Caleb > Caleb's Quotes

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  • #1
    Flannery O'Connor
    “No art is sunk in the self, but rather, in art the self becomes self-forgetful in order to meet the demands of the thing seen and the thing being made.”
    Flannery O'Connor

  • #2
    Rainer Maria Rilke
    “Perhaps all the dragons in our lives are princesses who are only waiting to see us act, just once, with beauty and courage. Perhaps everything that frightens us is, in its deepest essence, something helpless that wants our love.”
    Rainer Maria Rilke, Letters to a Young Poet

  • #3
    Rainer Maria Rilke
    “Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.”
    Rainer Maria Rilke

  • #4
    Rainer Maria Rilke
    “Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write.

    This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple “I must,” then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse. Then come close to Nature. Then, as if no one had ever tried before, try to say what you see and feel and love and lose...

    ...Describe your sorrows and desires, the thoughts that pass through your mind and your belief in some kind of beauty - describe all these with heartfelt, silent, humble sincerity and, when you express yourself, use the Things around you, the images from your dreams, and the objects that you remember. If your everyday life seems poor, don’t blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is not poverty and no poor, indifferent place. And even if you found yourself in some prison, whose walls let in none of the world’s sounds – wouldn’t you still have your childhood, that jewel beyond all price, that treasure house of memories? Turn your attentions to it. Try to raise up the sunken feelings of this enormous past; your personality will grow stronger, your solitude will expand and become a place where you can live in the twilight, where the noise of other people passes by, far in the distance. - And if out of this turning-within, out of this immersion in your own world, poems come, then you will not think of asking anyone whether they are good or not. Nor will you try to interest magazines in these works: for you will see them as your dear natural possession, a piece of your life, a voice from it. A work of art is good if it has arisen out of necessity. That is the only way one can judge it.”
    Rainer Maria Rilke

  • #5
    Anne Lamott
    “But it is fantasy to think that successful writers do not have these bored, defeated hours, these hours of deep insecurity when one feels as small and jumpy as a water bug. They do. But they also often feel a great sense of amazement that they get to write, and they know that this is what they want to do for the rest of their lives.”
    Anne Lamott, Bird by Bird: Some Instructions on Writing and Life

  • #6
    Anne Lamott
    “Yet somehow in the face of all this, you clear a space for the writing voice, hacking away at the others with machetes, and you begin to compose sentences. You begin to string words together like beads to tell a story. You are desperate to communicate, to edify or entertain, to preserve moments of grace or joy or transcendence, to make real or imagined events come alive. But you cannot will this to happen. It is a matter of persistence and faith and hard work. So you might as well just go ahead and get started.”
    Anne Lamott, Bird by Bird

  • #7
    Anne Lamott
    “For some of us, books are as important as almost anything else on earth. What a miracle it is that out of these small, flat, rigid squares of paper unfolds world after world after world, worlds that sing to you, comfort and quiet or excite you. Books help us understand who we are and how we are to behave. They show us what community and friendship mean; they show us how to live and die.”
    Anne Lamott, Bird by Bird

  • #8
    Anne Lamott
    “For some of us, books are as important as almost anything else on earth. What a miracle it is that out of these small, flat, rigid squares of paper unfolds world after world after world, worlds that sing to you, comfort and quiet or excite you. Books help us understand who we are and how we are to behave. They show us what community and friendship mean; they show us how to live and die. They are full of all the things that you don't get in real life--wonderful, lyrical language, for instance, right off the bat. And quality of attention: we may notice amazing details during the course of a day but we rarely let ourselves stop and really pay attention. An author makes you notice, makes you pay attention, and this is a great gift. My gratitude for good writing is unbounded; I'm grateful for it the way I'm grateful for the ocean.”
    Anne Lamott (Author)

  • #9
    Anne Lamott
    “E.L. Doctorow said once said that 'Writing a novel is like driving a car at night. You can see only as far as your headlights, but you can make the whole trip that way.' You don't have to see where you're going, you don't have to see your destination or everything you will pass along the way. You just have to see two or three feet ahead of you. This is right up there with the best advice on writing, or life, I have ever heard.”
    Anne Lamott, Bird by Bird

