Floretta Schellhammer > Floretta's Quotes

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  • #1
    Sara Pascoe
    “Oo, I like a good cat fight – especially when it doesn’t involve me,’ Oscar said.
    ‘Shut up!’ Bryony and Raya said simultaneously. A hairline crack formed in the ice between them.”
    Sara Pascoe, Being a Witch, and Other Things I Didn't Ask For

  • #2
    Therisa Peimer
    “Too pissed off to care, Aurelia interrupted him. "No, I will not wait just one moment!" Piercing him with her best scary stare, she said, "It surprises me that no one has pointed out your glaringly obvious agenda, so let me be the first.”
    Therisa Peimer, Taming Flame

  • #3
    A.A. Milne
    “I always did whatever I liked," she said, "but now I really can do it.”
    A.A. Milne, Once on a Time

  • #4
    Tennessee Williams
    “Stella:
    And when he comes back I cry on his lap like a baby..
    [she smiles to herself]
    Blanche:
    I guess that is what is meant by being in love..”
    Tennessee Williams, A Streetcar Named Desire

  • #5
    Gregory David Roberts
    “It's such a huge arrogance to love someone, and there's too much of it around. There's too much love in this world. Sometimes I think that's what heavens is-- a place where everybody's happy because nobody loves anybody else, ever.”
    Gregory David Roberts, Shantaram

  • #6
    Janet Fitch
    “Death like a lover, caressing him, promising him peace, running its fingers through his hair, its tongue in his ear. She put her own two fingers in her mouth. Im so sorry. And pulled the trigger”
    Janet Fitch, Paint it Black

  • #7
    John Ajvide Lindqvist
    “a tiny, fragile butterfly the same colour as the eyes of the one you love, a colour for which there are no words.”
    John Ajvide Lindqvist, Let the Old Dreams Die: Stories

  • #8
    Oliver Sacks
    “This usually occurs at the moment when my head hits the pillow at night; my eyes close and … I see imagery. I do not mean pictures; more usually they are patterns or textures, such as repeated shapes, or shadows of shapes, or an item from an image, such as grass from a landscape or wood grain, wavelets or raindrops … transformed in the most extraordinary ways at a great speed. Shapes are replicated, multiplied, reversed in negative, etc. Color is added, tinted, subtracted. Textures are the most fascinating; grass becomes fur becomes hair follicles becomes waving, dancing lines of light, and a hundred other variations and all the subtle gradients between them that my words are too coarse to describe.”
    Oliver Sacks, Hallucinations

  • #9
    Max Nowaz
    “One thing I have learnt is that you may do a lot of evil things, but if you are ever afforded a chance to be good, then you should take it. You will feel better about yourself.”
    Max Nowaz, The Polymorph

  • #10
    Adam Scott Huerta
    “DON’T THINK, FEEL flickers from an electric billboard cutting out the darkness. ”
    Adam Scott Huerta, Motive Black

  • #11
    K.  Ritz
    “I walked past Malison, up Lower Main to Main and across the road. I didn’t need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward. 
    I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer.
    We were almost to the cemetery before he asked where we were going. I answered with another question. “Do you like living in the High Lord’s kitchens?”
    He, of course, replied, “No.”
    “Well, we’re going to a better place.”
    When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calec’s cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds.
    Malison moved beside me. “It’s a graveyard.”
    “Are you afraid of ghosts?” I asked.
    “My father’s a ghost,” he whispered.
    I asked if he wanted to learn how to throw a knife. He said, “Yes,” as I knew he would.  He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. I’d spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined. 
    Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path.
    “Aren’t you going to show me?” Malison prompted, as if to echo my prayer.”
    K. Ritz, Sheever's Journal, Diary of a Poison Master

  • #12
    Susan  Rowland
    “The Alchemy Scroll works on the heart,” he said. “It plants words as I plant stones. The Scroll-maker is my brother. He paints the mysteries of God while I, guided by the Mother, built the new Hall as a door to heaven,” he said.”
    Susan Rowland, The Alchemy Fire Murder

  • #13
    A.R. Merrydew
    “If you could travel back in time, you would miss out on all of the mistakes you made. You would undoubtedly be someone very different. Long live my past and my mistakes.”
    A.R. Merrydew

  • #14
    Mike  Martin
    “You speak rabbit?” asked Princess Sophie.
    “Of course,” said Lady Ariana. “And cat, dog, mouse, pig, and chicken. Fish, too. I am a magician, after all.”
    Mike Martin, Princess Sophie and the Christmas Elixir

  • #15
    “The owner of the Post Office was called Maurice. A sixtyish-year-old with a large red nose that was pebble-dashed with broken capillaries, and a smooth bald head with a fuzz of grey hair around the side like the tide mark on a dirty bath. He had a gruff manner, distrusting eyes and a cough like kicked gravel.”
    R.D. Ronald

  • #16
    Lewis Carroll
    “The time has come," the walrus said, "to talk of many things: Of shoes and ships - and sealing wax - of cabbages and kings”
    Lewis Carroll, Alice’s Adventures in Wonderland / Through the Looking-Glass

  • #17
    Ralph Ellison
    “Poor stumblers, neither of you can see the other. To you he is a mark on the scorecard of your achievement, a thing and not a man; a child, or even less--a black amorphous thing. And you, for all your power, are not a man to him, but a God, a force--”
    Ralph Ellison, Invisible Man

  • #18
    Johann Wolfgang von Goethe
    “Lose the day loitering, 'twill be the same story
    To-morrow, and the next more dilatory,
    For indecision brings its own delays,
    And days are lost lamenting o'er lost days.
    Are you in earnest? Seize this very minute!
    What you can do, or think you can, begin it!
    Only engage, and then the mind grows heated;
    Begin it, and the work will be completed.”
    Johann Wolfgang von Goethe

  • #19
    A.S. Byatt
    “On the first occasion Mrs Papagay had met her, there had been a discussion of the process of grief, and Mrs Jesse had nodded sagely, "I know that. I have felt that,' like a kind of tragic chorus. 'I have felt everything; I know everything. I don’t want any new emotion. I know what it is to feel like a stoan.”
    A.S. Byatt, Angels and Insects
    tags: grief

  • #20
    Jeannette Walls
    “Every damn thing in the universe can be broken down into smaller things, even atoms, even protons, so theoretically speaking, I guess you had a winning case. A collection of things should be considered one thing. Unfortunately, theory don’t always carry the day.”
    Jeannette Walls, The Glass Castle



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