Chris > Chris's Quotes

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  • #1
    Nick Hornby
    “People worry about kids playing with guns, and teenagers watching violent videos; we are scared that some sort of culture of violence will take them over. Nobody worries about kids listening to thousands - literally thousands - of songs about broken hearts and rejection and pain and misery and loss.”
    Nick Hornby, High Fidelity

  • #2
    Nick Hornby
    “Sentimental music has this great way of taking you back somewhere at the same time that it takes you forward, so you feel nostagic and hopeful all at the same time.”
    Nick Hornby, High Fidelity

  • #3
    Nick Hornby
    “What came first – the music or the misery? Did I listen to the music because I was miserable? Or was I miserable because I listened to the music? Do all those records turn you into a melancholy person?”
    Nick Hornby, High Fidelity

  • #4
    Nick Hornby
    “It's brilliant, being depressed; you can behave as badly as you like.”
    Nick Hornby, High Fidelity

  • #5
    Nick Hornby
    “Maybe we all live life at too high a pitch, those of us who absorb emotional things all day, and as mere consequence we can never feel merely content: we have to be unhappy, or ecstatically, head-over-heels happy, and those states are difficult to achieve within a stable, solid relationship.”
    Nick Hornby, High Fidelity

  • #6
    Nick Hornby
    “It's not what you like but what you are like that's important.”
    Nick Hornby, High Fidelity

  • #7
    Nick Hornby
    “It seems to me that if you place music (and books, probably, and films, and plays, and anything that makes you feel) at the center of your being, then you can’t afford to sort out your love life, start to think of it as the finished product. You’ve got to pick at it, keep it alive and in turmoil, you’ve got to pick at it and unravel it until it all comes apart and you’re compelled to start all over again. Maybe we all live life at too high a pitch, those of us who absorb emotional things all day, and as a consequence we can never feel merely content: we have to be unhappy, or ecstatically, head-over-heels happy, and those states are difficult to achieve within a stable, solid relationship.”
    Nick Hornby

  • #8
    Nick Hornby
    “Have you got any soul?" a woman asks the next afternoon. That depends, I feel like saying; some days yes, some days no. A few days ago I was right out; now I've got loads, too much, more than I can handle. I wish I could spread it a bit more evenly, I want to tell her, get a better balance, but I can't seem to get it sorted. I can see she wouldn't be interested in my internal stock control problems though, so I simply point to where I keep the soul I have, right by the exit, just next to the blues.”
    Nick Hornby, High Fidelity

  • #9
    Nick Hornby
    “Look at all the things that can go wrong for men. There’s the nothing-happening-at-all problem, the too-much-happening-too-soon problem, the dismal-droop-after-a-promising-beginning problem; there’s the size-doesn’t-matter-except-in-my-case problem, the failing-to-deliver-the-goods problem…and what do women have to worry about? A handful of cellulite? Join the club. A spot of I-wonder-how-I-rank? Ditto.”
    Nick Hornby, High Fidelity

  • #10
    Nick Hornby
    “It's a mystery of human chemistry and I don't understand it, some people, as far as their senses are concerned, just feel like home.”
    Nick Hornby, High Fidelity

  • #11
    Nick Hornby
    “my friends don't seem to be friends at all but people whose phone numbers I haven't lost.”
    Nick Hornby, High Fidelity

  • #12
    Nick Hornby
    “Why is failure the first thing I think of when I find myself in this sort of situation? Why can't I just enjoy myself? But if you have to ask the question, then you know you're lost: self-consciousness is a man's worst enemy. Already I'm wondering whether she's as aware of my erection as I am...”
    Nick Hornby, High Fidelity

  • #13
    Nick Hornby
    “You spend Christmas at somebody's house, you worry about their operations, you give them hugs and kisses and flowers, you see them in their dressing gown...and then bang, that's it. Gone forever. And sooner or later there will be another mum, another Christmas, more varicose veins. They're all the same. Only the addresses, and the colors of the dressing gown, change.”
    Nick Hornby, High Fidelity
    tags: life

  • #14
    Nick Hornby
    “The best customers are the ones who just have to buy a record on a Saturday, even if there's nothing they really want; unless they go home clutching a flat, square carrier bag, they feel uncomfortable. You can spot the vinyl addicts because after a while they get fed up with the rack they are flicking through, march over to a completely different section of the shop, pull a sleeve out from the middle somewhere, and come over to the counter; this is because they have been making a list of possible purchases in their head ("If I don't find anything in the next five minutes, that blues compilation I saw half an hour ago will have to do"), and suddenly sicken themselves with the amount of time they have wasted looking for something they don't really want.”
    Nick Hornby, High Fidelity

  • #15
    Nick Hornby
    “Tuesday night I reorganized my record collection. I often do this at periods of emotional stress. There are some people who would find this a pretty dull way to spend an evening, but I'm not one of them. This is my life, and it's nice to be able to wade in it, immerse your arms in it, touch it.”
    Nick Hornby, High Fidelity

  • #16
    Nick Hornby
    “What went wrong? Nothing and everything.”
    Nick Hornby, High Fidelity

  • #17
    Nick Hornby
    “We have one of those conversations where every thing clicks, meshes, corresponds, locks, where even our pauses, even our punctuation marks, seem to be nodding in agreement.”
    Nick Hornby, High Fidelity

  • #18
    Nick Hornby
    “During the night, I have one of those dreams that aren’t really dreams at all, just stuff about Laura fucking Ray, and Marco fucking Charlie, and I’m pleased to wake up in the middle of the night, because it means stopping the dream. But the pleasure only lasts a few seconds and then everything sinks in: that somewhere Laura really is fucking Ray (maybe not exactly now, because it’s 3:56 a.m., although with his stamina – his inability to climax, ha ha – you never know), and I’m here, in this stupid little flat, on my own, and I’m thirty-five years old, and I own a tiny failing business, and my friends don’t seem to be friends at all but people whose phone numbers I haven’t lost And if I went back to sleep and slept for forty years and woke up without any teeth to the sound of Melody Radio in an old people’s home, I wouldn’t worry that much, because the worst of life, i.e. the rest of it, would be over. And I wouldn’t even have had to kill myself.”
    Nick Hornby, High Fidelity

  • #19
    Albert Einstein
    “Few people are capable of expressing with equanimity opinions which differ from the prejudices of their social enviroment. Most people are incapable of forming such opinions."

    (Essay to Leo Baeck, 1953)”
    Albert Einstein

  • #20
    George Orwell
    “Don't you see that the whole aim of Newspeak is to narrow the range of thought? In the end we shall make thought-crime literally impossible, because there will be no words in which to express it. Every concept that can ever be needed will be expressed by exactly one word, with its meaning rigidly defined and all its subsidiary meanings rubbed out and forgotten. . . . The process will still be continuing long after you and I are dead. Every year fewer and fewer words, and the range of consciousness always a little smaller. Even now, of course, there's no reason or excuse for committing thought-crime. It's merely a question of self-discipline, reality-control. But in the end there won't be any need even for that. . . . Has it ever occurred to you, Winston, that by the year 2050, at the very latest, not a single human being will be alive who could understand such a conversation as we are having now?”
    George Orwell



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