Laura > Laura's Quotes

“I love you without knowing how, or when, or from where. I love you simply, without problems or pride: I love you in this way because I do not know any other way of loving but this, in which there is no I or you, so intimate that your hand upon my chest is my hand, so intimate that when I fall asleep your eyes close.”
― Pablo Neruda, 100 Love Sonnets

“To practice any art, no matter how well or badly, is a way to make your soul grow. So do it.”
― Kurt Vonnegut, A Man Without a Country

“He who becomes the slave of habit,
who follows the same routes every day,
who never changes pace,
who does not risk and change the color of his clothes,
who does not speak and does not experience,
dies slowly.

He or she who shuns passion,
who prefers black on white,
dotting ones "it’s" rather than a bundle of emotions, the kind that make your eyes glimmer,
that turn a yawn into a smile,
that make the heart pound in the face of mistakes and feelings,
dies slowly.

He or she who does not turn things topsy-turvy,
who is unhappy at work,
who does not risk certainty for uncertainty,
to thus follow a dream,
those who do not forego sound advice at least once in their lives,
die slowly.

He who does not travel, who does not read,
who does not listen to music,
who does not find grace in himself,
she who does not find grace in herself,
dies slowly.

He who slowly destroys his own self-esteem,
who does not allow himself to be helped,
who spends days on end complaining about his own bad luck, about the rain that never stops,
dies slowly.

He or she who abandon a project before starting it, who fail to ask questions on subjects he doesn't know, he or she who don't reply when they are asked something they do know,
die slowly.

Let's try and avoid death in small doses,
reminding oneself that being alive requires an effort far greater than the simple fact of breathing.

Only a burning patience will lead
to the attainment of a splendid happiness.”
― Martha Medeiros

“It was my destiny to love and say goodbye.”
― Pablo Neruda, Still Another Day

“If we were not so single-minded
about keeping our lives moving
and for once could do nothing,
perhaps a huge silence
might interrupt this sadness
of never understanding ourselves
and of threatening ourselves with death
Perhaps the world can teach us
as when everything seems dead
but later proves to be alive.”
― pablo neruda

“The days aren't discarded or collected, they are bees
that burned with sweetness or maddened
the sting: the struggle continues,
the journeys go and come between honey and pain.
No, the net of years doesn't unweave: there is no net.
They don't fall drop by drop from a river: there is no river.
Sleep doesn't divide life into halves,
or action, or silence, or honor:
life is like a stone, a single motion,
a lonesome bonfire reflected on the leaves,
an arrow, only one, slow or swift, a metal
that climbs or descends burning in your bones.”
― Pablo Neruda, Still Another Day

“Amor"

So many days, oh so many days
seeing you so tangible and so close,
how do I pay, with what do I pay?

The bloodthirsty spring
has awakened in the woods.
The foxes start from their earths,
the serpents drink the dew,
and I go with you in the leaves
between the pines and the silence,
asking myself how and when
I will have to pay for my luck.

Of everything I have seen,
it's you I want to go on seeing:
of everything I've touched,
it's your flesh I want to go on touching.
I love your orange laughter.
I am moved by the sight of you sleeping.

What am I to do, love, loved one?
I don't know how others love
or how people loved in the past.
I live, watching you, loving you.
Being in love is my nature.

You please me more each afternoon.

Where is she? I keep on asking
if your eyes disappear.
How long she's taking! I think, and I'm hurt.
I feel poor, foolish and sad,
and you arrive and you are lightning
glancing off the peach trees.

That's why I love you and yet not why.
There are so many reasons, and yet so few,
for love has to be so,
involving and general,
particular and terrifying,
joyful and grieving,
flowering like the stars,
and measureless as a kiss.

