Sweetpea > Sweetpea's Quotes

“The best thing for being sad," replied Merlin, beginning to puff and blow, "is to learn something. That's the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then — to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the only thing for you. Look what a lot of things there are to learn.”
― T.H. White, The Once and Future King

“The devil can quote Scripture for his purpose; and the text of Scripture which he now most commonly quotes is, “The Kingdom of heaven is within you.” That text has been the stay and support of more Pharisees and prigs and self-righteous spiritual bullies than all the dogmas in creation; it has served to identify self-satisfaction with the peace that passes all understanding. And the text to be quoted in answer to it is that which declares that no man can receive the kingdom except as a little child. What we are to have inside is a childlike spirit; but the childlike spirit is not entirely concerned about what is inside. It is the first mark of possessing it that one is interested in what is outside. The most childlike thing about a child is his curiosity and his appetite and his power of wonder at the world. We might almost say that the whole advantage of having the kingdom within is that we look for it somewhere else.”
― G.K. Chesterton, What I Saw in America

“I follow and cultivate my own curiosity. I think curiosity is one of the top two or three human characteristics. It's something that I really like about myself. [...] I want to understand stuff! I want to understand people! Following my curiosity so frequently leads me to better life decisions and better business decisions but also - just feeling better! You're never going to feel bad about your whole life if you loved people and you were curious. I mean, that's kind of all I want!”
― Hank Green

“When children are very young, they have natural curiosities about the world and explore them, trying diligently to figure out what is real. As they become "producers " they fall away from exploration and start fishing for the right answers with little thought. They believe they must always be right, so they quickly forget mistakes and how these mistakes were made. They believe that the only good response from the teacher is "yes," and that a "no" is defeat.”
― John Holt, How Children Fail

“Once I was asked be a seatmate on a trans-Pacific flight....what instruction he should give his fifteen-year-old daughters, who wanted to be a writer. [I said], "Tell your daughter three things." Tell her to read...Tell her to read whatever interests her, and protect her if someone declares what she's reading to be trash. No one can fathom what happens between a human being and written language. She may be paying attention to things in the words beyond anyone else's comprehension, things that feed her curiosity, her singular heart and mind. ...Second, I said, tell your daughter that she can learn a great deal about writing by reading and by studying books about grammar and the organization of ideas, but that if she wishes to write well she will have to become someone. She will have to discover her beliefs, and then speak to us from within those beliefs. If her prose doesn't come out of her belief, whatever that proves to be, she will only be passing along information, of which we are in no great need. So help her discover what she means.
Finally, I said, tell your daughter to get out of town, and help her do that. I don't necessarily mean to travel to Kazakhstan, or wherever, but to learn another language, to live with people other than her own, to separate herself from the familiar. Then, when she returns, she will be better able to understand why she loves the familiar, and will give us a fresh sense of how fortunate we are to share these things.
Read. Find out what you truly believe. Get away from the familiar. Every writer, I told him, will offer you thoughts about writing that are different, but these are three I trust.
-- from "A Voice”
― Barry Lopez, About This Life: Journeys on the Threshold of Memory

“But I don’t want to go among mad people," Alice remarked.
"Oh, you can’t help that," said the Cat: "we’re all mad here. I’m mad. You’re mad."
"How do you know I’m mad?" said Alice.
"You must be," said the Cat, "or you wouldn’t have come here.”
― Lewis Carroll, Alice in Wonderland

“Why, sometimes I've believed as many as six impossible things before breakfast.”
― Lewis Carroll, Alice in Wonderland

“If everybody minded their own business, the world would go around a great deal faster than it does.”
― Lewis Caroll, Alice in Wonderland

“have i gone mad?
im afraid so, but let me tell you something, the best people usualy are.”
― Lewis Carroll, Alice in Wonderland

“I know who I WAS when I got up this morning, but I think I must have been changed several times since then”
― Lewis Carroll, Alice's Adventures in Wonderland/Through the Looking Glass

“Why it's simply impassible!
Alice: Why, don't you mean impossible?
Door: No, I do mean impassible. (chuckles) Nothing's impossible!”
― Lewis Carroll, Alice’s Adventures in Wonderland / Through the Looking-Glass

“Do you know, I always thought unicorns were fabulous monsters, too? I never saw one alive before!"

