Melina > Melina's Quotes

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  • #1
    W.B. Yeats
    “ROSE of all Roses, Rose of all the World!
    The tall thought-woven sails, that flap unfurled
    Above the tide of hours, trouble the air,
    And God’s bell buoyed to be the water’s care;
    While hushed from fear, or loud with hope, a band
    With blown, spray-dabbled hair gather at hand.
    Turn if you may from battles never done,
    I call, as they go by me one by one,
    Danger no refuge holds, and war no peace,
    For him who hears love sing and never cease,
    Beside her clean-swept hearth, her quiet shade:
    But gather all for whom no love hath made
    A woven silence, or but came to cast
    A song into the air, and singing past
    To smile on the pale dawn; and gather you
    Who have sought more than is in rain or dew
    Or in the sun and moon, or on the earth,
    Or sighs amid the wandering starry mirth,
    Or comes in laughter from the sea’s sad lips;
    And wage God’s battles in the long grey ships.
    The sad, the lonely, the insatiable,
    To these Old Night shall all her mystery tell;
    God’s bell has claimed them by the little cry
    Of their sad hearts, that may not live nor die.

    Rose of all Roses, Rose of all the World!
    You, too, have come where the dim tides are hurled
    Upon the wharves of sorrow, and heard ring
    The bell that calls us on; the sweet far thing.
    Beauty grown sad with its eternity
    Made you of us, and of the dim grey sea.
    Our long ships loose thought-woven sails and wait,
    For God has bid them share an equal fate;
    And when at last defeated in His wars,
    They have gone down under the same white stars,
    We shall no longer hear the little cry
    Of our sad hearts, that may not live nor die.

    The Sweet Far Thing”
    William Butler Yeats, The Collected Poems of W.B. Yeats
    tags: sweet

  • #2
    John Keats
    “Do you not see how necessary a world of pains and troubles is to school an intelligence and make it a soul?”
    John Keats, Letters of John Keats

  • #3
    Anaïs Nin
    “You live like this, sheltered, in a delicate world, and you believe you are living. Then you read a book… or you take a trip… and you discover that you are not living, that you are hibernating. The symptoms of hibernating are easily detectable: first, restlessness. The second symptom (when hibernating becomes dangerous and might degenerate into death): absence of pleasure. That is all. It appears like an innocuous illness. Monotony, boredom, death. Millions live like this (or die like this) without knowing it. They work in offices. They drive a car. They picnic with their families. They raise children. And then some shock treatment takes place, a person, a book, a song, and it awakens them and saves them from death. Some never awaken.”
    Anaïs Nin, The Diary of Anaïs Nin, Vol. 1: 1931-1934

  • #4
    Anaïs Nin
    “Last night I wept. I wept because the process by which I have become woman was painful. I wept because I was no longer a child with a child's blind faith. I wept because my eyes were opened to reality....I wept because I could not believe anymore and I love to believe. I can still love passionately without believing. That means I love humanly. I wept because I have lost my pain and I am not yet accustomed to its absence.”
    Anaïs Nin, Henry and June: The Unexpurgated Diary of Anaïs Nin, 1931-1932

  • #5
    Anaïs Nin
    “I hate rarely, though when I hate, I hate murderously.”
    Anaïs Nin
    tags: hate

  • #6
    Anaïs Nin
    “I want to love you wildly. I don’t want words, but inarticulate cries, meaningless, from the bottom of my most primitive being, that flow from my belly like honey. A piercing joy, that leaves me empty, conquered, silenced.”
    Anaïs Nin

  • #7
    Anaïs Nin
    “You live like this, sheltered, in a delicate world, & you believe you are living.”
    Anaïs Nin

  • #8
    Anaïs Nin
    “Why one writes is a question I can answer easily, having so often asked it of myself. I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me — the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.”
    Anaïs Nin

  • #9
    Renée Vivien
    “She embodies all the melancholy of autumn. She has learned to cherish with mournful tenderness a past she dares not remember.”
    Renée Vivien, A Woman Appeared to Me

  • #10
    Rainer Maria Rilke
    “You, yesterday’s boy,
    to whom confusion came:
    Listen, lest you forget who you are.

    It was not pleasure you fell into. It was joy.
    You were called to be bridegroom,
    though the bride coming toward you is your shame.

    What chose you is the great desire.
    Now all flesh bares itself to you.

    On pious images pale cheeks
    blush with a strange fire.
    Your senses uncoil like snakes
    awakened by the beat of the tambourine.

    Then suddenly you’re left all alone
    with your body that can’t love you
    and your will that can’t save you.

    But now, like a whispering in dark streets,
    rumors of God run through your dark blood.”
    Rainer Maria Rilke, Rilke's Book of Hours: Love Poems to God

  • #11
    Cecília Meireles
    “Encostei-me a ti, sabendo bem que eras somente onda. Sabendo bem que eras nuvem depus a minha vida em ti. Como sabia bem tudo isso, e dei-me ao teu destino frágil, fiquei sem poder chorar, quando caí.”
    Cecília Meireles, Cecília Meireles - Poesia Completa

  • #12
    Clarice Lispector
    “Freedom isn't enough. What I desire doesn't have a name yet.”
    Clarice Lispector, Near to the Wild Heart

  • #13
    Clarice Lispector
    “(...)sentou-se para descansar e em breve fazia de conta que ela era uma mulher azul porque o crepúsculo mais tarde talvez fosse azul, faz de conta que fiava com fios de ouro as sensações. faz de conta que a infância era hoje e prateada de brinquedos, faz de conta que uma veia não se abrira e faz de conta que dela não estava em silêncio alvíssimo escorrendo sangue escarlate, e que ela não estivesse pálida de morte mas isso fazia de conta que estava mesmo de verdade, precisava no meio do faz de conta falar a verdade de pedra opaca para que contrastasse com o faz de conta verde-cintilante, faz de conta que amava e era amada, faz de conta que não precisava morrer de saudade, faz de conta que estava deitada na palma transparente de Deus, não Lóri mas o seu nome secreto que ela por enquanto ainda não podia usufruir, faz de conta que vivia e não que estivesse morrendo pois viver afinal não passava de se aproximar cada vez mais da morte, faz de conta que ela não ficava de braços caídos de perplexidade quando os fios de ouro que fiava se embaraçavam e ela não sabia desfazer o fino fio frio, faz de conta que ela era sábia bastante para desfazer os nós de corda de marinheiro que lhe atavam os pulsos, faz de conta que tinha um cesto de pérolas só para olhar a cor da lua pois ela era lunar, faz de conta que ela fechasse os olhos e seres amados surgissem quando abrisse os olhos úmidos de gratidão, faz de conta que tudo o que tinha não era faz de conta, faz de conta que se descontraía o peito e uma luz douradíssima e leve guiava por uma floresta de açudes mudos e de tranqüilas mortalidades, faz de conta que ela não era lunar, faz de conta que ela não estava chorando por dentro.”
    Clarice Lispector

  • #14
    Clarice Lispector
    “Because there are times when a person needs a little bitty death and doesn't even know it. As for me, I substitute the act of death for a symbol of it. A symbol that can be summed up in a deep kiss but not on a rough wall but mouth-to-mouth in the agony of pleasure that is death. I, who symbolically die several times just to experience the resurrection”
    Clarice Lispector, The Hour of the Star

  • #15
    Raduan Nassar
    “E me lembrei que a gente sempre ouvia nos sermões do pai que os olhos são a candeia do corpo, e que se eles eram bons é porque o corpo tinha luz...”
    Raduan Nassar, Lavoura Arcaica



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