Rolf Korb > Rolf's Quotes

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  • #1
    J.K. Franko
    “Then, like magic, it seemed like the universe provided a solution. And I thought—okay, this is how. This will work. There’s hope—light at the end of the tunnel. A silver lining, you know?” Roy shook his head. “Fuck. I was so stupid. I was too proud to realize that there was no way it could ever happen. That there couldn’t be a happy ending for us. It was just a set-up. You see, the universe still had accounts to settle. And Susie and I, we were way overdrawn.”
    J.K. Franko, Tooth for Tooth

  • #2
    Jason Latshaw
    “The greatest pain is the love you leave behind.”
    Jason Latshaw, The Threat Below

  • #3
    Kyle Keyes
    “Frankly, Olan couldn't hit a bull in the ass with a ping pong paddle.”
    Kyle Keyes, Worm Holes

  • #4
    Miguel Ruiz
    “You create yourself, whatever you believe you are. You are the way you are because that is what you believe about yourself.”
    Miguel Ruiz, The Mastery of Love: A Practical Guide to the Art of Relationship

  • #5
    “Debt is normal! So why be normal?”
    Dave Ramsey, The Money Answer Book: Quick Answers for Your Everyday Financial Questions (Answers to Over 100 of Your Questions on Personal Finance, Budgeting, Saving, ... How to Build Wealth)

  • #6
    Richard Bach
    “He's changing. Every day more remote, protected, distant. He builds fests now for the soulmate he hasn't found, bricking wall and maze and mountain fortress, dares her to find him at the hidden center of them all Here's an A in self-protection from the one in the world he might love and who might someday love him.”
    Richard Bach, The Bridge Across Forever: A True Love Story – A New York Times Bestselling Philosophical Memoir of Hope and Intimacy
    tags: fear, love

  • #7
    Max Brooks
    “1. Organize before they rise!
    2. They feel no fear, why should you?
    3. Use your head: cut off theirs.
    4. Blades don't need reloading.
    5. Ideal protection = tight clothes, short hair.
    6. Get up the staircase, then destroy it.
    7. Get out of the car, get onto the bike.
    8. Keep moving, keep low, keep quiet, keep alert!
    9. No place is safe, only safer.
    10. The zombie may be gone, but the threat lives on.”
    Max Brooks, The Zombie Survival Guide: Complete Protection from the Living Dead

  • #8
    Emily Brontë
    “The whole world awake and wild with joy.”
    Emily Brontë, Wuthering Heights

  • #9
    Richard Wright
    “Literature is a struggle over the nature of reality.
    --Richard Wright to William Faulkner”
    Richard Wright

  • #10
    Erin Morgenstern
    “This is not magic. This is the way the world is, only very few people take the time to stop and note it.”
    Erin Morgenstern, The Night Circus

  • #11
    Rebecca Skloot
    “if our mother cells done so much for medicine, how come her family can’t afford to see no doctors?”
    Rebecca Skloot, The Immortal Life of Henrietta Lacks

  • #12
    Bernhard Schlink
    “The geological layers of our lives rest so tightly one on top of the other that we always come up against earlier events in later ones, not as matter that has been fully formed and pushed aside, but absolutely present and alive.”
    Bernard Schlink

  • #13
    Scott Westerfeld
    “Let me get this stright, Aya-Chan. You want me, a person who can't lie, to lie about the fact that I can't lie?"
    -Frizz mizuno”
    Scott Westerfeld, Extras

  • #14
    Azar Nafisi
    “There is seldom a physical description of a character or scene in Pride and Prejudice and yet we feel that we have seen each of these characters and their intimate worlds; we feel we know them, and sense their surroundings. We can see Elizabeth's reaction to Darcy's denunciation of her beauty, Mrs. Bennet chattering at the dinner table or Elizabeth and Darcy walking in and out of the shadows of the Pemberley estate. The amazing thing is that all of this is created mainly through tone—different tones of voice, words that become haughty and naughty, soft, harsh, coaxing, insinuating, insensible, vain.

    The sense of touch that is missing from Austen's novels is replaced by a tension, an erotic texture of sounds and silences. She manages to create a feeling of longing by setting characters who want each other at odds.”
    Azar Nafisi, Reading Lolita in Tehran: A Memoir in Books

  • #15
    Henri Charrière
    “I am not a good enough writer to convey the intense emotion I felt over my newfound self-respect. It was a rehabilitation, if not a new life. This imaginary baptism, the immersion in purity, the elevation of my being above the filth in which I'd been mired and, overnight, this sense of responsibility, made me into a different man. The convict's complexes that make him hear his chains and suspect he's being watched even after he's freed, everything I'd seen, gone through, suffered, everything that was making me tarnished, rotten and dangerous, passively obedient on the surface but terribly dangerous in rebellion, all that had disappeared as if by a miracle.”
    Henri Charrière, Papillon

  • #16
    James Dashner
    “Rose took my nose, I suppose”
    James Dashner, The Scorch Trials

  • #17
    Caleb Carr
    “intersection of Broadway and Houston Street. Here, it was once sagely remarked, you could fire a shotgun in any direction without hitting an honest man;”
    Caleb Carr, The Alienist

  • #18
    Yuval Noah Harari
    “In the past, censorship worked by blocking the flow of information. In the 21st century, censorship works by flooding people with irrelevant information. People just don't know what to pay attention to, and they often spend their time investigating and debating side issues.”
    Yuval Noah Harari, Homo Deus: A History of Tomorrow

  • #19
    Patrick Rothfuss
    “Her eyes were dark. Dark as chocolate, dark as coffee, dark as the polished wood of my father’s lute. They were set in a fair face, oval. Like a teardrop. Her easy smile could stop a man’s heart. Her lips were red. Not the garish painted red so many women believe makes them desirable. Her lips were always red, morning and night. As if minutes before you saw her, she had been eating sweet berries, or drinking heart’s blood. No matter where she stood, she was in the center of the room. Do not misunderstand. She was not loud, or vain. We stare at a fire because it flickers, because it glows. The light is what catches our eyes, but what makes a man lean close to a fire has nothing to do with its bright shape. What draws you to a fire is the warmth you feel when you come near. The same was true of Denna.”
    Kvothe in 'The Name of the Wind' written by Patrick Rothfuss

  • #20
    Richard Yates
    “I don’t care if it takes you five years of doing nothing at all; I don’t care if you decide after five years that what you really want is to be a bricklayer or a mechanic or a merchant seaman. Don’t you see what I’m saying? It’s got nothing to do with definite, measurable talents—it’s your very essence that’s being stifled here.”
    Richard Yates



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