Maisha > Maisha's Quotes

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  • #1
    I'm selfish, impatient and a little insecure. I make mistakes, I am out of control
    “I'm selfish, impatient and a little insecure. I make mistakes, I am out of control and at times hard to handle. But if you can't handle me at my worst, then you sure as hell don't deserve me at my best.”
    Marilyn Monroe

  • #2
    Donna Tartt
    “Beauty is terror. Whatever we call beautiful, we quiver before it.”
    Donna Tartt, The Secret History

  • #3
    Emily Henry
    “Is there anything better than iced coffee and a bookstore on a sunny day? I mean, aside from hot coffee and a bookstore on a rainy day.”
    Emily Henry, Book Lovers

  • #4
    Emily Henry
    “Maybe love shouldn’t be built on a foundation of compromises, but maybe it can’t exist without them either. Not the kind that forces two people into shapes they don’t fit in, but the kind that loosens their grips, always leaves room to grow. Compromises that say, there will be a you-shaped space in my heart, and if your shape changes, I will adapt. No matter where we go, our love will stretch out to hold us, and that makes me feel like … like everything will be okay.”
    Emily Henry, Book Lovers

  • #5
    Emily Henry
    “The last-page ache. The deep breath in after you’ve set the book aside.”
    Emily Henry, Book Lovers

  • #6
    Kazuo Ishiguro
    “I keep thinking about this river somewhere, with the water moving really fast. And these two people in the water, trying to hold onto each other, holding on as hard as they can, but in the end it's just too much. The current's too strong. They've got to let go, drift apart. That's how it is with us. It's a shame, Kath, because we've loved each other all our lives. But in the end, we can't stay together forever.”
    Kazuo Ishiguro, Never Let Me Go

  • #7
    Kazuo Ishiguro
    “It was like when you make a move in chess and just as you take your finger off the piece, you see the mistake you've made, and there's this panic because you don't know yet the scale of disaster you've left yourself open to.”
    Kazuo Ishiguro, Never Let Me Go

  • #8
    Kazuo Ishiguro
    “That was the only time, as I stood there, looking at that strange rubbish, feeling the wind coming across those empty fields, that I started to imagine just a little fantasy thing, because this was Norfolk after all, and it was only a couple of weeks since I’d lost him. I was thinking about the rubbish, the flapping plastic in the branches, the shore-line of odd stuff caught along the fencing, and I half-closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field, and gradually get larger until I'd see it was Tommy, and he'd wave, maybe even call. The fantasy never got beyond that --I didn't let it-- and though the tears rolled down my face, I wasn't sobbing or out of control. I just waited a bit, then turned back to the car, to drive off to wherever it was I was supposed to be.”
    Kazuo Ishiguro, Never Let Me Go

  • #9
    M.L. Rio
    “For someone who loved words as much as I did, it was amazing how often they failed me.”
    M.L. Rio, If We Were Villains

  • #10
    M.L. Rio
    “You can justify anything if you do it poetically enough.”
    M.L. Rio, If We Were Villains

  • #11
    M.L. Rio
    “Were you in love with him?'
    'Yes,' I say, simply. James and I put each other through the kind of reckless passions Gwendolyn once talked about, joy and anger and desire and despair. After all that, was it really so strange? I am no longer baffled or amazed or embarrassed by it. 'Yes, I was.' It's not the whole truth. The whole truth is, I'm in love with him still.”
    M.L. Rio, If We Were Villains

  • #12
    M.L. Rio
    “But that is how a tragedy like ours or King Lear breaks your heart—by making you believe that the ending might still be happy, until the very last minute.”
    M.L. Rio, If We Were Villains

  • #13
    M.L. Rio
    “One thing I'm sure Colborne will never understand is that I need language to live, like food—lexemes and morphemes and morsels of meaning nourish me with the knowledge that, yes, there is a word for this. Someone else has felt it before.”
    M.L. Rio, If We Were Villains

  • #14
    M.L. Rio
    “How tremendous the agony of unmade decisions.”
    M.L. Rio, If We Were Villains

  • #15
    M.L. Rio
    “Per aspera ad astra. I’d heard a variety of translations, but the one I liked best was Through the thorns, to the stars.”
    M.L. Rio, If We Were Villains

  • #16
    M.L. Rio
    “Actors are by nature volatile—alchemic creatures composed of incendiary elements, emotion and ego and envy. Heat them up, stir them together, and sometimes you get gold. Sometimes disaster.”
    M.L. Rio, If We Were Villains

  • #17
    M.L. Rio
    “There is no comfort like complicity.”
    M.L. Rio, If We Were Villains

  • #18
    M.L. Rio
    “Secrets carry weight, like lead.”
    M.L. Rio, If We Were Villains

  • #19
    M.L. Rio
    “The future is wide and wild and full of promise, but it is precarious, too. Seize on every opportunity that comes your way and cling to it, lest it be washed back out to sea.”
    M.L. Rio, If We Were Villains

  • #20
    M.L. Rio
    “Hatred is the sincerest form of flattery.”
    M.L. Rio, If We Were Villains

  • #21
    M.L. Rio
    “Anything can feel like punishment if it’s taught poorly.”
    M.L. Rio, If We Were Villains

  • #22
    M.L. Rio
    “You can’t quantify humanity. You can’t measure it—not the way you mean to. People are passionate and flawed and fallible. They make mistakes. Their memories fade. Their eyes deceive them.”
    M.L. Rio, If We Were Villains

  • #23
    “I take a longer look at the words on her headstone.
    Brave, kind, loyal, sweet, loving, graceful, strong, thoughtful, funny, genuine, hopeful, playful, insightful, and on and on…
    Was she, though? Was she any of those things? The words make me angry. I can’t look at them any longer.
    Why do we romanticize the dead? Why can’t we be honest about them?”
    Jennette McCurdy, I'm Glad My Mom Died

  • #24
    “I laughed. ‘For a policeman, you’re very romantic.’
    ‘For an artist, you’re very afraid,’ he said.”
    Bethan Roberts, My Policeman

  • #25
    “Dunno much about art." "You don't have to. That's the wonderful thing about it. It's about reacting to it. Feeling it, if you like. It's not really anything to do with knowledge”
    Bethan Roberts, My Policeman

  • #26
    “You were looking at Tom without smiling, with an expression of deep absorption. You considered him, in the same way that others in the room were considering the displays.”
    Bethan Roberts, My Policeman

  • #27
    “Because when you're in love with someone for the first time, their name is enough. Just seeing my hand form Tom's name was enough. Almost.”
    Bethan Roberts, My Policeman

  • #28
    “The most impressive thing about him, to me, is his belief in those wings. Useless, fragile, attached to his arms by a couple of cuffs, and yet he believes in them as a child might believe a cloak will make him invisible.”
    Bethan Roberts, My Policeman

  • #29
    “Then he took my fingers from his lips and, pressing them against his groin, he asked, “Can you share?” “Share?” “Can you share me?” I felt him harden, and I nodded. “If that’s what it takes. Yes. I can share.” And then I was on my knees before him.”
    Bethan Roberts, My Policeman



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