Barabara Killibrew > Barabara's Quotes

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  • #1
    Michael Wyndham Thomas
    “After that, nothing was the same. The very notion of my having a family turned vague, hard to credit, even weirdly jokey.”
    Michael Wyndham Thomas, The Erkeley Shadows

  • #2
    Stella Sinclaire
    “He always was a stubborn mule. But who would actually kill him over vegetables? It just doesn’t add up.”
    Stella Sinclaire, Fertile Ground for Murder

  • #3
    K.  Ritz
    “Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment. 
    The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become.
    As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper. 
    She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale.
    Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?”
    I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.
     “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”
                I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”
     I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank.
    “Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”
      I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”
      So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.”
    K. Ritz, Sheever's Journal, Diary of a Poison Master

  • #4
    Michael Deeze
    “So, sometimes it’s necessary to level the board. Sometimes when the bad guy keeps winning, the questions of right and wrong get a little cloudy. When that situation is created then it becomes necessary to do the right thing even if it’s technically the wrong thing or there’s no justice. And there are people that do that. The Baba Yaga’s of the world.”
    Michael Deeze, The Deathbed Confessions

  • #5
    “Consider and then act, don't react. A worthy opponent will calculate his move to entice a response from you. Make your own play.”
    R.D. Ronald, The Elephant Tree

  • #6
    Adam Scott Huerta
    “Imagine there’s no Sadness, it’s easy if you try…” whoever sings, John something.  “Nothing white inside us, around us only DIE… Imagine all the Shells, Loving everyday—“ ”
    Adam Scott Huerta, Motive Black

  • #7
    Alan    Bradley
    “The holiday village had sprung up in Bryant Park, and the ice rink and booths were bustling with early Christmas shoppers. It smelled like fried food and scented candles, mixed with the occasional blast of diesel from the traffic inching along 42nd Street. When I think of how New York City smells, this is it.”
    Alan Bradley, The Sixth Borough

  • #8
    Susan  Rowland
    “Falconers,” she continued, sternly. “Pull yourselves together. People are dying. The police don’t have the family history to solve murders forty years apart.”
    Susan Rowland, Murder on Family Grounds

  • #9
    “Lev was a man who appreciated the finer things in life. To him, Maeve was one of them.”
    A.G. Russo, Bangtails, Grifters, and a Liar's Kiss

  • #10
    Maya Angelou
    “When I look back, I am so impressed again with the life-giving power of literature. If I were a young person today, trying to gain a sense of myself in the world, I would do that again by reading, just as I did when I was young.”
    Maya Angelou

  • #11
    Vincent Panettiere
    “Is this nuclear physics or are you ordering a cake?
    It's a cake. You eat it,,you don't frame it.”
    Vincent Panettiere, Shared Sorrows

  • #12
    Bernhard Schlink
    “Wenn bei Flugzeugen die Motoren ausfallen, ist das nicht das Ende des Flugs. Die Flugzeuge fallen nicht wie Steine vom Himmel. Sie gleiten weiter, die riesengroßen, mehrstrahligen Passagierflugzeuge eine halbe bis Dreiviertelstunde lang, um dann beim Versuch des Landens zu zerschellen. Die Passagiere merken nichts. Fliegen fühlt sich bei ausgefallenen Motoren nicht anders an als bei arbeitenden. Es ist leiser, aber nur ein bißchen leiser: Lauter als die Motoren ist der Wind, der sich an Rumpf und Flügeln bricht. Irgendwann sind beim Blick durchs Fenster die Erde oder das Meer bedrohlich nah. Oder der Film läuft, und die Stewardessen und Stewards haben die Jalousien geschlossen. Vielleicht empfinden die Passagiere den ein bißchen leiseren Flug sogar als besonders angenehm.
    Der Sommer war der Gleitflug unserer Liebe.”
    Bernhard Schlink, The Reader

  • #13
    Alexander Hamilton
    “Holland”
    Alexander Hamilton, The Federalist Papers

  • #14
    Sebastian Faulks
    “Nothing should ever really surprise us because people are like icebergs, you only see the little bit on the top.”
    Sebastian Faulks, Engleby



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