Well, now that we have seen each other," said the unicorn, "if you'll believe in me, I'll believe in you.”
― Lewis Carroll, Alice's Adventures In Wonderland: and Through The Looking Glass

“If you don't know where you are going any road can take you there”
― Lewis Carroll, Alice in Wonderland

“I wonder if I've been changed in the night. Let me think. Was I the same when I got up this morning? I almost think I can remember feeling a little different. But if I'm not the same, the next question is 'Who in the world am I?' Ah, that's the great puzzle!”
― Lewis Carroll, Alice in Wonderland

“It is a dangerous thing to unbelieve something only because it frightens you.”
― Marissa Meyer, Heartless

“And how do you know that you're mad? "To begin with," said the Cat, "a dog's not mad. You grant that?" I suppose so, said Alice. "Well then," the Cat went on, "you see a dog growls when it's angry, and wags it's tail when it's pleased. Now I growl when I'm pleased, and wag my tail when I'm angry. Therefore I'm mad.”
― Lewis Carroll, Alice’s Adventures in Wonderland / Through the Looking-Glass

“Steampunk is...a joyous fantasy of the past, allowing us to revel in a nostalgia for what never was. It is a literary playground for adventure, spectacle, drama, escapism and exploration. But most of all it is fun!”
― George Mann

“With a tool like crystals—or herbs or candles—I see a lot of people buying and selling them like they are buying and selling feelings. I want to feel love, so I’ll buy a pink rock; I want to feel safe, so I’ll buy a black rock; I want to feel calm, so I’ll buy a clear rock. When it doesn’t work, the only logical conclusion—or so you’re led to believe—is that there must be something really wrong with you or maybe magic isn’t real after all! It’s not the crystal, and it’s for sure not you. It’s all based on manufactured insecurities—buying and selling feelings, especially to women, is just marketing 101—which are based on fears, and when you are afraid, you are easy to control.”
― Sarah Lyons, Revolutionary Witchcraft: A Guide to Magical Activism

“Come on, I want to take you around to the back, to see St. Anthony's Garden," he said.
Delicate bell clangs marked the half hour, and a mockingbird called through the still air as the group entered the garden. The green space was dominated by the tall white statue of a man with arms raised in welcome.
"St. Anthony is known as the protector of childless women and finder of lost things," explained Falkner. "This area has had many functions over the years. It was a place for gatherings, markets, meals---even a dueling ground. Père Antoine, one of the cathedral's popular pastors, used the space as a kitchen garden to feed his monks. He also worked with voodoo priestess Marie Laveau to assist the large slave population, especially women and children."
"A Roman Catholic priest collaborating with a voodoo priestess?" asked one of the tourists, mopping his brow with a handkerchief.
Falkner nodded. "They had more in common than you may think. They both had a desire to heal, sooth, and do good works. They were both very spiritual people. Marie Laveau blended voodoo with Catholicism, especially regarding the saints.”
― Mary Jane Clark, That Old Black Magic

“And so, with their first public action on Halloween of 1968, the feminist activist group called W.I.T.C.H. was born. Its members donned witch costumes, replete with brooms and pointy black hats, and did a public ritual performance of hexing the New York Stock Exchange. Did it work? Well, as Gloria Steinem wrote about the incident in New York magazine, “A coven of 13 members of W.I.T.C.H. demonstrates against that bastion of white supremacy: Wall Street. The next day, the market falls five points.” (The glue that the witches added to the locks of the NYSE doors also added a bit of whammy, no doubt.)”
― Pam Grossman, Waking the Witch: Reflections on Women, Magic, and Power

“In La Tête d’Obsidienne André Malraux relates a conversation that he had with Picasso in 1937, at the time he was painting “Guernica.” Picasso said, “People are always talking about the influence of the blacks on me. What can one say? We all of us liked those fetishes. Van Gogh said, ‘We all of us had Japanese art in common.’ In our day it was the Negroes. Their forms did not influence me any more than they influenced Matisse. Or Derain. But as far as Matisse and Derain were concerned, the Negro masks were just so many other carvings, the same as the rest of sculpture. When Matisse showed me his first Negro head he talked about Egyptian art. “When I went to the Trocadéro, it was revolting. Like a flea-market. The smell. I was all by myself. I wanted to get out. I didn’t go: I stayed. It came to me that this was very important: something was happening to me, right? “Those masks were not just pieces of sculpture like the rest. Not in the least. They were magic. And why weren’t the Egyptians or Chaldees? We hadn’t understood what it was really about: we had seen primitive sculpture, not magic. These Negroes were intercessors—that’s a word I’ve known in French ever since then. Against everything: against unknown, threatening spirits. I kept on staring at these fetishes. Then it came to me—I too was against everything. I too felt that everything was unknown, hostile! Everything! Not just this and that but everything, women, children, animals, smoking, playing … Everything! I understood what their sculpture meant to the blacks, what it was really for. Why carve like that and not in any other way?”
― Patrick O'Brian, Picasso: A Biography