charcoal > charcoal's Quotes

Showing 1-21 of 21
sort by

  • #1
    Oscar Wilde
    “To define is to limit.”
    Oscar Wilde, The Picture of Dorian Gray

  • #2
    Oscar Wilde
    “The only way to get rid of temptation is to yield to it.”
    Oscar Wilde, The Picture of Dorian Gray

  • #3
    Oscar Wilde
    “I am too fond of reading books to care to write them.”
    Oscar Wilde, The Picture of Dorian Gray

  • #4
    Oscar Wilde
    “What of Art?
    -It is a malady.
    --Love?
    -An Illusion.
    --Religion?
    -The fashionable substitute for Belief.
    --You are a sceptic.
    -Never! Scepticism is the beginning of Faith.
    --What are you?
    -To define is to limit.”
    Oscar Wilde , The Picture of Dorian Gray

  • #5
    Oscar Wilde
    “Every portrait that is painted with feeling is a portrait of the artist, not of the sitter.”
    Oscar Wilde, The Picture of Dorian Gray

  • #6
    رياض الصالح الحسين
    “الذي يريد الضحك فليأتِ ، إنني أخبئ نكتة ، الذي يريد البكاء فليأتِ ، لديَّ حصّالة دموع”
    رياض الصالح الحسين

  • #7
    Madeline Miller
    “I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”
    Madeline Miller, The Song of Achilles

  • #8
    Madeline Miller
    “Name one hero who was happy."
    I considered. Heracles went mad and killed his family; Theseus lost his bride and father; Jason's children and new wife were murdered by his old; Bellerophon killed the Chimera but was crippled by the fall from Pegasus' back.
    "You can't." He was sitting up now, leaning forward.
    "I can't."
    "I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret."
    "Tell me." I loved it when he was like this.
    "I'm going to be the first." He took my palm and held it to his. "Swear it."
    "Why me?"
    "Because you're the reason. Swear it."
    "I swear it," I said, lost in the high color of his cheeks, the flame in his eyes.
    "I swear it," he echoed.
    We sat like that a moment, hands touching. He grinned.
    "I feel like I could eat the world raw.”
    Madeline Miller, The Song of Achilles

  • #9
    Madeline Miller
    “He is half of my soul, as the poets say.”
    Madeline Miller, The Song of Achilles

  • #10
    Madeline Miller
    “We are all there, goddess and mortal and the boy who was both.”
    Madeline Miller, The Song of Achilles

  • #11
    Henry David Thoreau
    “I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived. I did not wish to live what was not life, living is so dear; nor did I wish to practice resignation, unless it was quite necessary. I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account of it in my next excursion.”
    Henry David Thoreau

  • #12
    Arthur Schopenhauer
    “Truth that is naked is the most beautiful, and the simpler its expression the deeper is the impression it makes.”
    Arthur Schopenhauer

  • #13
    Albert Camus
    “Seeking what is true is not seeking what is desirable.”
    Albert Camus, The Myth of Sisyphus and Other Essays

  • #14
    Victor Hugo
    “What about me?’ said Grantaire. ‘I’m here.’
    ‘You?’
    ‘Yes, me.’
    ‘You? Rally Republicans! You? In defence of principles, fire up hearts that have grown cold!’
    ‘Why not?’
    ‘Are you capable of being good for something?’
    ‘I have the vague ambition to be,’ said Grantaire.
    ‘You don’t believe in anything.’
    ‘I believe in you.’
    ‘Grantaire, will you do me a favour?’
    ‘Anything. Polish your boots.’
    ‘Well, don’t meddle in our affairs. Go and sleep off the effects of your absinthe.’
    ‘You’re heartless, Enjolras.’
    ‘As if you’d be the man to send to the Maine gate! As if you were capable of it!’
    ‘I’m capable of going down Rue des Grès, crossing Place St-Michel, heading off along Rue Monsieur-le-Prince, taking Rue de Vaugirard, passing the Carmelite convent, turning into Rue d’Assas, proceeding to Rue du Cherche-Midi, leaving the Military Court behind me, wending my way along Rue des Vieilles-Tuileries, striding across the boulevard, following Chaussée du Maine, walking through the toll-gate and going into Richefeu’s. I’m capable of that. My shoes are capable of that.’
    ‘Do you know them at all, those comrades who meet at Richefeu’s?'
    ‘Not very well. But we’re on friendly terms.’
    ‘What will you say to them?’
    ‘I’ll talk to them about Robespierre, of course! And about Danton. About principles.’
    ‘You?’
    ‘Yes, me. But I’m not being given the credit I deserve. When I put my mind to it, I’m terrific. I’ve read Prudhomme, I’m familiar with the Social Contract, I know by heart my constitution of the year II. “The liberty of the citizen ends where the liberty of another citizen begins.” Do you take me for a brute beast? I have in my drawer an old promissory note from the time of the Revolution. The rights of man, the sovereignty of the people, for God’s sake! I’m even a bit of an Hébertist. I can keep coming out with some wonderful things, watch in hand, for a whole six hours by the clock.’
    ‘Be serious,’ said Enjolras.
    ‘I mean it,’ replied Grantaire.

