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  • #1
    J.D. Salinger
    “Bessie: 'Why don't you get married?'
    Zooey: 'I like riding in trains too much. You never get to sit next to the window anymore when you're married.”
    J.D. Salinger, Franny and Zooey

  • #2
    David Foster Wallace
    “How odd I can have all this inside me and to you it’s just words.”
    David Foster Wallace, The Pale King

  • #3
    Andrea Gibson
    “Our hearts beat so loud the neighbours think we’re fucking when I’m just trying to find the nerve to touch your face.”
    Andrea Gibson

  • #4
    Sophie Scholl
    “The real damage is done by those millions who want to 'survive.' The honest men who just want to be left in peace. Those who don’t want their little lives disturbed by anything bigger than themselves. Those with no sides and no causes. Those who won’t take measure of their own strength, for fear of antagonizing their own weakness. Those who don’t like to make waves—or enemies. Those for whom freedom, honour, truth, and principles are only literature. Those who live small, mate small, die small. It’s the reductionist approach to life: if you keep it small, you’ll keep it under control. If you don’t make any noise, the bogeyman won’t find you. But it’s all an illusion, because they die too, those people who roll up their spirits into tiny little balls so as to be safe. Safe?! From what? Life is always on the edge of death; narrow streets lead to the same place as wide avenues, and a little candle burns itself out just like a flaming torch does. I choose my own way to burn.”
    Sophie Scholl

  • #5
    John Berger
    “You painted a naked woman because you enjoyed looking at her, put a mirror in her hand and you called the painting “Vanity,” thus morally condemning the woman whose nakedness you had depicted for you own pleasure.”
    John Berger, Ways of Seeing

  • #6
    Joanne Harris
    “I let it go. It's like swimming against the current. It exhausts you. After a while, whoever you are, you just have to let go, and the river brings you home.”
    Joanne Harris, Five Quarters of the Orange

  • #7
    Warsan Shire
    “My alone feels so good, I'll only have you if you're sweeter than my solitude.”
    Warsan Shire

  • #8
    Warsan Shire
    “i give myself five days to forget you.
    on the first day i rust.
    on the second i wilt.
    on the third day i sit with friends but i think about your tongue.
    i clean my room on the fourth day. i clean my body on the fourth day.
    i try to replace your scent on the fourth day.
    the fifth day, i adorn myself like the mouth of an inmate.
    a wedding singer dressed in borrowed gold.
    the midas of cheap metal.
    tinsel in the middle of summer.
    crevice glitter, two days after the party.
    i glow the way unwanted things do,
    a neon sign that reads;
    come, i still taste like someone else’s mouth.”
    Warsan Shire

  • #9
    Janet Fitch
    “
Loneliness is the human condition. Cultivate it. The way it tunnels into you allows your soul room to grow. Never expect to outgrow loneliness. Never hope to find people who will understand you, someone to fill that space. An intelligent, sensitive person is the exception, the very great exception. If you expect to find people who will understand you, you will grow murderous with disappointment. The best you'll ever do is to understand yourself, know what it is that you want, and not let the cattle stand in your way.”
    Janet Fitch, White Oleander

  • #10
    Janet Fitch
    “Always learn poems by heart. They have to become the marrow in your bones. Like fluoride in the water, they'll make your soul impervious to the world's soft decay.”
    Janet Fitch, White Oleander

  • #11
    Kazuo Ishiguro
    “I half closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field and gradually get larger until I'd see it was Tommy, and he'd wave, and maybe even call.”
    Kazuo Ishiguro, Never Let Me Go

  • #12
    Margaret Atwood
    “War is what happens when language fails.”
    Margaret Atwood

  • #13
    Margaret Atwood
    “Men are afraid that women will laugh at them. Women are afraid that men will kill them.”
    Margaret Atwood

  • #14
    Margaret Atwood
    “Water does not resist. Water flows. When you plunge your hand into it, all you feel is a caress. Water is not a solid wall, it will not stop you. But water always goes where it wants to go, and nothing in the end can stand against it. Water is patient. Dripping water wears away a stone. Remember that, my child. Remember you are half water. If you can't go through an obstacle, go around it. Water does.”
    Margaret Atwood, The Penelopiad

  • #15
    Richard Siken
    “Sorry about the blood in your mouth. I wish it was mine.

