Elise > Elise's Quotes

“What does it feel like to be alive?
Living, you stand under a waterfall. You leave the sleeping shore deliberately; you shed your dusty clothes, pick your barefoot way over the high, slippery rocks, hold your breath, choose your footing, and step into the waterfall. The hard water pelts your skull, bangs in bits on your shoulders and arms. The strong water dashes down beside you and you feel it along your calves and thighs rising roughly backup, up to the roiling surface, full of bubbles that slide up your skin or break on you at full speed. Can you breathe here? Here where the force is the greatest and only the strength of your neck holds the river out of your face. Yes, you can breathe even here. You could learn to live like this. And you can, if you concentrate, even look out at the peaceful far bank where you try to raise your arms. What a racket in your ears, what a scattershot pummeling!
It is time pounding at you, time. Knowing you are alive is watching on every side your generation's short time falling away as fast as rivers drop through air, and feeling it hit.”
― Annie Dillard, An American Childhood: A Poignant Memoir About Parents and Passion in 1950s Pittsburgh

“There is no shortage of good days. It is good lives that are hard to come by. A life of good days lived in the senses is not enough. The life of sensation is the life of greed; it requires more and more. The life of the spirit requires less and less; time is ample and its passage sweet. Who would call a day spent reading a good day? But a life spent reading -- that is a good life.”
― Annie Dillard, The Writing Life

“The answer must be, I think, that beauty and grace are performed whether or not we will or sense them. The least we can do is try to be there.”
― Annie Dillard, Pilgrim at Tinker Creek

“Last forever!' Who hasn't prayed that prayer? You were lucky to get it in the first place. The present is a freely given canvas. That it is constantly being ripped apart and washed downstream goes without saying.”
― Annie Dillard, Pilgrim at Tinker Creek

“I do not so much write a book as sit up with it, as a dying friend. I hold its hand and hope it will get better.”
― Annie Dillard, The Writing Life

“Concerning trees and leaves... there's a real power here. It is amazing that trees can turn gravel and bitter salts into these soft-lipped lobes, as if I were to bite down on a granite slab and start to swell, bud and flower. Every year a given tree creates absolutely from scratch ninety-nine percent of its living parts. Water lifting up tree trunks can climb one hundred and fifty feet an hour; in full summer a tree can, and does, heave a ton of water every day. A big elm in a single season might make as many as six million leaves, wholly intricate, without budging an inch; I couldn't make one. A tree stands there, accumulating deadwood, mute and rigid as an obelisk, but secretly it seethes, it splits, sucks and stretches; it heaves up tons and hurls them out in a green, fringed fling. No person taps this free power; the dynamo in the tulip tree pumps out even more tulip tree, and it runs on rain and air.”
― Annie Dillard

“Make connections; let rip; and dance where you can.”
― Annie Dillard

“It is no less difficult to write a sentence in a recipe than sentences in Moby Dick. So you might as well write Moby Dick.”
― Annie Dillard

“Our life is a faint tracing on the surface of mystery, like the idle curved tunnels of leaf miners on the face of a leaf. We must somehow take a wider view, look at the whole landscape, really see it, and describe what's going on here. Then we can at least wail the right question into the swaddling band of darkness, or, if it comes to that, choir the proper praise.”
― Annie Dillard, Pilgrim at Tinker Creek

“Caring passionately about something isn't against nature, and it isn't against human nature. It's what we're here to do.”
― Annie Dillard

“There were no formerly heroic times, and there was no formerly pure generation. There is no one here but us chickens, and so it has always been: A people busy and powerful, knowledgeable, ambivalent, important, fearful, and self-aware; a people who scheme, promote, deceive, and conquer; who pray for their loved ones, and long to flee misery and skip death. It is a weakening and discoloring idea, that rustic people knew God personally once upon a time-- or even knew selflessness or courage or literature-- but that it is too late for us. In fact, the absolute is available to everyone in every age. There never was a more holy age than ours, and never a less.”
― Annie Dillard, For the Time Being: Essays

“I cannot cause light; the most I can do is try to put myself in the path of its beam.”
― Annie Dillard

