christa :) > christa :)'s Quotes

“We rip out so much of ourselves to be cured of things faster than we should that we go bankrupt by the age of thirty and have less to offer each time we start with someone new. But to feel nothing so as not to feel anything - what a waste!”
― Andre Aciman, Call Me by Your Name

“I wish you could be kissed, Jane,' he said. 'Because I would beg just one off you. Under all this.' He flailed an arm toward the stars.”
― Maggie Stiefvater, The Dream Thieves

“You are being self-pitying."
"I'm nearly done. You don't have much more of this to bear."
"I like you better this way."
"Crushed and broken," Gansey said. "Just the way women like 'em.”
― Maggie Stiefvater, The Raven Boys

“When Gansey was polite, it made him powerful. When Adam was polite, he was giving power away.”
― Maggie Stiefvater, The Raven Boys

“Blue,” he warned, but his voice was chaotic. This close, his throat was scented with mint and wool sweater and vinyl car seat, and Gansey, just Gansey.

She said, “I just want to pretend. I want to pretend that I could.”
― Maggie Stiefvater, Blue Lily, Lily Blue

“He strode over to the ruined church. This, Blue had discovered, was how Gansey got places - striding. Walking was for ordinary people.”
― Maggie Stiefvater, The Raven Boys

“In some parallel universe, there was a Gansey who could tell Blue that he found the ten inches of her bare calves far more tantalizing than the thirteen cubic feet of bare skin Orla sported. But in this universe, that was Adam’s job.
He was in a terrible mood.”
― Maggie Stiefvater, The Dream Thieves

“Excelsior," Gansey said bleakly.
Blue asked, "What does that even mean?"
Gansey looked over his shoulder at her. He was once more, just a little bit closer to the boy she'd seen in the churchyard.
"Onward and upward.”
― Maggie Stiefvater, The Raven Boys

“Do you not like the fruit bits? That’s the best part.” Gansey directed this last statement to Blue, who gave him her mostly empty yogurt cup.”
― Maggie Stiefvater, The Dream Thieves

“Adam understood, then, that Gansey and Blue’s awe changed this place. Ronan and Adam may have seen this place as magical, but Gansey and Blue’s wonder made it holy.”
― Maggie Stiefvater, Blue Lily, Lily Blue

“Gansey had always felt as if there were two of him: the Gansey who was in control, able to handle any situation, able to talk to anyone, and then, the other, more fragile Gansey, strung out and unsure, embarrassingly earnest, driven by naive longing.”
― Maggie Stiefvater, The Raven Boys

“It was this: Gansey saying, “I like you an awful lot, Blue Sargent.”
― Maggie Stiefvater, The Raven King

“Gansey lifted her hand gently from his skin, holding it as formally as a dance. He put it against his mouth. Blue froze. Absolutely still. Her heart didn't beat. She didn't blink. She couldn't say don't kiss me. She couldn't even form don't. He just leaned his cheek and the edge of his mouth against her knuckles and then set her hand back.”
― Maggie Stiefvater, The Dream Thieves

“You know me,” Blue said. “Ever sensible.”
“Like myself,” Gansey agreed grandly, and she laughed delightedly. “A creature of simple delights.”
― Maggie Stiefvater, The Dream Thieves

“His feelings for Adam were an oil spill; he'd let them overflow and now there wasn't a damn place in the ocean that wouldn't catch fire if he dropped a match.”
― Maggie Stiefvater, The Raven King

“You're asking me to define an abstract concept that no one has managed to explain since time began. You sort of sprang it on me," Gansey said. "Why do we breathe air? Because we love air? Because we don't want to suffocate. Why do we eat? Because we don't want to starve. How do I know I love her? Because I can sleep after I talk to her. Why?”
― Maggie Stiefvater, The Raven King

“Humans were so circular; they lived the same slow cycles of joy and misery over and over, never learning. Every lesson in the universe had to be taught billions of times, and it never stuck.

Maybe it was good that the world forgot every lesson, every good and bad memory, every triumph and failure, all of it dying with each generation. Perhaps this cultural amnesia spared them all. Perhaps if they remembered everything, hope would die instead.”
― Maggie Stiefvater, Blue Lily, Lily Blue

“There is no good word for the opposite of lonesome.
One might be tempted to suggest togetherness or contentment , but the fact that these two other words bear definitions unrelated to each other perfectly displays why lonesome cannot be properly mirrored. It does not mean solitude, nor alone, nor lonely, although lonesome can contain all of those words in itself.
Lonesome means a state of being apart. Of being other. Alone-some.”
― Maggie Stiefvater, Blue Lily, Lily Blue

“Time is the longest distance between two places.”
― Tennessee Williams, The Glass Menagerie

“The more I know of the world, the more I am convinced that I shall never see a man whom I can really love. I require so much!”
― Jane Austen, Sense and Sensibility

“I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.”
― Virginia Woolf, A Room of One’s Own

“The truth is, I often like women. I like their unconventionality. I like their completeness. I like their anonymity.”
― Virginia Woolf

“I have lost friends, some by death...others by sheer inability to cross the street.”
― Virginia Woolf

“That is part of the beauty of all literature. You discover that your longings are universal longings, that you're not lonely and isolated from anyone. You belong.”
― F. Scott Fitzgerald

“Growing up is losing some illusions, in order to acquire others.”
― Virginia Woolf

“Maybe it was the alcohol, maybe it was the truth, maybe I didn't want things to turn abstract, but I felt I should say it, because this was the moment to say it, because it suddenly dawned on me that this was why I had come, to tell him 'You are the only person I'd like to say goodbye to when I die, because only then will this thing I call my life make any sense. And if I should hear that you died, my life as I know it, the me who is speaking with you now, will cease to exist.”
― André Aciman, Call Me by Your Name

“This felt special. Like showing someone your private chapel, your secret haunt, the place where, as with the berm, one comes to be alone, to dream of others. This is where I dreamed of you before you came into my life.”
― André Aciman, Call Me by Your Name

“Maybe it was the alcohol, maybe it was the truth, maybe I didn't want things to turn abstract, but I felt I should say it, because this was the moment to say it, because it suddenly dawned on me that this was why I had come, to tell him 'You are the only person I'd like to say goodbye to when I die, because only then will this thing I call my life make any sense. And if I should hear that you died, my life as I know it, the me who is speaking with you now, will cease to exist. Sometimes I have this awful picture of waking up in our house in B. and, looking out to the sea, hearing the news from the waves themselves, He died last night. We missed out on so much. It was a coma. Tomorrow I go back to my coma, and you to yours. Pardon, I didn't mean to offend—I am sure yours is no coma.'

'No, a parallel life.”
― André Aciman, Call Me by Your Name

“You never did forgive me, did you?'

'Forgive? There was nothing to forgive. If anything, I'm grateful for everything. I remember good things only.'

I had heard people say this in movies. They seemed to believe it.”
― André Aciman, Call Me by Your Name

“How could she feel nostalgia when he was right in front of her? How can you suffer from the absence of a person who is present?

You can suffer nostalgia in the presence of the beloved if you glimpse a future where the beloved is no more”
― Milan Kundera, Identity