Yoanna > Yoanna's Quotes

“Our life is made up of time; our days are measured in hours, our pay measured by those hours, our knowledge is measured by years. We grab a few quick minutes in our busy day to have a coffee break. We rush back to our desks, we watch the clock, we live by appointments. And yet your time eventually runs out and you wonder in your heart of hearts if those seconds, minutes, hours, days, weeks, months, years and decades were being spent the best way they possibly could. In other words, if you could change anything, would you?”
― Cecelia Ahern, Love, Rosie

“You've gotta dance like there's nobody watching,
Love like you'll never be hurt,
Sing like there's nobody listening,
And live like it's heaven on earth.”
― William W. Purkey

“I know that unlike that night, tonight I won't kiss her. Or touch her. Or even see her up close.
Tonight, I'll listen. And that'll be enough.”
― Gayle Forman, Where She Went

“There is no pretending,” Jace said with absolute clarity. “I love you, and I will love you until I die and if there’s a life after that, I’ll love you then.”

“I love you, Jace Wayland—Herondale—Lightwood—whatever you want to call yourself. I don’t care. I love you and I will always love you, and pretending it could be any other way is just a waste of time.”
― Cassandra Clare, City of Glass

“The audience keeps singing, keeps making my case, and I just keep strumming until I get close enough to see her eyes. And then I start singing the chorus. Right to her. And she smiles at me, and it’s like we’re the only two people out here, the only ones who know what’s happening. Which is that this song we’re all singing together is being rewritten. It’s no longer an angry plea shouted to the void. Right here, on this stage, in front of eighty thousand people, it’s becoming something else. This is our new vow.”
― Gayle Forman, Where She Went

“Gabriel’s green eyes sought Will. “It was demon pox, wasn’t it? You know all about it, don’t you? Aren’t you some sort of expert?”
“Well, you needn’t act as if I invented it,” said Will.”
― Cassandra Clare, Clockwork Princess

“Whoever said that the past isn't dead had it backward. It's the future that's already dead, already played out.”
― Gayle Forman, Where She Went

“Peeta, how come I never know when you're having a nightmare?” I say.

“I don't know. I don't think I cry out or thrash around or anything. I just come to, paralyzed with terror,” he says.

“You should wake me,” I say, thinking about how I can interrupt his sleep two or three times on a bad night. About how long it can take to calm me down.

“It's not necessary. My nightmares are usually about losing you,” he says. “I'm okay once I realize you're here.”
― Suzanne Collins, Catching Fire

“It was selfish what I asked her to do, even if it wound up being the most unselfish thing I've ever done.”
― Gayle Forman, Where She Went

“No one can say that death found in me a willing comrade, or that I went easily.”
― Cassandra Clare, Clockwork Princess

“My first impulse is not to grab her or kiss her or yell at her. I simple want to touch her cheek, still flushed from the night's performance. I want to cut through the space that separates us, measured in feet-not miles, not continents, not years-and to take a callused finger to her face.”
― Gayle Forman, Where She Went

“So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent...and right when your song ended, I knew - just like your mother - I was a goner.”
― Suzanne Collins, The Hunger Games

“Nobody looks like what they really are on the inside. You don’t. I don’t. People are much more complicated than that. It’s true of everybody.”
― Neil Gaiman, The Ocean at the End of the Lane

“Jem told me what Ragnor Fell said about my father,” Will said. “That for my father, there was only ever one woman he loved, and it was her for him, or nothing. You are that for me. I love you, and I will only ever love you until I die —”
― Cassandra Clare, Clockwork Princess

“What are you doing following me around the back streets of London, you little idiot?” Will demanded, giving her arm a light shake.

Cecily’s eyes narrowed. “This morning it was cariad (note: Welsh endearment, like ‘darling’ or ‘love’), now it’s idiot.”

“Oh, you’re using a Glamour rune. There’s one thing to declare, you are not afraid of anything when you live in the country. But this is London.”

“I’m not afraid of London,” Cecily said defiantly.

Will leaned closer, almost hissing in her ear *and said something very complicated in Welsh*

She laughed. “No, it wouldn’t do you any good to tell me to go home. You are my brother, and I want to go with you.”

Will blinked at her words.

You are my brother, and I want to go with you.

It was the sort of thing he was used to hearing Jem say.

Although Cecily was unlike Jem in every other conceivable possible way, she did share one quality with him. Stubbornness. When Cecily said she wanted something, it did not express an idle desire, but an iron determination.

“Do you even care where I’m going?” he said. “What if I were going to hell?”

“I’ve always wanted to see hell,” Cecily said. “Doesn’t everyone?”

“Most of us spend our time trying to stay out of it, Cecily. I’m going to an ifrit den, if you must know, to purchase drugs from vile, dissolute criminals. They may clap eyes on you, and decide to sell you.”

“Wouldn’t you stop them?”

“I suppose it would depend on whether they cut me a part of the profit.”

She shook her head. “Jem is your parabatai,” she said. “He is your brother, given to you by the Clave, but I am your sister by blood. Why would you do anything for him, but you only want me to go home?”

“How do you know the drugs are for Jem?” Will said.

“I’m not an idiot, Will.”

“No, more’s the pity. Jem- Jem is like the better part of me. I would not expect you to understand. I owe him. I owe him this.”