    I couldn't get the boy to kill me, but I wore his jacket for the longest time.”
    Richard Siken, Crush

  • #16
    Richard Siken
    “Tell me about the dream where we pull the bodies out of the lake
                                                                                    and dress them in warm clothes again.
              How it was late, and no one could sleep, the horses running
    until they forget that they are horses.
                        It’s not like a tree where the roots have to end somewhere,
              it’s more like a song on a policeman’s radio,
                                  how we rolled up the carpet so we could dance, and the days
    were bright red, and every time we kissed there was another apple
                                                                                                                            to slice into pieces.
    Look at the light through the windowpane. That means it’s noon, that means
              we're inconsolable.
                                                                Tell me how all this, and love too, will ruin us.
    These, our bodies, possessed by light.
                                                                                              Tell me we’ll never get used to it.”
    Richard Siken, Crush

  • #17
    Anaïs Nin
    “I, with a deeper instinct, choose a man who compels my strength, who makes enormous demands on me, who does not doubt my courage or my toughness, who does not believe me naïve or innocent, who has the courage to treat me like a woman.”
    Anaïs Nin

  • #18
    Anaïs Nin
    “Love never dies a natural death. It dies because we don't know how to replenish its source. It dies of blindness and errors and betrayals. It dies of illness and wounds; it dies of weariness, of witherings, of tarnishings.”
    Anais Nin

  • #19
    Anaïs Nin
    “We do not grow absolutely, chronologically. We grow sometimes in one dimension, and not in another; unevenly. We grow partially. We are relative. We are mature in one realm, childish in another. The past, present, and future mingle and pull us backward, forward, or fix us in the present. We are made up of layers, cells, constellations.”
    Anais Nin

  • #20
    Lundy Bancroft
    “YOUR ABUSIVE PARTNER DOESN’T HAVE A PROBLEM WITH HIS ANGER; HE HAS A PROBLEM WITH YOUR ANGER.
    One of the basic human rights he takes away from you is the right to be angry with him. No matter how badly he treats you, he believes that your voice shouldn’t rise and your blood shouldn’t boil. The privilege of rage is reserved for him alone. When your anger does jump out of you—as will happen to any abused woman from time to time—he is likely to try to jam it back down your throat as quickly as he can. Then he uses your anger against you to prove what an irrational person you are. Abuse can make you feel straitjacketed. You may develop physical or emotional reactions to swallowing your anger, such as depression, nightmares, emotional numbing, or eating and sleeping problems, which your partner may use as an excuse to belittle you further or make you feel crazy.”
    Lundy Bancroft, Why Does He Do That? Inside the Minds of Angry and Controlling Men

  • #21
    Lundy Bancroft
    “The abuser’s mood changes are especially perplexing. He can be a different person from day to day, or even from hour to hour. At times he is aggressive and intimidating, his tone harsh, insults spewing from his mouth, ridicule dripping from him like oil from a drum. When he’s in this mode, nothing she says seems to have any impact on him, except to make him even angrier. Her side of the argument counts for nothing in his eyes, and everything is her fault. He twists her words around so that she always ends up on the defensive. As so many partners of my clients have said to me, “I just can’t seem to do anything right.”
    At other moments, he sounds wounded and lost, hungering for love and for someone to take care of him. When this side of him emerges, he appears open and ready to heal. He seems to let down his guard, his hard exterior softens, and he may take on the quality of a hurt child, difficult and frustrating but lovable. Looking at him in this deflated state, his partner has trouble imagining that the abuser inside of him will ever be back. The beast that takes him over at other times looks completely unrelated to the tender person she now sees. Sooner or later, though, the shadow comes back over him, as if it had a life of its own. Weeks of peace may go by, but eventually she finds herself under assault once again. Then her head spins with the arduous effort of untangling the many threads of his character, until she begins to wonder whether she is the one whose head isn’t quite right.”
    Lundy Bancroft, Why Does He Do That? Inside the Minds of Angry and Controlling Men

