want most is like sharing a room with an open fire.

He's constantly drawing you in. And you're constantly stepping too close. And you know it's not good--that there is no good--that there's absolutely nothing that can ever come of it.

But you do it anyway.
And then...
Well. Then you burn.”
― Rainbow Rowell, Carry On

“Just when you think you're having a scene without Simon, he drops in to remind you that everyone else is a supporting character in his catastrophe.”
― Rainbow Rowell, Carry On

“You were the sun, and I was crashing into you. I'd wake up every morning and think, 'This will end in flames.”
― Rainbow Rowell, Carry On

“He's still looking in my eyes. Staring me down like he did that dragon, chin tilted and locked. "I'm not the Chosen One," he says.
I meet his gaze and sneer. My arm is a steel band around his waist. "I choose you," I say. "Simon Snow, I choose you.”
― Rainbow Rowell, Carry On

“I let myself slip away... Just to stay sane. Just to get through it. And when I felt myself slipping too far, I held on to the one thing I'm always sure of - Blue eyes. Bronze curls. The fact that Simon Snow is the most powerful magician alive. That nothing can hurt him, not even me. That Simon Snow is alive. And I'm hopelessly in love with him.”
― Rainbow Rowell, Carry On

“I was eleven years old, and I'd lost my mother, and my soul, and the Crucible gave me you.”
― Rainbow Rowell, Carry On

“How often do you have to drink?”
“Every night, to feel good. Every few nights, to stay sane.”
“Have you ever bitten anyone?”
“No. I’m not a murderer.”
“Does it have to be fatal every time? The biting? Couldn’t you just drink some of a person’s blood, then walk away?”
“I can’t believe you’re asking me this, Snow. You, who can’t walk away from half a sandwich.”
― Rainbow Rowell, Carry On

“Thinking about history makes me wonder how I’ll fit into it one day, I guess. And you too. I kinda wish people still wrote like that. History, huh? Bet we could make some.”
― Casey McQuiston, Red, White & Royal Blue

“That's the choice. I love him, with all that, because of all that. On purpose. I love him on purpose.”
― Casey McQuiston, Red, White & Royal Blue

“So, imagine we’re all born with a set of feelings. Some are broader or deeper than others, but for everyone, there’s that ground floor, a bottom crust of the pie. That’s the maximum depth of feeling you’ve ever experienced. And then, the worst thing happens to you. The very worst thing that could have happened. The thing you had nightmares about as a child, and you thought, it’s all right because that thing will happen to me when I’m older and wiser, and I’ll have felt so many feelings by then that this one worst feeling, the worst possible feeling, won’t seem so terrible.

“But it happens to you when you’re young. It happens when your brain isn’t even fully done cooking—when you’ve barely experienced anything, really. The worst thing is one of the first big things that ever happens to you in your life. It happens to you, and it goes all the way down to the bottom of what you know how to feel, and it rips it open and carves out this chasm down below to make room. And because you were so young, and because it was one of the first big things to happen in your life, you’ll always carry it inside you. Every time something terrible happens to you from then on, it doesn’t just stop at the bottom —it goes all the way down.”
― Casey McQuiston, Red, White & Royal Blue

“The next slide is titled: 'Exploring your sexuality: Healthy, but does it have to be with the Prince of England?' She apologizes for not having time to come up with better titles. Alex actively wishes for the sweet release of death.”
― Casey McQuiston, Red, White & Royal Blue

“You are", he says, "the absolute worst idea I've ever had.”
― Casey McQuiston, Red, White & Royal Blue

“The phrase 'see attached bibliography' is the single sexiest thing you have ever written to me.”
― Casey McQuiston, Red, White & Royal Blue

“Should I tell you that when we're apart, your body comes back to me in dreams? That when I sleep, I see you, the dip of your waist, the freckle above your hip, and when I wake up in the morning, it feels like I've just been with you, the phantom touch of your hand on the back of my neck fresh and not imagined? That I can feel your skin against mine, and it makes every bone in my body ache? That, for a few moments, I can hold my breath and be back there with you, in a dream, in a thousand rooms, nowhere at all?”
― Casey McQuiston, Red, White & Royal Blue

“Alex snatches a shirt and boxers at random from the floor, shoves them at Henry's chest, and points him towards the closet. "Get in there."

"Quite," he observes.

"Yes, we can unpack the ironic symbolism later. GO.”
― Casey McQuiston, Red, White & Royal Blue

“He called Henry the North Star once. That wasn’t bright enough.”
― Casey McQuiston, Red, White & Royal Blue

“Henry looks Philip square in the face and says, “I’ve been gay as a maypole since the day I came out of Mum, Philip.”
― Casey McQuiston, Red, White & Royal Blue

“The moment you first called me a prick, my fate was sealed. O, fathers of my bloodline! O, ye kings of olde! Take this crown from me, bury me in my ancestral soil. If only you had known the mighty work of thine loins would be undone by a gay heir who likes it when American boys with chin dimples are mean to him.”
― Casey McQuiston, Red, White & Royal Blue

“I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”
― Madeline Miller, The Song of Achilles

“Name one hero who was happy."
I considered. Heracles went mad and killed his family; Theseus lost his bride and father; Jason's children and new wife were murdered by his old; Bellerophon killed the Chimera but was crippled by the fall from Pegasus' back.
"You can't." He was sitting up now, leaning forward.
"I can't."
"I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret."
"Tell me." I loved it when he was like this.
"I'm going to be the first." He took my palm and held it to his. "Swear it."
"Why me?"
"Because you're the reason. Swear it."
"I swear it," I said, lost in the high color of his cheeks, the flame in his eyes.
"I swear it," he echoed.
We sat like that a moment, hands touching. He grinned.
"I feel like I could eat the world raw.”
― Madeline Miller, The Song of Achilles

“And perhaps it is the greater grief, after all, to be left on earth when another is gone.”
― Madeline Miller, The Song of Achilles

“You may be born into a family, but you walk into friendships. Some you’ll discover you should put behind you. Others are worth every risk.”
― Adam Silvera, They Both Die at the End