Natalie > Natalie's Quotes

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  • #1
    Jack London
    “He was mastered by the sheer surging of life, the tidal wave of being, the perfect joy of each separate muscle, joint, and sinew in that it was everything that was not death, that it was aglow and rampant, expressing itself in movement, flying exultantly under the stars.”
    Jack London, The Call of the Wild

  • #2
    Walter Tevis
    “And what did being women have to do with it? She was better than any male player in America. She remembered the Life interviewer and the questions about her being a woman in a man's world. To hell with her; it wouldn't be a man's world when she finished with it.”
    Walter Tevis, The Queen's Gambit

  • #3
    Walter Tevis
    “It is foolish to run risk of going mad for vanity's sake.”
    Walter Tevis, The Queen's Gambit

  • #4
    Walter Tevis
    “She felt in herself an inexhaustible ability to find strong, threatening moves.”
    Walter Tevis, The Queen's Gambit

  • #5
    Robert A. Heinlein
    “My dear, I used to think I was serving humanity . . . and I pleasured in the thought. Then I discovered that humanity does not want to be served; on the contrary it resents any attempt to serve it. So now I do what pleases myself.”
    Robert A. Heinlein, Stranger in a Strange Land

  • #6
    Robert A. Heinlein
    “I’ve been kissed by men who did a very good job. But they don’t give kissing their whole attention. They can’t. No matter how hard they try parts of their minds are on something else. Missing the last bus—or their chances of making the gal—or their own techniques in kissing—or maybe worry about jobs, or money, or will husband or papa or the neighbors catch on. Mike doesn’t have technique . . . but when Mike kisses you he isn’t doing anything else. You’re his whole universe . . . and the moment is eternal because he doesn’t have any plans and isn’t going anywhere. Just kissing you.”
    Robert A. Heinlein, Stranger in a Strange Land
    tags: kiss

  • #7
    Robert A. Heinlein
    “The slickest way in the world to lie is to tell the right amount of truth at the right time-and then shut up.”
    Robert A. Heinlein, Stranger in a Strange Land

  • #8
    Robert A. Heinlein
    “Government! Three fourths parasitic and the other fourth Stupid fumbling.”
    Robert A. Heinlein, Stranger in a Strange Land

  • #9
    Margaret Atwood
    “I would like to be the air that inhabits you for a moment only. I would like to be that unnoticed and that necessary.”
    Margaret Atwood

  • #10
    Margaret Atwood
    “Men are afraid that women will laugh at them. Women are afraid that men will kill them.”
    Margaret Atwood

  • #11
    Margaret Atwood
    “Longed for him. Got him. Shit.”
    Margaret Atwood

  • #12
    Margaret Atwood
    “Water does not resist. Water flows. When you plunge your hand into it, all you feel is a caress. Water is not a solid wall, it will not stop you. But water always goes where it wants to go, and nothing in the end can stand against it. Water is patient. Dripping water wears away a stone. Remember that, my child. Remember you are half water. If you can't go through an obstacle, go around it. Water does.”
    Margaret Atwood, The Penelopiad

  • #13
    Margaret Atwood
    “When we think of the past it's the beautiful things we pick out. We want to believe it was all like that.”
    Margaret Atwood, The Handmaid’s Tale

  • #14
    Margaret Atwood
    “A rat in a maze is free to go anywhere, as long as it stays inside the maze.”
    Margaret Atwood, The Handmaid’s Tale

  • #15
    Margaret Atwood
    “We still think of a powerful man as a born leader and a powerful woman as an anomaly.”
    Margaret Atwood

  • #16
    Margaret Atwood
    “But people will do anything rather than admit that their lives have no meaning. No use, that is. No plot.”
    Margaret Atwood, The Handmaid’s Tale

  • #17
    Margaret Atwood
    “What I need is perspective. The illusion of depth, created by a frame, the arrangement of shapes on a flat surface. Perspective is necessary. Otherwise there are only two dimensions. Otherwise you live with your face squashed up against a wall, everything a huge foreground, of details, close-ups, hairs, the weave of the bedsheet, the molecules of the face. Your own skin like a map, a diagram of futility, criscrossed with tiny roads that lead nowhere. Otherwise you live in the moment. Which is not where I want to be.”
    Margaret Atwood, The Handmaid’s Tale

  • #18
    Jeffrey Eugenides
    “Can you see me? All of me? Probably not. No one ever really has.”
    Jeffrey Eugenides, Middlesex

  • #19
    Jeffrey Eugenides
    “I live my own life and nurse my own wounds. It's not the best way to live. But it's the way I am.”
    Jeffrey Eugenides, Middlesex

  • #20
    Jeffrey Eugenides
    “I was thinking how amazing it was that the world contained so many lives. Out in these streets people were embroiled in a thousand different matters, money problems, love problems, school problems. People were falling in love, getting married, going to drug rehab, learning how to ice-skate, getting bifocals, studying for exams, trying on clothes, getting their hair-cut and getting born. And in some houses people were getting old and sick and were dying, leaving others to grieve. It was happening all the time, unnoticed, and it was the thing that really mattered.”
    Jeffrey Eugenides, Middlesex

  • #21
    Jeffrey Eugenides
    “There was nowhere I could go that wouldn't be you.”
    Jeffrey Eugenides, Middlesex

  • #22
    Jeffrey Eugenides
    “Maybe the best proof that the language is patriarchal is that it oversimplifies feeling.”
    Jeffrey Eugenides, Middlesex

  • #23
    Jeffrey Eugenides
    “The essential matrimonial facts: that to be happy you have to find variety in repetition; that to go forward you have to come back to where you begin.”
    Jeffrey Eugenides, Middlesex

  • #24
    Jeffrey Eugenides
    “She understood that her heart operated on its own instructions, that she had no control over it or, indeed, anything else.”
    Jeffrey Eugenides, Middlesex

  • #25
    Jeffrey Eugenides
    “Historical fact: People stopped being people in 1913. That was the year Henry Ford put his cars on rollers and made his workers adopt the speed of the assembly line. At first, workers rebelled. They quit in droves, unable to accustom their bodies to the new pace of the age. Since then, however, the adaptation has been passed down: we've all inherited it to some degree, so that we plug right into joy-sticks and remotes, to repetitive motions of a hundred kinds.”
    Jeffrey Eugenides, Middlesex

  • #26
    Jeffrey Eugenides
    “The mind self-edits. The mind airbrushes. It's a different thing to be inside a body than outside. From outside, you can look, inspect, compare. From inside there is no comparison.”
    Jeffrey Eugenides, Middlesex

  • #27
    Jeffrey Eugenides
    “But in the end it wasn't up to me. The bigs things never are. Birth, I mean, and death. And love. And what love bequeaths to us before we're born.”
    Jeffrey Eugenides, Middlesex

  • #28
    Jeffrey Eugenides
    “I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974.”
    Jeffrey Eugenides, Middlesex

  • #29
    Jeffrey Eugenides
    “So do boys and men announce their intentions. They cover you like a sarcophagus lid. And call it love.”
    Jeffrey Eugenides, Middlesex

  • #30
    Jeffrey Eugenides
    “I went into the desert to forget about you. But the sand was the color of your hair. The desert sky was the color of your eyes. There was nowhere I could go that wouldn't be you.”
    Jeffrey Eugenides, Middlesex



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