  • #22
    Lundy Bancroft
    “The symptoms of abuse are there, and the woman usually sees them: the escalating frequency of put-downs. Early generosity turning more and more to selfishness. Verbal explosions when he is irritated or when he doesn’t get his way. Her grievances constantly turned around on her, so that everything is her own fault. His growing attitude that he knows what is good for her better than she does. And, in many relationships, a mounting sense of fear or intimidation. But the woman also sees that her partner is a human being who can be caring and affectionate at times, and she loves him. She wants to figure out why he gets so upset, so that she can help him break his pattern of ups and downs. She gets drawn into the complexities of his inner world, trying to uncover clues, moving pieces around in an attempt to solve an elaborate puzzle.”
    Lundy Bancroft, Why Does He Do That? Inside the Minds of Angry and Controlling Men

  • #23
    Lundy Bancroft
    “An abuser can seem emotionally needy. You can get caught in a trap of catering to him, trying to fill a bottomless pit. But he’s not so much needy as entitled, so no matter how much you give him, it will never be enough. He will just keep coming up with more demands because he believes his needs are your responsibility, until you feel drained down to nothing.”
    Lundy Bancroft, Why Does He Do That? Inside the Minds of Angry and Controlling Men

  • #24
    Anaïs Nin
    “I hate men who are afraid of women's strength.”
    Anaïs Nin, Henry and June: The Unexpurgated Diary of Anaïs Nin, 1931-1932

  • #25
    Anaïs Nin
    “There are two ways to reach me: by way of kisses or by way of the imagination. But there is a hierarchy: the kisses alone don't work.”
    Anaïs Nin, HENRY AND JUNE

  • #26
    Anaïs Nin
    “Last night I wept. I wept because the process by which I have become woman was painful. I wept because I was no longer a child with a child's blind faith. I wept because my eyes were opened to reality....I wept because I could not believe anymore and I love to believe. I can still love passionately without believing. That means I love humanly. I wept because I have lost my pain and I am not yet accustomed to its absence.”
    Anaïs Nin, Henry and June: The Unexpurgated Diary of Anaïs Nin, 1931-1932

  • #27
    Anaïs Nin
    “I love her for what she has dared to be, for her hardness, her cruelty, her egoism, her perverseness, her demoniac destructiveness. She would crush me to ashes without hesitation. She is a personality created to the limit. I worship her courage to hurt, and I am willing to be sacrificed to it. She will add the sum of me to her. She will be June plus all that I contain.”
    Anais Nin, Henry and June: The Unexpurgated Diary of Anaïs Nin, 1931-1932

  • #28
    Anaïs Nin
    “We efface an hour by passionate love, without twists, without aftertaste. When it is finished, it is not finished, we lie still in each other's arms lulled by our love, by tenderness -- sensuality in which the whole being can participate.”
    Anaïs Nin, Henry and June: The Unexpurgated Diary of Anaïs Nin, 1931-1932

  • #29
    Chris Kraus
    “Why does everybody think that women are debasing themselves when we expose the conditions of our own debasement? Why do women always have to come clean? The magnificence of Genet’s last great work, The Prisoner of Love, lies in his willingness to be wrong: a seedy old white guy jerking off on the rippling muscles of the Arabs and Black Panthers. Isn’t the greatest freedom in the world the freedom to be wrong?”
    Chris Kraus, I Love Dick

  • #30
    Chris Kraus
    “You shrunk and bottled in a glass jar, you’re a portable saint. Knowing you is like knowing Jesus. There are billions of us and only one of you so I don’t expect much from you personally. There are no answers to my life. But I’m touched by you and fulfilled just by believing.”
    Chris Kraus, I Love Dick



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