Hannah Madsen > Hannah's Quotes

“Male fantasies, male fantasies, is everything run by male fantasies? Up on a pedestal or down on your knees, it's all a male fantasy: that you're strong enough to take what they dish out, or else too weak to do anything about it. Even pretending you aren't catering to male fantasies is a male fantasy: pretending you're unseen, pretending you have a life of your own, that you can wash your feet and comb your hair unconscious of the ever-present watcher peering through the keyhole, peering through the keyhole in your own head, if nowhere else. You are a woman with a man inside watching a woman. You are your own voyeur.”
― Margaret Atwood, The Robber Bride

“Well, let me leave it at this: if God does exist, He would have a great deal be sad about. And if He doesn’t exist, then that too would make Him quite sad, I imagine. So to answer your question, God must be sad.”
― Jonathan Safran Foer, Everything is Illuminated

“There were things I wanted to tell him. But I knew they would hurt him. So I buried them, and let them hurt me.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“She wants to know if I love her, that's all anyone wants from anyone else, not love itself but the knowledge that love is there, like new batteries in the flashlight in the emergency kit in the hall closet.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“What did thinking ever do for me, to what great place did thinking ever bring me? I think and think and think. I've thought myself out of happiness one million times, but never once into it.”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“I felt, that night, on that stage, under that skull, incredibly close to everything in the universe, but also extremely alone. I wondered, for the first time in my life, if life was worth all the work it took to live. What exactly made it worth it? What's so horrible about being dead forever, and not feeling anything, and not even dreaming? What's so great about feeling and dreaming?”
― Jonathan Safran Foer, Extremely Loud & Incredibly Close

“We will teach you about our God and you will teach us about yours, and together we'll find the God that exists behind them.”
― Sue Monk Kidd, The Book of Longings

“I think every pain in this world wants to be witnessed.”
― Sue Monk Kidd, The Book of Longings

“Bless the largeness inside me, no matter how I fear it.”
― Sue Monk Kidd, The Book of Longings

“We have only one story. All novels, all poetry, are built on the neverending contest in ourselves of good and evil. And it occurs to me that evil must constantly respawn, while good, while virtue, is immortal. Vice has always a new fresh young face, while virtue is venerable as nothing else in the world is.”
― John Steinbeck, East of Eden

“Do you take pride in your hurt? Does it make you seem large and tragic? ...Well, think about it. Maybe you're playing a part on a great stage with only yourself as audience.”
― John Steinbeck, East of Eden

“I have been bent and broken but I hope into better shape.”
― Abraham Verghese, The Covenant of Water

“The water she first stepped into minutes ago is long gone and yet it is here, past and present and future inexorably coupled, like time made incarnate. This is the covenant of water: that they’re all linked inescapably by their acts of commission and omission, and no one stands alone.”
― Abraham Verghese, The Covenant of Water

“Roses would be annoying weeds if the blooms never withered and died. Beauty resides in the knowledge that it doesn’t last.”
― Abraham Verghese, The Covenant of Water

“Women got that feeling about him, that funny one we all get when we know something isn't right, but we don't know how to politely extricate ourselves from the situation without escalating the threat of violence or harassment. That is not a skill women are taught, the same way men are not taught that it is okay to leave a woman alone if what she wants is to be left alone.”
― Jessica Knoll, Bright Young Women

“Things grow differently when they’re damaged, showing us how to occupy strange new ground to bloom red instead of green. We can be found, brighter than before.”
― Jessica Knoll, Bright Young Women

“Still, something did not seem right, and Robin could tell from Victoire’s and Ramy’s faces that they thought so too. It took him a moment to realize what it was that grated on him, and when he did, it would bother him constantly, now and thereafter; it would seem a great paradox, the fact that after everything they had told Letty, all the pain they had shared, she was the one who needed comfort.”
― R.F. Kuang, Babel

“Noa stared at her. She would always believe that he was someone else, that he wasn't himself but some fanciful idea of a foreign person; she would always feel like she was someone special because she had condescended to be with someone everyone else hated. His presence would prove to the world that she was a good person, an educated person, a liberal person. Noa didn't care about being Korean when he was with her; in fact, he didn't care about being Korean or Japanese with anyone. He wanted to be just himself, whatever that meant; he wanted to forget himself sometimes. But that wasn't possible. It would never be possible with her.”
― Min Jin Lee, Pachinko

“because she would not believe that she was no different than her parents, that seeing him as only Korean—good or bad—was the same as seeing him only as a bad Korean. She could not see his humanity, and Noa realized that this was what he wanted most of all: to be seen as human.”
― Min Jin Lee, Pachinko

“Why did her family think pachinko was so terrible? Her father, a traveling salesman, had sold expensive life insurance policies to isolated housewives who couldn't afford them, and Mozasu created spaces where grown men and women could play pinball for money. Both men had made money from chance and fear and loneliness. Every morning, Mozasu and his men tinkered with the machines to fix the outcomes--there could only be a few winners and a lot of losers. And yet we played on, because we had hope that we might be the lucky ones. How could you get angry at the ones who wanted to be in the game? Etsuko had failed in this important way--she had not taught her children to hope, to believe in the perhaps-absurd possibility that they might win. Pachinko was a foolish game, but life was not.”
― Min Jin Lee, Pachinko

“After losing four of his children and his wife to cholera five years ago, Shin found that he could not speak much about loss. Everything a person said sounded glib and foolish.”
― Min Jin Lee, Pachinko