  • #10
    Anne Lamott
    “Thirty years ago my older brother, who was ten years old at the time, was trying to get a report written on birds that he'd had three months to write, which was due the next day. We were out at our family cabin in Bolinas, and he was at the kitchen table close to tears, surrounded by binder paper and pencils and unopened books about birds, immobilized by the hugeness of the task ahead. Then my father sat down beside him put his arm around my brother's shoulder, and said, "Bird by bird, buddy. Just take it bird by bird.”
    Anne Lamott, Bird by Bird

  • #11
    Anne Lamott
    “I heard a preacher say recently that hope is a revolutionary patience; let me add that so is being a writer. Hope begins in the dark, the stubborn hope that if you just show up and try to do the right thing, the dawn will come. You wait and watch and work: you don't give up.”
    Anne Lamott, Bird by Bird

  • #12
    Remember that you own what happened to you. If your childhood was less than ideal,
    “Remember that you own what happened to you. If your childhood was less than ideal, you may have been raised thinking that if you told the truth about what really went on in your family, a long bony white finger would emerge from a cloud and point to you, while a chilling voice thundered, "We *told* you not to tell." But that was then. Just put down on paper everything you can remember now about your parents and siblings and relatives and neighbors, and we will deal with libel later on.”
    Anne Lamott, Bird by Bird

  • #13
    Anne Lamott
    “But how?" my students ask. "How do you actually do it?"
    You sit down, I say. You try to sit down at approximately the same time every day. This is how you train your unconscious to kick in for you creatively. So you sit down at, say, nine every morning, or ten every night. You put a piece of paper in the typewriter, or you turn on the computer and bring up the right file, and then you stare at it for an hour or so. You begin rocking, just a little at first, and then like a huge autistic child. You look at the ceiling, and over at the clock, yawn, and stare at the paper again. Then, with your fingers poised on the keyboard, you squint at an image that is forming in your mind -- a scene, a locale, a character, whatever -- and you try to quiet your mind so you can hear what that landscape or character has to say above the other voices in your mind.”
    Anne Lamott, Bird by Bird

  • #14
    Anne Lamott
    “You own everything that happened to you. Tell your stories. If people wanted you to write warmly about them, they should have behaved better.”
    Anne Lamott, Bird by Bird

  • #15
    Anne Lamott
    “Writing and reading decrease our sense of isolation. They deepen and widen and expand our sense of life: they feed the soul. When writers make us shake our heads with the exactness of their prose and their truths, and even make us laugh about ourselves or life, our buoyancy is restored. We are given a shot at dancing with, or at least clapping along with, the absurdity of life, instead of being squashed by it over and over again. It's like singing on a boat during a terrible storm at sea. You can't stop the raging storm, but singing can change the hearts and spirits of the people who are together on that ship.”
    Anne Lamott, Bird by Bird

  • #16
    Ocean Vuong
    “I am writing because they told me to never start a sentence with because. But I wasn't trying to make a sentence—I was trying to break free. Because freedom, I am told, is nothing but the distance between the hunter and its prey.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #17
    Stephen Chbosky
    “So, this is my life. And I want you to know that I am both happy and sad and I'm still trying to figure out how that could be.”
    Stephen Chbosky, The Perks of Being a Wallflower

  • #18
    Stephen Chbosky
    “It's strange because sometimes, I read a book, and I think I am the people in the book.”
    Stephen Chbosky, The Perks of Being a Wallflower

  • #19
    Alasdair Gray
    “Nature gives children great emotional resilience to help them survive the oppressions of being small, but these oppressions still make them into slightly insane adults, either mad to seize all the power they once lacked or (more usually) mad to avoid it.”
    Alasdair Gray, Poor Things

