J.A. > J.A.'s Quotes

“One of the cheapest commodities in the world is unfulfilled genius. All of us want to be known as a unique individual, the one who broke out of the pack. So, you offer yourself up as a sacrifice and what you’re afraid of is losing and being thrown back into the pack. One question taunts you. Do you want to have, or do you want to be?”
― Leon Uris, Mitla Pass

“Nothing that is worth doing can be achieved in our lifetime; therefore we must be saved by hope.

Nothing which is true or beautiful or good makes complete sense in any immediate context of history; therefore we must be saved by faith.

Nothing we do, however virtuous, can be accomplished alone; therefore we must be saved by love.

No virtuous act is quite as virtuous from the standpoint of our friend or foe as it is from our standpoint. Therefore we must be saved by the final form of love which is forgiveness.”
― Reinhold Niebuhr, The Irony of American History

“The First [Friend] is the alter ego, the man who first reveals to you that you are not alone in the world by turning out (beyond hope) to share all your most secret delights. There is nothing to be overcome in making him your friend; he and you join like raindrops on a window. But the Second Friend is the man who disagrees with you about everything. He is not so much the alter ego as the antiself. Of course he shares your interests; otherwise he would not become your friend at all. But he has approached them all at a different angle. He has read all the right books but has got the wrong thing out of every one. It is as if he spoke your language but mispronounced it. How can he be so nearly right and yet, invariably, just not right? He is as fascinating (and infuriating) as a woman. When you set out to correct his heresies, you will find that he forsooth to correct yours! And then you go at it, hammer and tongs, far into the night, night after night, or walking through fine country that neither gives a glance to, each learning the weight of the other's punches, and often more like mutually respectful enemies than friends. Actually (though it never seems so at the time) you modify one another's thought; out of this perpetual dogfight a community of mind and a deep affection emerge.”
― C.S. Lewis, Surprised by Joy: The Shape of My Early Life

“To this day the vision of the world which comes most naturally to me is one in which “we two” or “we few” (and in a sense “we happy few”) stand together against something stronger and larger.”
― C.S. Lewis, Surprised by Joy: The Shape of My Early Life

“When I was ten, I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty, I read them openly. When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.”
― C.S. Lewis, On Stories: And Other Essays on Literature

“Hate can be a deeply stimulating emotion. The world becomes easier to understand and much less terrifying if you divide everything and everyone into friends and enemies, we and they, good and evil. The easiest way to unite a group isn't through love, because love is hard, It makes demands. Hate is simple. So the first thing that happens in a conflict is that we choose a side, because that's easier than trying to hold two thoughts in our heads at the same time. The second thing that happens is that we seek out facts that confirm what we want to believe - comforting facts, ones that permit life to go on as normal. The third is that we dehumanize our enemy.”
― Fredrik Backman, Beartown

“The peculiarity of ill temper is that it is the vice of the virtuous.”
― Henry Drummond

“All novels are sequels; influence is bliss.”
― Michael Chabon

“Literature, so far as it is Literature, is an ‘apocalypse of Nature,’ a revealing of the ‘open secret.”
― Thomas Carlyle, On Heroes, Hero-Worship, and the Heroic in History

“No iron spike can pierce a human heart as icily as a period in the right place.”
― Isaac Babel

“Don't punish yourself,' she heard her say again, but there would be punishment and pain, and there would be happiness, too. That was writing.”
― Markus Zusak, The Book Thief

“The excellence of every Art is its intensity.”
― John Keats, Complete Poems and Selected Letters

“Love is anticipation and memory, uncertainty and longing. It’s unreasonable, of course. Nothing begins with so much excitement and hope and pleasure as love, except maybe writing a story. And nothing fails as often, except writing stories. And like a story, love must be troubled to be interesting.”
― John Dufresne, Love Warps the Mind a Little

“Tomorrow may be hell, but today was a good writing day, and on the good writing days nothing else matters.”
― Neil Gaiman

“If they give you ruled paper, write the other way.”
― Juan Ramón Jiménez, Invisible Reality

“I am madness maddened when it comes to books, writers, and the great granary silos where their wits are stored.”
― Ray Bradbury

“Every work of art is aggressive, Isabella. And every artist's life is a small war or a large one, beginning with oneself and one's limitations. To achieve anything you must first have ambition and then talent, knowledge, and finally the opportunity.”
― Carlos Ruiz Zafón, The Angel's Game

“The master in the art of living makes little distinction between his work and his play, his labor and his leisure, his mind and his body, his information and his recreation, his love and his religion. He hardly knows which is which. He simply pursues his vision of excellence at whatever he does, leaving others to decide whether he is working or playing. To him he's always doing both. ”
― James A. Michener

“Like so many creative men of his school he was hounded by an incessant restlessness.”
― Leon Uris, Exodus

“Hardly a pure science, history is closer to animal husbandry than it is to mathematics in that it involves selective breeding. The principal difference between the husbandryman and the historian is that the former breeds sheep or cows or such and the latter breeds (assumed) facts. The husbandryman uses his skills to enrich the future, the historian uses his to enrich the past. Both are usually up to their ankles in bullshit.”
― Tom Robbins, Another Roadside Attraction

“Every novel is like this, desperation, a frustrated attempt to save something of the past. Except that it still has not been established whether it is the novel that prevents man from forgetting himself or the impossibility of forgetfulness that makes him write novels.”
― José Saramago, The History of the Siege of Lisbon

“Bea says that the art of reading is slowly dying, that it's an intimate ritual, that a book is a mirror that offers us only what we already carry inside us, that when we read, we do it with all our heart and mind, and great readers are becoming more scarce by the day.”
― Carlos Ruiz Zafón, The Shadow of the Wind

“A story is a letter that the author writes to himself, to tell himself things that he would be unable to discover otherwise.”
― Carlos Ruiz Zafón, The Shadow of the Wind

“Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it. Every time a book changes hands, every time someone runs his eyes down its pages, its spirit grows and strengthens.”
― Carlos Ruiz Zafón, The Shadow of the Wind

“Once, in my father's bookshop, I heard a regular customer say that few things leave a deeper mark on a reader than the first book that finds its way into his heart. Those first images, the echo of words we think we have left behind, accompany us throughout our lives and sculpt a palace in our memory to which, sooner or later—no matter how many books we read, how many worlds we discover, or how much we learn or forget—we will return.”
― Carlos Ruiz Zafon, The Shadow of the Wind

“Better to write for yourself and have no public, than to write for the public and have no self."

[The New Statesman, February 25, 1933]”
― Cyril Connolly

“Oh, it makes a difference, I thought. And if it doesn't make a difference you will make it make a difference.”
― Chaim Potok, My Name Is Asher Lev

“Art is whether or not there is a scream in him wanting to get out in a special way.”
― Chaim Potok, My Name Is Asher Lev

“But it would have made me a whore to leave it incomplete. It would have made it easier to leave future work incomplete. It would have made it more and more difficult to draw upon that additional aching surge of effort that is always the difference between integrity and deceit in a created work. I would not be the whore to my own existence. Can you understand that? I would not be the whore to my own existence.”
― Chaim Potok, My Name Is Asher Lev

“I looked at my right hand, the hand with which I painted. There was power in that hand. Power to create and destroy. Power to bring pleasure and pain. Power to amuse and horrify. There was in that hand the demonic and the divine at one and the same time. The demonic and the divine were two aspects of the same force. Creation was demonic and divine. Creativity was demonic and divine. I was demonic and divine.”
― Chaim Potok, My Name Is Asher Lev