“So what am I?” Cecily said.

Will exhaled, too desperate to check himself. “You are my weakness.”

“And Tessa is your heart,” she said, not angrily, but thoughtfully. “I am not fooled. As I told you, I’m not an idiot. And more’s the pity for you, although I suppose we all want things we can’t have.”

“Oh,” said Will, “and what do you want?”

“I want you to come home.” A strand of black hair was stuck to her cheek by the dampness, and Will fought the urge to pull her cloak closer about her, to make her safe as he had when she was a child.

“The Institute is my home,” Will sighed, and leaned his head against the stone wall. “I can’t stand out her arguing with you all evening, Cecily. If you’re determined to follow me into hell, I can’t stop you.”

“Finally,” she said provingly. “You’ve seen sense. I knew you would, you’re related to me.”

Will fought the urge to shake her.

“Are you ready?”

She nodded, and he raised his hand to knock on the door.”
― Cassandra Clare, Clockwork Princess

“Monsters come in all shapes and sizes. Some of them are things people are scared of. Some of them are things that look like things people used to be scared of a long time ago. Sometimes monsters are things people should be scared of, but they aren't.”
― Neil Gaiman, The Ocean at the End of the Lane

“You deserve someone who loves you with every single beat of his heart, someone who thinks about you constantly, someone who spends every minute of every day just wondering what you’re doing, where you are, who you’re with, and if you’re OK. You need someone who can help you reach your dreams and protect you from your fears. You need someone who will treat you with respect, love every part of you, especially your flaws. You should be with someone who could make you happy, really happy, dancing on air happy.”
― Cecelia Ahern, Love, Rosie

“Because...because...she came here with me.”
― Suzanne Collins, The Hunger Games

“I’ve learned that home isn’t a place, it’s a feeling.”
― Cecelia Ahern, Love, Rosie

“At a few minutes before four, Peeta turns to me again. "Your favorite colour . . . it's green?"
"That's right." Then I think of something to add. "And yours is orange."
"Orange?" He seems unconvinced.
"Not bright orange. But soft. Like the sunset," I say. "At least, that's what you told me once."
"Oh." He closes his eyes briefly, maybe trying to conjure up that sunset, then nods his head. "Thank you."
But more words tumble out. "You're a painter. You're a baker. You like to sleep with the windows open. You never take sugar in your tea. And you always double-knot your shoelaces."
Then I dive into my tent before I do something stupid like cry.”
― Suzanne Collins, Mockingjay

“Life is funny isn’t it? Just when you think you’ve got it all figured out, just when you finally begin to plan something, get excited about something, and feel like you know what direction you’re heading in, the paths change, the signs change, the wind blows the other way, north is suddenly south, and east is west, and you’re lost. It is so easy to lose your way, to lose direction. And that’s with following all the signposts”
― Cecelia Ahern, Love, Rosie

“You know,” Cecily said, “you really didn’t have to throw that man through the window.”
― Cassandra Clare, Clockwork Princess

“You know, you could live a thousand lifetimes and not deserve him.”
― Suzanne Collins, Catching Fire

“It's funny because when you're a child, you believe you can be anything you want to be, go wherever you want to go. There's no limit to what you can dream. You expect the unexpected, you believe in magic, in fairy tales, and in possibilities. Then you grow older and that innocence is shattered and somewhere along the way the reality of life gets in the way and you're hit by the realization that you can't be all you wanted to be, you just might have to settle for a little bit less.

Or perhaps a variation of what you once wanted.

Why do we stop believing in ourselves? Why do we let facts and figures and anything but dreams rule our lives?”
― Cecelia Ahern, Love, Rosie

“I wake up in the morning and I feel like I’m missing something. I know
that there’s something not right, and it takes me a while to remember what it
is . . . then I remember. My best friend is gone. My only friend. It was silly of
me to rely so much on one person.”
― Cecelia Ahern, Love, Rosie

“By the Angel, Bridget’s depressing,” said Henry, setting down his newspaper directly on his plate and causing the edge to soak through with egg yolk. Charlotte opened her mouth as if to object, and closed it again. “It’s all heartbreak, death and unrequited love.”
“Well, that is what most songs are about,” said Will. “Requited love is nice, but it doesn’t make much of a ballad.”
― Cassandra Clare, Clockwork Princess

“That's what life is about: People come and go.”
― Cecelia Ahern, Love, Rosie

“Her throat ached: adoration, heartbreak, in equal measure. “Kiss me,” she said. “Please.”
― Cassandra Clare, Clockwork Princess

“There aren’t many sure things in life, but one thing I know for sure is
that you have to deal with the consequences of your actions. You have to follow
through on some things.”
― Cecelia Ahern, Love, Rosie

“There’s something completely unnerving about seeing your parents
upset. I suppose it’s because they’re supposed to be the strong ones, but
that’s not just it. Ever since people are kids they use their parents as some
sort of measurement for how bad a situation is. When you fall on the ground
really hard and you can’t figure out whether it hurts or not you look to your
parents. If they look worried and rush toward you, you cry. If they laugh and
smack the ground saying “Bold ground,” then you pick yourself up and get
on with it.”
― Cecelia Ahern, Love, Rosie