Theo > Theo's Quotes

“Carry on, Simon.”
― Rainbow Rowell, Carry On

“I am going to die kissing Simon Snow. Aleister Crowley, I'm living a charmed life.”
― Rainbow Rowell, Carry On

“Snow kissed me last night until my mouth was sore. He kissed me so much, I was worried I’d Turn him with all my saliva. He held himself up on all fours above me and made me reach up for his mouth—and I did. I would again. I’d cross every line for him.
I’m in love with him.
And he likes this better than fighting.”
― Rainbow Rowell, Carry On

“He's not a monster. He's just a villain. He's not a villain. He's just a boy. I'm kissing a boy. I'm kissing Baz.”
― Rainbow Rowell, Carry On

“My road to hell isn't paved with good intentions - or bad - it's just my road.”
― Rainbow Rowell, Carry On

“No. 9—The Wavering Wood I should take this one off the list. Fuck the Wavering Wood.”
― Rainbow Rowell, Carry On

“And I’m platonically in love with you.”
“That was literally the boy-girl version of ‘no homo’, but I appreciate the sentiment.”
― Alice Oseman, Radio Silence

“I wonder sometimes whether you've exploded already, like a star, and what I'm seeing you is three million years into the past, and you're not here anyore. How can we be together here, now, when you are so far away. When you are so far ago? I'm shouting so loudly, but you never turn around to see me. Perhaps it is I who have already exploded. Either way, we are going to bring beautiful things into the universe.”
― Alice Oseman, Radio Silence

“Are you wearing that?' he [Daniel] said. I looked down. I was wearing my batman onesie.
'Yes,' I said, 'Problem?'
'So many,' he said, turning around. 'So many problems.”
― Alice Oseman, Radio Silence

“Hope was a dangerous, disquieting thing, but he thought perhaps he liked it.”
― Nora Sakavic, The Foxhole Court

“I hate you,” Andrew said casually. He took a last long drag from his cigarette and flicked it off the roof. “You were supposed to be a side effect of the drugs.”
“I’m not a hallucination,” Neil said, nonplussed.
“You are a pipe dream,” Andrew said.”
― Nora Sakavic, The King's Men

“Thank you," he finally said. He couldn't say he meant thanks for all of it: the keys, the trust, the honesty and the kisses. Hopefully Andrew would figure it out eventually. "You were amazing.”
― Nora Sakavic, The King's Men

“Is your learning curve a horizontal line?”
― Nora Sakavic, The King's Men

“I am a bad person trying very hard to be a good person.”
― Nora Sakavic, The Raven King

“Neil thought about Renee's bruised knuckles, Dan's fierce spirit, and Allison holding her ground on the court a week after Seth's death. He thought about his mother standing unflinching in the face of his father's violent anger and her ruthlessly leaving bodies in their wake. He felt compelled to say, "Some of the strongest people I've known are women.”
― Nora Sakavic, The Raven King

“He was their family. They were his. They were worth every cut and bruise and scream.”
― Nora Sakavic, The Raven King

“Ninety percent of the time the very sight of you makes me want to commit murder. I think about carving the skin from your body and hanging it out as a warning to every other fool who thinks he can stand in my way."
"What about the other ten?”
― Nora Sakavic, The King's Men

“Yes or no?"
"It's always yes with you."
"Except when it's no."
"If you have to keep asking because—I'll answer it as many times as you ask. But this is always going to be yes."
"Don't 'always' me."
"Don't ask for the truth if you're just going to dilute it.”
― Nora Sakavic, The King's Men

“I won't be like them," Neil said. "I won't let you let me be." "One hundred and one," Andrew said, "going on one hundred and two." "You're a terrible liar," Neil said, and Andrew kissed him into silence.”
― Nora Sakavic, The King's Men

“Family means something different with us because it has to. It's not about blood. It's not even about who we like. It's about who Andrew's willing to protect.”
― Nora Sakavic, The Foxhole Court

“Oh no,” Elliot moaned, and sat down heavily on his bunk bed. “This is magic Sparta.”
― Sarah Rees Brennan, In Other Lands

“Violence was like that, Elliot had noticed. One move toward it and all at once everything was allowed: anyone could be hurt, out of a mix of pride and anger and stupid disregard for the fact that you could be hurt as easily as someone else.”
― Sarah Rees Brennan, In Other Lands

“I'm not saying this to upset you. I'm trying to tell you what you absolutely have to do. What if we were both dead?' asked Luke.
Elliot looked at his pudding and was very sad about his life and his choices. How had he wound up here, in a place where all he had was pudding - Elliot would have sold his soul for a chocolate bar - and awful people who at the age of thirteen asked questions like 'What if we were both dead.”
― Sarah Rees Brennan, In Other Lands

“Magic lands in books had always seemed close to nature, but in a nice way, without all the unpleasant details.”
― Sarah Rees Brennan, In Other Lands

“Fourteen wasn't horrible, but it was more complicated, and sometimes that felt like the same thing.”
― Sarah Rees Brennan, In Other Lands

“Maybe both our societies are messed up, and they each only think one type of person is really a person. And the type of person they think is really a person is allowed to show imperfections and age . . . whereas the type of person they think is an object should show no signs of being a person. We’re socialized to see the imperfections in those objects.”
― Sarah Rees Brennan, In Other Lands

“He could change something, maybe, even if he could not change enough.”
― Sarah Rees Brennan, In Other Lands

“The library is meant to be a place of learning, not of
judgment,” said Elliot.”
― Sarah Rees Brennan, In Other Lands

“He couldn’t imagine his father going to school and antagonizing everyone in sight, being too short, too smart, too awkward, too unguarded, too wildly unused to company, until it was easier eventually to antagonize people on purpose.”
― Sarah Rees Brennan, In Other Lands

“Oh, Neil, unpredictable as he is unreal.”
― Nora Sakavic, The Foxhole Court