    Enjolras thought for a few moments, and with the gesture of a man who had come to a decision, ‘Grantaire,’ he said gravely, ‘I agree to try you out. You’ll go to the Maine toll-gate.’

    Grantaire lived in furnished lodgings very close to Café Musain. He went out, and came back five minutes later. He had gone home to put on a Robespierre-style waistcoat.
    ‘Red,’ he said as he came in, gazing intently at Enjolras. Then, with an energetic pat of his hand, he pressed the two scarlet lapels of the waistcoat to his chest.
    And stepping close to Enjolras he said in his ear, ‘Don’t worry.’
    He resolutely jammed on his hat, and off he went.”
    Victor Hugo, Les Misérables

  • #15
    Victor Hugo
    “Nobody loves the light like the blind man.”
    Victor Hugo, Les Misérables

  • #16
    Victor Hugo
    “I'd like a drink. I desire to forget life. Life is a hideous invention by somebody I don't know. It doesn't last, and it's good for nothing. You break your neck simply living.”
    Victor Hugo, Les Misérables

  • #17
    Victor Hugo
    “Relegated as he was to a corner and as though sheltered behind the billiard table, the soldiers, their eyes fixed upon Enjolras, had not even noticed Grantaire, and the sergeant was preparing to repeat the order: 'Take aim!' when suddenly they heard a powerful voice cry out beside them, 'Vive la Republique! Count me in.'
    Grantaire was on his feet.
    The immense glare of the whole combat he had missed and in which he had not been, appeared in the flashing eyes of the transfigured drunkard.
    He repeated, 'Vive la Republique!' crossed the room firmly, and took his place in front of the muskets beside Enjolras.
    'Two at one shot,' he said.
    And, turning toward Enjolras gently, he said to him, 'Will you permit it?'
    Enjolras shook his hand with a smile.
    The smile had not finished before the report was heard.
    Enjolras, pierced by eight bullets, remained backed up against the wall is if the bullets had nailed him there. Except that his head was tilted.
    Grantaire, struck down, collapsed at his feet.”
    Victor Hugo, Les Misérables

  • #18
    Victor Hugo
    “Gentlemen of the human race, I say to hell with the lot of you.”
    Victor Hugo, Les Misérables

  • #19
    Victor Hugo
    “I'm not totally useless. I can be used as a bad example.”
    Victor Hugo, Les Misérables

  • #20
    Franz Kafka
    “Dear Milena,
    I wish the world were ending tomorrow. Then I could take the next train, arrive at your doorstep in Vienna, and say: “Come with me, Milena. We are going to love each other without scruples or fear or restraint. Because the world is ending tomorrow.” Perhaps we don’t love unreasonably because we think we have time, or have to reckon with time. But what if we don't have time? Or what if time, as we know it, is irrelevant? Ah, if only the world were ending tomorrow. We could help each other very much.”
    Franz Kafka, Letters to Milena

  • #21
    Fyodor Dostoevsky
    “Even now, so many years later, all this is somehow a very evil memory. I have many evil memories now, but ... hadn't I better end my "Notes" here? I believe I made a mistake in beginning to write them, anyway I have felt ashamed all the time I've been writing this story; so it's hardly literature so much as a corrective punishment. Why, to tell long stories, showing how I have spoiled my life through morally rotting in my corner, through lack of fitting environment, through divorce from real life, and rankling spite in my underground world, would certainly not be interesting; a novel needs a hero, and all the traits for an anti-hero are expressly gathered together here, and what matters most, it all produces an unpleasant impression, for we are all divorced from life, we are all cripples, every one of us, more or less. We are so divorced from it that we feel at once a sort of loathing for real life, and so cannot bear to be reminded of it. Why, we have come almost to looking upon real life as an effort, almost as hard work, and we are all privately agreed that it is better in books. And why do we fuss and fume sometimes? Why are we perverse and ask for something else? We don't know what ourselves. It would be the worse for us if our petulant prayers were answered. Come, try, give any one of us, for instance, a little more independence, untie our hands, widen the spheres of our activity, relax the control and we ... yes, I assure you ... we should be begging to be under control again at once. I know that you will very likely be angry with me for that, and will begin shouting and stamping. Speak for yourself, you will say, and for your miseries in your underground holes, and don't dare to say all of us-- excuse me, gentlemen, I am not justifying myself with that "all of us." As for what concerns me in particular I have only in my life carried to an extreme what you have not dared to carry halfway, and what's more, you have taken your cowardice for good sense, and have found comfort in deceiving yourselves. So that perhaps, after all, there is more life in me than in you. Look into it more carefully! Why, we don't even know what living means now, what it is, and what it is called? Leave us alone without books and we shall be lost and in confusion at once. We shall not know what to join on to, what to cling to, what to love and what to hate, what to respect and what to despise. We are oppressed at being men--men with a real individual body and blood, we are ashamed of it, we think it a disgrace and try to contrive to be some sort of impossible generalised man. We are stillborn, and for generations past have been begotten, not by living fathers, and that suits us better and better. We are developing a taste for it. Soon we shall contrive to be born somehow from an idea. But enough; I don't want to write more from "Underground."


    [The notes of this paradoxalist do not end here, however. He could not
    refrain from going on with them, but it seems to us that we may stop
    here.]

    Fyodor Dostoevsky, Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead



Rss