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  • #1
    Sally Rooney
    “Maybe we're just born to love and worry about the people we know, and to go on loving and worrying even when there are more important things we should be doing. And if that means the human species is going to die out, isn't it in a way a nice reason to die out, the nicest reason you can imagine? Because when we should have been reorganising the distribution of the world's resources and transitioning collectively to a sustainable economic model, we were worrying about sex and friendship instead. Because we loved each other too much and found each other too interesting. And I love that about humanity, and in fact it's the very reason I root for us to survive - because we are so stupid about each other.”
    Sally Rooney, Beautiful World, Where Are You

  • #2
    André Aciman
    “But to feel nothing so as not to feel anything – what a waste!”
    André Aciman, Call Me By Your Name

  • #3
    Donna Tartt
    “Does such a thing as 'the fatal flaw,' that showy dark crack running down the middle of a life, exist outside literature? I used to think it didn't. Now I think it does. And I think that mine is this: a morbid longing for the picturesque at all costs.”
    Donna Tartt, The Secret History

  • #4
    Donna Tartt
    “It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.”
    Donna Tartt, The Secret History

  • #5
    Madeline Miller
    “He knew, but it was not enough. The sorrow was so large it threatened to tear through my skin. When he died, all things swift and beautiful and bright would be buried with him.”
    Madeline Miller, The Song of Achilles

  • #6
    “The particulars of new places grabbed me and held me, the sweep of new coasts, cold, lovely, dawns. The world was incomprehensibly large, and there was still so much to see. Yes, I got sick sometimes of being an expatriate, always ignorant, on the outside of things, but I didn't feel ready for domestic life, for seeing the same people, the same places, thinking more or less the same thoughts, each day. I liked surrendering to the onrush, the uncertainty, the serendipity of the road.”
    William Finnegan, Barbarian Days: A Surfing Life

  • #7
    Sally Rooney
    “When I try to picture for myself what a happy life might look like, the picture hasn't changed very much since I was a child - a house with flowers and trees around it, and a river nearby, and a room full of books, and someone there to love me, that's all. Just to make a home there, and to care for my parents when they grow older. Never to move, never to board a plane again, just to live quietly and then be buried in the earth.”
    Sally Rooney, Beautiful World, Where Are You

  • #8
    Sally Rooney
    “What if the meaning of life on earth is not eternal progress toward some unspecified goal—the engineering and production of more and more powerful technologies, the development of more and more complex and abstruse cultural forms? What if these things just rise and recede naturally, like tides, while the meaning of life remains the same always—just to live and be with other people?”
    Sally Rooney, Beautiful World, Where Are You

  • #9
    Sally Rooney
    “Still, Connell went home that night and read over some notes he had been making for a new story, and he felt the old beat of pleasure in his body, like watching a perfect goal, like the rustling movement of light through leaves, a phrase of music from the window of a passing car. Life offers up these moments of joy despite everything.”
    Sally Rooney, Normal People

  • #10
    Sally Rooney
    “That was it, people moved away, he moved away. Their life in Carricklea, which they had imbued with such drama and significance, just ended like that with no conclusion, and it would never be picked back up again, never in the same way.”
    Sally Rooney, Normal People

  • #11
    Sally Rooney
    “He understands now that his classmates are not like him. It’s easy for them to have opinions, and to express them with confidence. They don’t worry about appearing ignorant or conceited. They are not stupid people, but they’re not so much smarter than him either. They just move through the world in a different way, and he’ll probably never really understand them, and he knows they will never understand him, or even try.”
    Sally Rooney, Normal People

  • #12
    Sally Rooney
    “feeling a strange sense of nostalgia for a moment that was already in the process of happening.”
    Sally Rooney, Normal People

  • #13
    John Steinbeck
    “When I was very young and the urge to be someplace else was on me, I was assured by mature people that maturity would cure this itch. When years described me as mature, the remedy prescribed was middle age.In middle age I was assured greater age would calm my fever and now that I am fifty-eight perhaps senility will do the job. Nothing has worked. Four hoarse blasts of a ships's whistle still raise the hair on my neck and set my feet to tapping. The sound of a jet, an engine warming up, even the clopping of shod hooves on pavement brings on the ancient shudder, the dry mouth and vacant eye, the hot palms and the churn of stomach high up under the rib cage. In other words, once a bum always a bum. I fear this disease incurable. I set this matter down not to instruct others but to inform myself....A journey is a person in itself; no two are alike. And all plans, safeguards, policing, and coercion are fruitless. We find after years of struggle that we not take a trip; a trip takes us.”
    John Steinbeck, Travels with Charley: In Search of America

  • #14
    Jonathan Franzen
    “He wondered if an action, to qualify as authentically good, needed not only to be untainted by self-interest but also to bring no pleasure of any kind.”
    Jonathan Franzen, Crossroads

  • #15
    Jonathan Franzen
    “The dream of a novel was more resilient than other kinds of dreaming. It could be interrupted in mid-sentence and snapped back into later.”
    Jonathan Franzen, Crossroads

  • #16
    Joan Didion
    “Quite simply, I was in love with New York. I do not mean “love” in any colloquial way, I mean that I was in love with the city, the way you love the first person who ever touches you and you never love anyone quite that way again. I remember walking across Sixty-second Street one twilight that first spring, or the second spring, they were all alike for a while. I was late to meet someone but I stopped at Lexington Avenue and bought a peach and stood on the corner eating it and knew that I had come out out of the West and reached the mirage. I could taste the peach and feel the soft air blowing from a subway grating on my legs and I could smell lilac and garbage and expensive perfume and I knew that it would cost something sooner or later – because I did not belong there, did not come from there – but when you are twenty-two or twenty-three, you figure that later you will have a high emotional balance, and be able to pay whatever it costs. I still believed in possibilities then, still had the sense, so peculiar to New York, that something extraordinary would happen any minute, any day, any month.”
    Joan Didion

  • #17
    “I felt the weight of unmapped worlds, unborn language.”
    William Finnegan, Barbarian Days: A Surfing Life

  • #18
    Patti Smith
    “Where does it all lead? What will become of us? These were our young questions, and young answers were revealed. It leads to each other. We become ourselves.”
    Patti Smith, Just Kids

  • #19
    Patti Smith
    “Who can know the heart of youth but youth itself?”
    Patti Smith, Just Kids

  • #20
    Patti Smith
    “So my last image was as the first. A sleeping youth cloaked in light, who opened his eyes with a smile of recognition for someone who had never been a stranger.”
    Patti Smith, Just Kids



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