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  • #1
    Maggie Stiefvater
    “Being Adam Parrish was a complicated thing, a wonder of muscles and organs, synapses and nerves. He was a miracle of moving parts, a study in survival. The most important thing to Adam Parrish, though, had always been free will, the ability to be his own master.
    This was the important thing.
    It had always been the important thing.
    This was what it was to be Adam.”
    Maggie Stiefvater, The Raven Boys

  • #2
    Ocean Vuong
    “In Vietnamese, the word for missing someone and remembering them is the same: nhớ. Sometimes, when you ask me over the phone, Có nhớ mẹ không? I flinch, thinking you meant, Do you remember me?

    I miss you more than I remember you.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #3
    Ocean Vuong
    “What I really wanted to say was that a monster is not such a terrible thing to be. From the Latin root monstrum, a divine messenger of catastrophe, then adapted by the Old French to mean an animal of myriad origins: centaur, griffin, satyr. To be a monster is to be a hybrid signal, a lighthouse: both shelter and warning at once.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #4
    Casey McQuiston
    “Should I tell you that when we're apart, your body comes back to me in dreams? That when I sleep, I see you, the dip of your waist, the freckle above your hip, and when I wake up in the morning, it feels like I've just been with you, the phantom touch of your hand on the back of my neck fresh and not imagined? That I can feel your skin against mine, and it makes every bone in my body ache? That, for a few moments, I can hold my breath and be back there with you, in a dream, in a thousand rooms, nowhere at all?”
    Casey McQuiston, Red, White & Royal Blue

  • #5
    Madeline Miller
    “Name one hero who was happy."
    I considered. Heracles went mad and killed his family; Theseus lost his bride and father; Jason's children and new wife were murdered by his old; Bellerophon killed the Chimera but was crippled by the fall from Pegasus' back.
    "You can't." He was sitting up now, leaning forward.
    "I can't."
    "I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret."
    "Tell me." I loved it when he was like this.
    "I'm going to be the first." He took my palm and held it to his. "Swear it."
    "Why me?"
    "Because you're the reason. Swear it."
    "I swear it," I said, lost in the high color of his cheeks, the flame in his eyes.
    "I swear it," he echoed.
    We sat like that a moment, hands touching. He grinned.
    "I feel like I could eat the world raw.”
    Madeline Miller, The Song of Achilles

  • #6
    Khaled Hosseini
    “And that's the thing about people who mean everything they say. They think everyone else does too.”
    Khaled Hosseini, The Kite Runner

  • #7
    Casey McQuiston
    “That's the choice. I love him, with all that, because of all that. On purpose. I love him on purpose.”
    Casey McQuiston, Red, White & Royal Blue

  • #8
    Amal El-Mohtar
    “I love you. I love you. I love you. I'll write it in waves. In skies. In my heart. You'll never see, but you will know. I'll be all the poets, I'll kill them all and take each one's place in turn, and every time love's written in all the strands it will be to you.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #9
    Amal El-Mohtar
    “At the end as at the start, and through all the in-betweens, I love you.”
    Amal El-Mohtar, This Is How You Lose the Time War

  • #10
    Maggie Stiefvater
    “The choice was death or hurting Adam, which wasn’t much of a choice at all.”
    Maggie Stiefvater, The Raven King

  • #11
    “What they were really saying is, victims can’t write. Victims aren’t smart, capable, or independent. They need external help to articulate their thoughts, needs, and demands. They are too emotional to compose anything coherent. It cannot be the same drunk girl who was found unconscious, the one who the media said uncontrollably sobbed throughout testimony. On a deep level, they wanted to take away my writing, which I would not give up so easily.”
    Chanel Miller, Know My Name: A Memoir

  • #12
    Antoine de Saint-Exupéry
    “I remembered the fox. One runs the risk of crying a bit if one allows oneself to be tamed.”
    Antoine de Saint-Exupéry, The Little Prince

  • #13
    Ocean Vuong
    “You once told me that the human eye is god's loneliest creation. How so much of the world passes through the pupil and still it holds nothing. The eye, alone in its socket, doesn't even know there's another one, just like it, an inch away, just as hungry, as empty.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #14
    Ocean Vuong
    “I am thinking of beauty again, how some things are hunted because we have deemed them beautiful. If, relative to the history of our planet, an individual life is so short, a blink, as they say, then to be gorgeous, even from the day you're born to the day you die, is to be gorgeous only briefly.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #15
    M.L. Rio
    “You can justify anything if you do it poetically enough.”
    M.L. Rio, If We Were Villains