  • #20
    Rainer Maria Rilke
    “Continue to believe that with your feeling and with
    your work you take part in what is greatest. The more strongly you cultivate this belief inside of you, the more it will give rise to reality and world.”
    Rainer Maria Rilke, The Dark Interval: Letters on Loss, Grief, and Transformation

  • #21
    Rainer Maria Rilke
    “It is still this death which continues inside of me, which works in me, which transforms my heart, which deepens the red of my blood, which bears down heavily on the life that had been ours so that this death becomes a bittersweet drop coursing through my veins and permeating everything, and which ought to be mine forever.”
    Rainer Maria Rilke, The Dark Interval: Letters on Loss, Grief, and Transformation
    tags: grief

  • #22
    Rainer Maria Rilke
    “All of our true relationships, all of our enduring experiences touch upon and pass through everything, Sidie, through life and death. We must live in both, be intimately at home in both.”
    Rainer Maria Rilke, The Dark Interval: Letters on Loss, Grief, and Transformation

  • #23
    Rainer Maria Rilke
    “But as to the influence of the death of someone near on those he leaves behind, it has long seemed to me that this ought to be no other than a higher responsibility. Does the person who passes away not leave all the things he had begun in hundreds of ways to be continued by those who outlive him, if they had shared any kind of inner bond at all? In recent years I had to live through so many close experiences of death, but not one person has been taken from me without my having found the tasks around me increased. The weight of this unexplained and perhaps greatest event, which only due to a misunderstanding has gained the reputation of being arbitrary and cruel, presses us (I think increasingly) more evenly and more deeply into life and places the utmost obligations on our slowly growing strengths.”
    Rainer Maria Rilke, The Dark Interval: Letters on Loss, Grief, and Transformation

  • #24
    Rainer Maria Rilke
    “And while I am completely engulfed in my sadness, I am happy to sense that you exist, beautiful one. I am happy to have flung myself without fear into your beauty just as a bird flings itself into space. I am happy, dear, to have walked with steady faith on the waters of our uncertainty all the way to that island which is your heart and where pain blossoms.”
    Rainer Maria Rilke, The Dark Interval: Letters for the Grieving Heart

  • #25
    Rainer Maria Rilke
    “And while I am completely engulfed in my sadness, I am happy to sense that you exist, beautiful one. I am happy to have flung myself without fear into your beauty just as a bird flings itself into space. I am happy, dear, to have walked with steady faith on the waters of our uncertainty all the way to that island which is your heart and where pain blossoms. Finally: happy.”
    Rainer Maria Rilke, The Dark Interval: Letters on Loss, Grief, and Transformation

  • #26
    Rainer Maria Rilke
    “I want to encourage you in your pain so that you will completely experience it in all its fullness, because as the experience of a new intensity it is a great life experience and leads everything back again to life, like everything that reaches a certain degree of greatest strength.”
    Rainer Maria Rilke, The Dark Interval: Letters on Loss, Grief, and Transformation

  • #27
    James Baldwin
    “You think your pain and your heartbreak are unprecedented in the history of the world, but then you read. It was books that taught me that the things that tormented me most were the very things that connected me with all the people who were alive, who had ever been alive.”
    James Baldwin

  • #28
    Rainer Maria Rilke
    “There is death in life, and it astonishes me that we pretend to ignore this: death, whose unforgiving presence we experience with each change we survive because we must learn to die slowly. We must learn to die: That is
    all of life.”
    Rainer Maria Rilke, The Dark Interval: Letters on Loss, Grief, and Transformation
    tags: grief

  • #29
    Kazuo Ishiguro
    “What is the point of worrying oneself too much about what one could or could not have done to control the course one's life took? Surely it is enough that the likes of you and I at least try to make our small contribution count for something true and worthy. And if some of us are prepared to sacrifice much in life in order to pursue such aspirations, surely that in itself, whatever the outcome, cause for pride and contentment.”
    Kazuo Ishiguro, The Remains of the Day

  • #30
    Kazuo Ishiguro
    “Indeed — why should I not admit it? — in that moment, my heart was breaking.”
    Kazuo Ishiguro, The Remains of the Day



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