Robert Dickinson > Robert's Quotes

“The parts of me that used to think I was different or smarter or whatever, almost made me die.”
― David Foster Wallace

“We're all lonely for something we don't know we're lonely for. How else to explain the curious feeling that goes around feeling like missing somebody we've never even met?”
― David Foster Wallace

“You will become way less concerned with what other people think of you when you realize how seldom they do.”
― David Foster Wallace, Infinite Jest

“The truth will set you free. But not until it is finished with you.”
― David Foster Wallace, Infinite Jest

“Everything I’ve ever let go of has claw marks on it.”
― David Foster Wallace

“Whatever you get paid attention for is never what you think is most important about yourself.”
― David Foster Wallace

“I had kind of a midlife crisis at twenty which probably doesn’t augur well for my longevity”
― David Foster Wallace

“To be, in a word, unborable.... It is the key to modern life. If you are immune to boredom, there is literally nothing you cannot accomplish”
― David Foster Wallace, The Pale King

“Good fiction’s job is to comfort the disturbed and disturb the comfortable.”
― David Foster Wallace

“And Lo, for the Earth was empty of Form, and void. And Darkness was all over the Face of the Deep. And We said: 'Look at that fucker Dance.”
― David Foster Wallace, Infinite Jest

“sarcasm and jokes were often the bottle in which clinical depressives sent out their most plangent screams for someone to care and help them.”
― David Foster Wallace, Infinite Jest

“If you spend enough time reading or writing, you find a voice, but you also find certain tastes. You find certain writers who when they write, it makes your own brain voice like a tuning fork, and you just resonate with them. And when that happens, reading those writers—not all of whom are modern . . . I mean, if you are willing to make allowances for the way English has changed, you can go way, way back with this— becomes a source of unbelievable joy. It’s like eating candy for the soul. So probably the smart thing to say is that lucky people develop a relationship with a certain kind of art that becomes spiritual, almost religious, and doesn’t mean, you know, church stuff, but it means you’re just never the same.”
― David Foster Wallace, Quack This Way

“Every love story is a ghost story.”
― David Foster Wallace, The Pale King

“I have filled 3 Mead notebooks trying to figure out whether it was Them or Just Me.”
― David Foster Wallace, A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments

“Routine, repetition, tedium, monotony, ephemeracy, inconsequence, abstraction, disorder, boredom, angst, ennui — these are the true hero's enemies, and make no mistake, they are fearsome indeed. For they are real.”
― David Foster Wallace, The Pale King

“The interesting thing is why we're so desperate for this anesthetic against loneliness.”
― David Foster Wallace

“Quentin Tarantino is interested in watching somebody's ear getting cut off; David Lynch is interested in the ear.”
― David Foster Wallace, A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments

“At first you maybe start to like some person on the basis of, you know, features of the person. The way they look, or the way they act, or if they're smart, or some combination or something. So in the beginning it's I guess what you call features of the person that make you feel certain ways about the person. ... But then if you get to where you, you know, love a person, everything sort of reverses. It's not that you love the person because of certain things about the person anymore; it's that you love the things about the person because you love the person. It kind of radiates out, instead of in. At least that's the way ... That's the way it seems to me.”
― David Foster Wallace, The Broom of the System

“In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it.”
― David Foster Wallace

“No wonder we cannot appreciate the really central Kafka joke: that the horrific struggle to establish a human self results in a self whose humanity is inseparable from the horrific struggle. That our endless and impossible journey toward home is in fact our home.”
― David Foster Wallace, Consider the Lobster and Other Essays

“Truly decent, innocent people can be taxing to be around.”
― David Foster Wallace, Consider the Lobster and Other Essays

“God seems to have a kind of laid-back management style I’m not crazy about.”
― David Foster Wallace, Infinite Jest

“Yes, I'm paranoid — but am I paranoid enough?”
― David Foster Wallace, Infinite Jest

“Progressive liberals seem incapable of stating the obvious truth: that we who are well off should be willing to share more of what we have with poor people not for the poor people's sake but for our own; i.e., we should share what we have in order to become less narrow and frightened and lonely and self-centered people.”
― David Foster Wallace, Consider the Lobster and Other Essays

“The sun like a sneaky keyhole view of hell.”
― David Foster Wallace, Infinite Jest

“I don't think writers are any smarter than other people. I think they may be more compelling in their stupidity, or in their confusion.”
― David Foster Wallace

“... it takes great personal courage to let yourself appear weak.”
― David Foster Wallace, Infinite Jest

“In reality, there is no such thing as not voting: you either vote by voting, or you vote by staying home and tacitly doubling the value of some Diehard's vote.”
― David Foster Wallace, Consider the Lobster and Other Essays

“What the really great artists do is they're entirely themselves. They're entirely themselves, they've got their own vision, they have their own way of fracturing reality, and if it's authentic and true, you will feel it in your nerve endings.”
― David Foster Wallace

“If what's always distinguished bad writing--flat characters, a narrative world that's clichéd and not recognizably human, etc.--is also a description of today's world, then bad writing becomes an ingenious mimesis of a bad world. If readers simply believe the world is stupid and shallow and mean, then [Bret] Ellis can write a mean shallow stupid novel that becomes a mordant deadpan commentary on the badness of everything. Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it.

Postmodern irony and cynicism's become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving. There's some great essay somewhere that has a line about irony being the song of the prisoner who's come to love his cage… The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years.

We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once we’ve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it’s stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naïveté. Sentiment equals naïveté on this continent.

You burn with hunger for food that does not exist.

A U. S. of modern A. where the State is not a team or a code, but a sort of sloppy intersection of desires and fears, where the only public consensus a boy must surrender to is the acknowledged primacy of straight-line pursuing this flat and short-sighted idea of personal happiness.”
― David Foster Wallace