Loren > Loren's Quotes

“Wednesday, November 8th, 1893

Here I sit in the still winter night on the drifting ice-floe, and see only stars above me. Far off I see the threads of life twisting themselves into the intricate web which stretches unbroken from life’s sweet morning dawn to the eternal death-stillness of ice. Thought follows thought—you pick the whole to pieces, and it seems so small—but high above all towers one form … Why did you take this voyage? … Could I do otherwise? Can the river arrest its course and run up hill? My plan has come to nothing. That palace of theory which I reared, in pride and self-confidence, high above all silly objections has fallen like a house of cards at the first breath of wind. Build up the most ingenious theories and you may be sure of one thing—that fact will defy them all. Was I so very sure? Yes, at times; but that was self-deception, intoxication. A secret doubt lurked behind all the reasoning. It seemed as though the longer I defended my theory, the nearer I came to doubting it. But no, there is not getting over the evidence of that Siberian drift-wood. But if, after all, we are on the wrong track, what then? Only disappointed human hopes, nothing more. And even if we perish, what will it matter in the endless cycles of eternity?”
― Fridtjof Nansen, Farthest North: The Incredible Three-Year Voyage to the Frozen Latitudes of the North

“Let there be spaces in your togetherness, And let the winds of the heavens dance between you. Love one another but make not a bond of love: Let it rather be a moving sea between the shores of your souls. Fill each other's cup but drink not from one cup. Give one another of your bread but eat not from the same loaf. Sing and dance together and be joyous, but let each one of you be alone, Even as the strings of a lute are alone though they quiver with the same music. Give your hearts, but not into each other's keeping. For only the hand of Life can contain your hearts. And stand together, yet not too near together: For the pillars of the temple stand apart, And the oak tree and the cypress grow not in each other's shadow.”
― Khalil Gibran, The Prophet

“Suddenly, now, I know what I want. I want the counselors to build a pyre...and let my ashes drop and mingle with the sand. Lose my bones amongst the driftwood, my teeth amongst the sand... I don't believe in the wisdom of children, nor in the wisdom of the old. There is a moment, a cusp, when the sum of gathered experience is worn down by the details of living. We are never so wise as when we live in this moment.”
― Paul Kalanithi, When Breath Becomes Air

“They ask me how did you get here? Can’t you see it on my body? The Libyan desert red with immigrant bodies, the Gulf of Aden bloated, the city of Rome with no jacket. I hope the journey meant more than miles because all of my children are in the water. I thought the sea was safer than the land. I want to make love, but my hair smells of war and running and running. I want to lay down, but these countries are like uncles who touch you when you’re young and asleep. Look at all these borders, foaming at the mouth with bodies broken and desperate. I’m the colour of hot sun on the face, my mother’s remains were never buried. I spent days and nights in the stomach of the truck; I did not come out the same. Sometimes it feels like someone else is wearing my body.”
― Warsan Shire, Teaching My Mother How to Give Birth

“make love
like you have no
secrets
like you’ve
never been
left
never been
hurt
like the world
don’t owe you a
single
wretched
thing.”
― Warsan Shire

“Your daughter is ugly.
She knows loss intimately,
carries whole cities in her belly.

As a child, relatives wouldn’t hold her.
She was splintered wood and sea water.
They said she reminded them of the war.

On her fifteenth birthday you taught her
how to tie her hair like rope
and smoke it over burning frankincense.

You made her gargle rosewater
and while she coughed, said
macaanto girls like you shouldn’t smell
of lonely or empty.

You are her mother.
Why did you not warn her,
hold her like a rotting boat
and tell her that men will not love her
if she is covered in continents,
if her teeth are small colonies,
if her stomach is an island
if her thighs are borders?

What man wants to lay down
and watch the world burn
in his bedroom?