  • #16
    M.L. Rio
    “Were you in love with him?'
    'Yes,' I say, simply. James and I put each other through the kind of reckless passions Gwendolyn once talked about, joy and anger and desire and despair. After all that, was it really so strange? I am no longer baffled or amazed or embarrassed by it. 'Yes, I was.' It's not the whole truth. The whole truth is, I'm in love with him still.”
    M.L. Rio, If We Were Villains

  • #17
    M.L. Rio
    “But that is how a tragedy like ours or King Lear breaks your heart—by making you believe that the ending might still be happy, until the very last minute.”
    M.L. Rio, If We Were Villains

  • #18
    Maggie Stiefvater
    “A secret is a strange thing.

    There are three kinds of secrets. One is the sort everyone knows about, the sort you need at least two people for. One to keep it. One to never know. The second is a harder kind of secret: one you keep from yourself. Every day, thousands of confessions are kept from their would-be confessors, none of these people knowing that their never-admitted secrets all boil down to the same three words: I am afraid.

    And then there is the third kind of secret, the most hidden kind. A secret no one knows about. Perhaps it was known once, but was taken to the grave. Or maybe it is a useless mystery, arcane and lonely, unfound because no one ever looked for it.

    Sometimes, some rare times, a secret stays undiscovered because it is something too big for the mind to hold. It is too strange, too vast, too terrifying to contemplate.

    All of us have secrets in our lives. We’re keepers or keptfrom, players or played. Secrets and cockroaches — that’s what will be left at the end of it all.”
    Maggie Stiefvater, The Dream Thieves

  • #19
    Maggie Stiefvater
    Want and need were words that got eaten smaller and smaller: Freedom, autonomy, a perennial bank balance, a stainless-steel condo in a dustless city, a silky black car, to make out with Blue, eight hours of sleep, a cell phone, a bed, to kiss Blue just once, a blister-less heel, bacon for breakfast, to hold Blue's hand, one hour of sleep, toilet paper, deodorant, a soda, a minute to close his eyes.

    What do you want, Adam?

    To feel awake when my eyes are open.
    Maggie Stiefvater, The Dream Thieves

  • #20
    Maggie Stiefvater
    “Ronan's second secret was Adam Parrish.”
    Maggie Stiefvater, The Dream Thieves

  • #21
    Maggie Stiefvater
    “It was possible that there were two gods in this church.”
    Maggie Stiefvater, Blue Lily, Lily Blue

  • #22
    Ocean Vuong
    “a bullet without a body is a song without ears.”
    Ocean Vuong, On Earth We're Briefly Gorgeous

  • #23
    James Baldwin
    “Neither love nor terror makes one blind: indifference makes one blind.”
    James Baldwin, If Beale Street Could Talk

  • #24
    James Baldwin
    “Time: the word tolled like the bells of a church. Fonny was doing: time. In six months time, our baby would be here. Somewhere, in time, Fonny and I had met: somewhere, in time, we had loved; somewhere, no longer in time, but, now, totally, at time’s mercy, we loved.”
    James Baldwin, If Beale Street Could Talk

  • #25
    James Baldwin
    “Of course, I must say that I don't think America is God's gift to anybody--if it is, God's days have got to be numbered. That God these people say they serve--and do serve, in ways that they don't know--has got a very nasty sense of humor. Like you'd beat the shit out of Him, if He was a man. Or: if you were.”
    James Baldwin, If Beale Street Could Talk

  • #26
    James Baldwin
    “But I know about suffering; if that helps. I know that it ends. I ain’t going to tell you no lies, like it always ends for the better. Sometimes it ends for the worse. You can suffer so bad that you can be driven to a place where you can’t ever suffer again: and that’s worse.”
    James Baldwin, If Beale Street Could Talk

  • #27
    James Baldwin
    “I guess it can’t be too often that two people can laugh and make love, too, make love because they are laughing, laugh because they’re making love. The love and the laughter come from the same place: but not many people go there”
    James Baldwin, If Beale Street Could Talk

  • #28
    James Baldwin
    “It's a miracle to realize that somebody loves you.”
    James Baldwin, If Beale Street Could Talk

  • #29
    James Baldwin
    “He grins again, and everything inside me moves. Oh, love. Love.”
    James Baldwin, If Beale Street Could Talk

  • #30
    James Baldwin
    “He laughed. 'Baby. Baby. Baby. I love you. And I'm going to build us a table and a whole lot of folks are going to be eating off it for a long, long time to come.”
    James Baldwin, If Beale Street Could Talk



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