Maressa > Maressa's Quotes

“What are you doing to me, you plague of a girl?” he whispered.
“If I’m a plague, then you should keep your distance, unless you plan on being destroyed.” The weapons still in her grasp, she shoved against his chest.
“No.” His hands dropped to her waist. “Destroy me.”
― Renee Ahdieh, The Wrath and the Dawn

“My soul sees its equal in you.”
― Renee Ahdieh, The Wrath and the Dawn

“Some things exist in our lives for but a brief moment. And we must let them go on to light another sky.”
― Renee Ahdieh, The Wrath and the Dawn

“It was because they were two parts of a whole. He did not belong to her. And she did not belong to him. It was never about belonging to someone. It was about belonging together.”
― Renee Ahdieh, The Rose & the Dagger

“Get up, Shahrzad al-Khayzuran. You kneel before no one. Least of all me.”
― Renee Ahdieh, The Wrath and the Dawn

“The more a person pushes others away, the clearer it becomes he is in need of love the most.”
― Renee Ahdieh, The Wrath and the Dawn

“It’s a fitting punishment for a monster. to want something so much—to hold it in your arms — and know beyond a doubt you will never deserve it.”
― Renee Ahdieh, The Wrath and the Dawn

“She was a dangerous, dangerous girl. A plague. A Mountain of Adamant who tore the iron from ships, sinking them to their watery graves without a second thought. With a mere smile and a wrinkle of her nose.”
― Renee Ahdieh, The Wrath and the Dawn

“I know love is fragile. And loving someone like you is near impossible. Like holding something shattered through a raging sandstorm. If you want her to love you, shelter her from that storm…And make certain that storm isn’t you.”
― Renee Ahdieh, The Wrath and the Dawn

“It was like coming home or being born or suddenly finding an entire half of herself that had been missing.”
― Sarah J. Maas, Crown of Midnight

“And because she was young, and so damn clever and amusing and wonderful, wherever she made her home, there would be some man who would fall in love with her and who would make her his wife, and that would be the worst truth of all. It had snuck up on him, this pain and terror and rage at the thought of anyone else with her. Every look, every word from her... he didn't even know when it had started.”
― Sarah J. Maas, Crown of Midnight

“I am hard on myself. But isn’t it better to be honest about these things before someone else can use them against you? Before someone else can break your heart? Isn’t it better to break it yourself?”
― Stephanie Perkins, Isla and the Happily Ever After

“Do adults realize how lucky they are? Or do they forget that these small moments are actually small miracles? I don’t want to ever forget.”
― Stephanie Perkins , Isla and the Happily Ever After

“She would be an object in motion that would stay in motion, even if it meant flattening everything in her path.”
― Amy Zhang, Falling into Place

“But there was something terrifying taking over her thoughts, and it wouldn't leave. Out of seven billion sharing the planet with her, not one of them knew what was going through her head. Not one of them knew that she was lost. Not one of them asked.”
― Amy Zhang, Falling into Place

“When someone's been gone a long time, at first you save up all the things you want to tell them. You try to keep track of everything in your head. But it's like trying to hold on to a fistful of sand: all the little bits slip out of your hands, and then you're just clutching air and grit.”
― Jenny Han, To All the Boys I've Loved Before

“You'd rather make up a fantasy version of somebody in your head than be with a real person.”
― Jenny Han, To All the Boys I've Loved Before

“If love is like a possession, maybe my letter are like my exorcisms”
― Jenny Han, To All the Boys I've Loved Before

“I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.”
― Pablo Neruda, 100 Love Sonnets

“Once upon a time, there was a girl who talked to the moon. And she was mysterious and she was perfect, in that way that girls who talk to moons are. In the house next door, there lived a boy. And the boy watched the girl grow more and more perfect, more and more beautiful with each passing year. He watched her watch the moon. And he began to wonder if the moon would help him unravel the mystery of the beautiful girl. So the boy looked into the sky. But he couldn't concentrate on the moon. He was too distracted by the stars. And it didn't matter how many songs or poems had already been written about them, because whenever he thought about the girl, the stars shone brighter. As if she were the one keeping them illuminated.

One day, the boy had to move away. He couldn't bring the girl with him, so he brought the stars. When he'd look out his window at night, he would start with one. One star. And the boy would make a wish on it, and the wish would be her name.

At the sound of her name, a second star would appear. And then he'd wish her name again, and the stars would double into four. And four became eight, and eight became sixteen, and so on, in the greatest mathematical equation the universe had ever seen. And by the time an hour had passed, the sky would be filled with so many stars that it would wake the neighbors. People wondered who'd turned on the floodlights.

The boy did. By thinking about the girl.”
― Stephanie Perkins, Lola and the Boy Next Door

“Sometimes a mistake isn't a what. It's a who.”
― Stephanie Perkins, Lola and the Boy Next Door

“And there's nothing wrong with being a lizard either. Unless you were born to be a hawk.”
― Leigh Bardugo, Shadow and Bone

“Do not fall in love with people like me.
I will take you to museums, and parks, and monuments, and kiss you in every beautiful place, so that you can never go back to them without tasting me like blood in your mouth.
I will destroy you in the most beautiful way possible. And when I leave you will finally understand, why storms are named after people.”
― Caitlyn Siehl, Literary Sexts: A Collection of Short & Sexy Love Poems

“A blank canvas...has unlimited possibilities.”
― Stephanie Perkins, Isla and the Happily Ever After

“I read once that, on average, we replace the majority of our cells every seven years. Even more amazing: we change the upper layers of our skin every two weeks. If all the cells in our body did this, we’d be immortal. But some of our cells, like the ones in our brains, don’t renew. They age, and age us. In two weeks my skin will have no memory of Olly’s hand on mine, but my brain will remember. We can have immortality or the memory of touch. But we can’t have both.”
― Nicola Yoon, Everything, Everything

“But a mermaid has no tears, and therefore she suffers so much more.”
― Hans Christian Andersen, The Little Mermaid

“Just... isn't giving up allowed sometimes? Isn't it okay to say, ‘This really hurts, so I’m going to stop trying’?”
“It sets a dangerous precedent.”
“For avoiding pain?”
“For avoiding life.”
― Rainbow Rowell, Fangirl

“You give away nice like it doesn't cost you anything.”
― Rainbow Rowell, Fangirl

“It’s just... everything. There are too many people. And I don’t fit in. I don’t know how to be. Nothing that I’m good at is the sort of thing that matters there. Being smart doesn't matter—and being good with words. And when those things do matter, it’s only because people want something from me. Not because they want me.”
― Rainbow Rowell, Fangirl

“Why do we write fiction?" Professor Piper asked.
Cath looked down at her notebook.
To disappear.”
― Rainbow Rowell, Fangirl