Your daughter’s face is a small riot,
her hands are a civil war,
a refugee camp behind each ear,
a body littered with ugly things

but God,
doesn’t she wear
the world well.”
― Warsan Shire

“Sad people have the gift of time, while the world dizzies everyone else; they remain stagnant, their bodies refusing to follow pace with the universe. With these kind of people everything aches for too long, everything moves without rush, wounds are always wet.”
― Warsan Shire, Teaching My Mother How to Give Birth

“all the girls you’ve ever loved, i think i loved them too.
interlude for the grand sonata
every mouth you’ve ever kissed
was just practice
all the bodies you’ve ever undressed
and ploughed into
were preparing you for me.
i don’t mind tasting them in the
memory of your mouth
they were a long hallway
a door half-open
a single suitcase still on the conveyor belt
was it a long journey?
did it take you long to find me?
you’re here now,
welcome home.”
― Warsan Shire

“i gut fruit with my mouth
push tongue into black belly of papaya
peel lychee with teeth
bite into ripe pear
suck on stone of mango
all of this, over the kitchen sink
barefoot
middle of winter
sticky hands pushing hair away from face
moaning into sweet flesh
the whole time
your name flat against the roof of my mouth.”
― Warsan Shire

“The only darkness we should allow into our lives is the night, for even then, we have the moon.”
― Warsan Shire, Our Men Do Not Belong To Us

“The Kitchen
 
 
 
 
 
Half a papaya and a palmful of sesame oil;
lately, your husband’s mind has been elsewhere.
 
Honeyed dates, goat’s milk;
you want to quiet the bloating of salt.
 
Coconut and ghee butter;
he kisses the back of your neck at the stove.
 
Cayenne and roasted pine nuts;
you offer him the hollow of your throat.
 
Saffron and rosemary;
you don’t ask him her name.
 
Vine leaves and olives;
you let him lift you by the waist.
 
Cinnamon and tamarind;
lay you down on the kitchen counter.
 
Almonds soaked in rose water;
your husband is hungry.
 
Sweet mangoes and sugared lemon;
he had forgotten the way you taste.

Sour dough and cumin;
but she cannot make him eat, like you.”
― Warsan Shire, Teaching My Mother How to Give Birth

“The 3 types of terror: The Gross-out: the sight of a severed head tumbling down a flight of stairs, it's when the lights go out and something green and slimy splatters against your arm. The Horror: the unnatural, spiders the size of bears, the dead waking up and walking around, it's when the lights go out and something with claws grabs you by the arm. And the last and worse one: Terror, when you come home and notice everything you own had been taken away and replaced by an exact substitute. It's when the lights go out and you feel something behind you, you hear it, you feel its breath against your ear, but when you turn around, there's nothing there...”
― Stephen King

“Everything I’ve ever let go of has claw marks on it.”
― David Foster Wallace

“It's wrong what they say about the past, I've learned, about how you can bury it. Because the past claws its way out.”
― Khaled Hosseini, The Kite Runner

“Amor"

So many days, oh so many days
seeing you so tangible and so close,
how do I pay, with what do I pay?

The bloodthirsty spring
has awakened in the woods.
The foxes start from their earths,
the serpents drink the dew,
and I go with you in the leaves
between the pines and the silence,
asking myself how and when
I will have to pay for my luck.

Of everything I have seen,
it's you I want to go on seeing:
of everything I've touched,
it's your flesh I want to go on touching.
I love your orange laughter.
I am moved by the sight of you sleeping.

What am I to do, love, loved one?
I don't know how others love
or how people loved in the past.
I live, watching you, loving you.
Being in love is my nature.

You please me more each afternoon.

Where is she? I keep on asking
if your eyes disappear.
How long she's taking! I think, and I'm hurt.
I feel poor, foolish and sad,
and you arrive and you are lightning
glancing off the peach trees.

That's why I love you and yet not why.
There are so many reasons, and yet so few,
for love has to be so,
involving and general,
particular and terrifying,
joyful and grieving,
flowering like the stars,
and measureless as a kiss.

That's why I love you and yet not why.
There are so many reasons, and yet so few,
for love has to be so,
involving and general,
particular and terrifying,
joyful and grieving,
flowering like the stars,
and measureless as a kiss.”
― Pablo Neruda, Intimacies: Poems of Love

“She could walk through a lightning storm without being touched; grab a bolt of lightning in the palm of her hand; use the heat of lightning to start the kindling going under her medicine pot. She turned the moon into salve, the stars into swaddling cloth, and healed the wounds of every creature walking up on two or down on four.”
― Gloria Naylor, Mama Day