“How we spend our days is, of course, how we spend our lives. What we do with this hour and with that one, is what we are doing.”
― Annie Dillard, The Writing Life

“What do I make of all this texture? What does it mean about the kind of world in which I have been set down? The texture of the world, its filigree and scrollwork, means that there is the possibility for beauty here, a beauty inexhaustible in its complexity, which opens to my knock, which answers in me a call I do not remember calling, and which trains me to the wild and extravagant nature of the spirit I seek.”
― Annie Dillard

“I feel as though I stand at the foot of an infinitely high staircase, down which some exuberant spirit is flinging tennis ball after tennis ball, eternally, and the one thing I want in the world is a tennis ball.”
― Annie Dillard, Pilgrim at Tinker Creek

“I discovered myself and the world, and forgot them, and discovered them again”
― Annie Dillard, An American Childhood: A Poignant Memoir About Parents and Passion in 1950s Pittsburgh

“Could two live that way? Could two live under the wild rose, and explore by the pond, so that the smooth mind of each is as everywhere present to the other, and as received and as unchallenged, as falling snow?”
― Annie Dillard, Teaching a Stone to Talk: Expeditions and Encounters

“I wake up thinking: What am I reading? What will I read next? I'm terrified that I'll run out, that I will read through all I want to, and be forced to learn wildflowers at last, to keep awake.”
― Annie Dillard, Pilgrim at Tinker Creek

“The reader's ear must adjust down from loud life to the subtle, imaginary sounds of the written word. An ordinary reader picking up a book can't yet hear a thing; it will take half an hour to pick up the writing's modulations, its ups and downs and louds and softs.”
― Annie Dillard, The Writing Life

“She is nine, beloved, as open-faced as the sky and as self-contained. I have watched her grow. As recently as three or four years ago, she had a young child's perfectly shallow receptiveness; she fitted into the world of time, it fitted into her, as thoughtlessly as sky fits its edges, or a river its banks. But as she has grown, her smile has widened with a touch of fear and her glance has taken on depth. Now she is aware of some of the losses you incur by being here--the extortionary rent you have to pay as long as you stay.”
― Annie Dillard, Teaching a Stone to Talk: Expeditions and Encounters

“Knowing you are alive is watching on every side your generation's short time falling away as fast as rivers drop through air, and feeling it hit.”
― Annie Dillard, An American Childhood: A Poignant Memoir About Parents and Passion in 1950s Pittsburgh

“These are our few live seasons. Let us live them as purely as we can, in the present.”
― Annie Dillard, Pilgrim at Tinker Creek

“Tonight I walked around the pond scaring frogs; a couple of them jumped off, going, in effect, eek, and most grunted, and the pond was still. But one big frog, bright green like a poster-paint frog, didn't jump, so I waved my arm and stamped to scare it, and it jumped suddenly, and I jumped, and then everything in the pond jumped, and I laughed and laughed.”
― Annie Dillard

“The world did not have me in mind; it had no mind. It was a coincidental collection of things and people, of items, an I myself was one such item...the things in the world did not necessarily cause my overwhelming feelings; the feelings were inside me, beneath my skin, behind my ribs, withing my skull. They were even, to some extent, under my control.”
― Annie Dillard, An American Childhood: A Poignant Memoir About Parents and Passion in 1950s Pittsburgh

“People who read are not too lazy to turn on the television; they prefer books.”
― Annie Dillard

“There is some kind of a sweet innocence in being human- in not having to be just happy or just sad- in the nature of being able to be both broken and whole, at the same time.”
― C. JoyBell C.

“He felt that she wanted the soul out of his body and not him. All his strength and energy she drew into herself through some channel which united them. She did not want to meet him so that there were two of them man and woman together. She wanted to draw all of him into her. It urged him to an intensity like madness which fascinated him as drug-taking might. He was discussing Michael Angelo. It felt to her as if she were fingering the very quivering tissue the very protoplasm of life as she heard him. It gave her deepest satisfaction. And in the end it frightened her. There he lay in the white intensity of his search and his voice gradually filled her with fear so level it was almost inhuman as if in a trance.”
― D.H. Lawrence, Sons and Lovers