“I wish I could wrap up the glitter star-green of this moment and hand it to you like an angel gift. Give you the heat lightning flying in jagged silence over the distant mountains. And the smell of September prairie grass and the even fainter scent of October pine now descending . . .”
― Carew Papritz, The Legacy Letters: his Wife, his Children, his Final Gift

“Pain. I seem to have an affection, a kind of sweettooth for it. Bolts of lightning, little rivulets of thunder.
And I the eye of the storm.”
― Toni Morrison, Jazz

“There is a pleasure in the pathless woods,
There is a rapture on the lonely shore,
There is society, where none intrudes,
By the deep sea, and music in its roar:
I love not man the less, but Nature more”
― Lord Byron

“Solitude gives birth to the original in us, to beauty unfamiliar and perilous - to poetry. But also, it gives birth to the opposite: to the perverse, the illicit, the absurd.”
― Thomas Mann, Death in Venice and Other Tales

“Summer in the deep South is not only a season, a climate, it's a dimension. Floating in it, one must be either proud or submerged.”
― Eugene Walter, The Untidy Pilgrim

“You learn to forgive (the South) for its narrow mind and growing pains because it has a huge heart. You forgive the stifling summers because the spring is lush and pastel sprinkled, because winter is merciful and brief, because corn bread and sweet tea and fried chicken are every bit as vital to a Sunday as getting dressed up for church, and because any southerner worth their salt says please and thank you. It's soft air and summer vines, pine woods and fat homegrown tomatoes. It's pulling the fruit right off a peach tree and letting the juice run down your chin. It's a closeted and profound appreciation for our neighbors in Alabama who bear the brunt of the Bubba jokes. The South gets in your blood and nose and skin bone-deep. I am less a part of the South than it is part of me. It's a romantic notion, being overcome by geography. But we are all a little starry-eyed down here. We're Rhett Butler and Scarlett O'Hara and Rosa Parks all at once.”
― Amanda Kyle Williams

“Oh, for the love of backwoods babies everywhere
-Katy”
― Jennifer L. Armentrout, Opal

“Folks from the backwoods were certain about two things: that every human soul needed to be free and that the responsibility of being free required one to be a person of integrity, a person who lived in such a way that there would always be congruency between what one thinks, says, and does.”
― bell hooks, Appalachian Elegy: Poetry and Place

“Just as the towering myth of Abraham Lincoln—honest backwoods lawyer, spinner of yarns, righter of wrongs—tells only part of the truth, so, too, is the myth of America woefully incomplete. The country that Ronald Reagan once called “a shining city upon a hill” has, in fact, been tangled up in darkness since before she was born. Millions of souls have graced the American stage over the centuries, played parts both great and small, and made their final exits. But of all the souls who witnessed America’s birth and growth, who fought in her finest hours, and who had a hand in her hidden history, only one soul remains to tell the whole truth. What follows is the story of Henry Sturges. What follows is the story of an American life.”
― Seth Grahame-Smith, The Last American Vampire

“Pushing through some viney branches, she comes into a clearing andfinds a sight that makes her hush--and not just her voice but every part of her, like feeling silence in her deep guts...
It's something she can feel in the back of her throat, her dislike of the scene--as though what she's looking upon is unholy, the conjunction of chaos and order in a forced fit where everything is stretched and bent in the wrong way like those baby legs.”
― Alden Bell, The Reapers are the Angels

“A friend confided to me recently that she wasn't sure if it was the 'change,' plain old PMS, or just a slow shift toward embracing her inner witch that is causing her to become progressively more irritated by everything her husband does.”
― Celia Rivenbark, We're Just Like You, Only Prettier: Confessions of a Tarnished Southern Belle

“I look out past the corn and the wheat and wonder how many sets of bones are buried, unspoken, keeping their stories to themselves in the dirt. I wonder if they know the sky is bright blue today and the air smells sweet. I wonder if they still listen in.”
― Andrea Portes, Hick

“Pay closer attention to road. Try not to look at the woods on either side of you. Try not to stare into the endless vacuum. You know what happens if you stare into those chasms. They envelop you. They become you, and you become a part of them. You become a part of nothing.”
― Connor de Bruler, Southern Gothic Shorts

“Because I will always remember that when I told her I needed help burying a body, the first thing she said was, "Let me go get my shovel.”
― Karen White