That's why I love you and yet not why.
There are so many reasons, and yet so few,
for love has to be so,
involving and general,
particular and terrifying,
joyful and grieving,
flowering like the stars,
and measureless as a kiss.”
― Pablo Neruda, Intimacies: Poems of Love

“I imagine the feelings of two people meeting again after many years. In the past they spent some time together, and therefore they think they are linked by the same experience, the same recollections. The same recollections? That's where the misunderstanding starts: they don't have the same recollections; each of them retains two or three small scenes from the past, but each has his own; their recollections are not similar; they don't intersect; and even in terms of quantity they are not comparable: one person remembers the other more than he is remembered; first because memory capacity varies among individuals (an explanation that each of them would at least find acceptable), but also (and this is more painful to admit) because they don't hold the same importance for each other. When Irena saw Josef at the airport, she remembered every detail of their long-ago adventure; Josef remembered nothing. From the very first moment their encounter was based on an unjust and revolting inequality.”
― Milan Kundera

“...people don't respect the morning. An alarm clock violently wakes them up, shatters their sleep like the blow of an ax, and they immediately surrender themselves to deadly haste. Can you tell me what kind of day can follow a beginning of such violence? What happens to people whose alarm clock daily gives them a small electric shock? Each day they become more used to violence and less used to pleasure.”
― Milan Kundera, Farewell Waltz

“Every love relationship rests on an unwritten agreement unthinkingly concluded by the lovers in the first weeks of their love. They are still in a kind of dream but at the same time, without knowing it, are drawing up, like uncompromising lawyers, the detailed clauses of their contract. O lovers! Be careful in those dangerous first days! Once you've brought breakfast in bed you'll have to bring it forever, unless you want to be accused of lovelessness and betrayal.”
― Milan Kundera, The Book of Laughter and Forgetting

“A mismatched outfit, a slightly defective denture, an exquisite mediocrity of the soul-those are the details that make a woman real, alive. The women you see on posters or in fashion magazines-the ones all the women try to imitate nowadays-how can they be attractive? They have no reality of their own; they're just the sum of a set of abstract rules. They aren't born of human bodies; they hatch ready-made from the computers." ~The Book of Laughter and Forgetting”
― Milan Kundera, The Book of Laughter and Forgetting

“Being in a foreign country means walking a tightrope high above the ground without the net afforded a person by the country where he has his family, colleagues, and friends, and where he can easily say what he has to say in a language he has known from childhood.”
― Milan Kundera, The Unbearable Lightness of Being

“It takes so little, so infinitely little, for a person to cross the border beyond which everything loses meaning: love, convictions, faith, history. Human life -- and herein lies its secret -- takes place in the immediate proximity of that border, even in direct contact with it; it is not miles away, but a fraction of an inch.”
― Milan Kundera, The Book of Laughter and Forgetting

“Tereza knew what happens during the moment love is born: the woman cannot resist the voice calling forth her terrified soul; the man cannot resist the woman whose soul thus responds to his voice.”
― Milan Kundera, The Unbearable Lightness of Being

“I have a strong will to love you for eternity.”
― Milan Kundera, Immortality

“Humanity's true moral test, its fundamental test, consists of its attitude towards those who are at its mercy: animals. And in this respect humankind has suffered a fundamental debacle, a debacle so fundamental that all others stem from it.”
― Milan Kundera

“Metaphors are dangerous. Love begins with a metaphor. Which is to say, love begins at the point when a woman enters her first word into our poetic memory.”
― Milan Kundera

“There is a secret bond between slowness and memory, between speed and forgetting.

A man is walking down the street. At a certain moment, he tries to recall something, but the recollection escapes him. Automatically, he slows down.

Meanwhile, a person who wants to forget a disagreeable incident he has just lived through starts unconsciously to speed up his pace, as if he were trying to distance himself from a thing still too close to him in time.

In existential mathematics that experience takes the form of two basic equations: The degree of slowness is directly proportional to the intensity of memory; the degree of speed is directly proportional to the intensity of forgetting.”
― Milan Kundera, Slowness

“Love is a continual interrogation. I don’t know of a better definition of love.”
― Milan Kundera

“Another image comes to mind: Nietzsche leaving his hotel in Turin. Seeing a horse and a coachman beating it with a whip, Nietzsche went up to the horse and, before the coachman’s very eyes, put his arms around the horse’s neck and burst into tears.

That took place in 1889, when Nietzsche, too, had removed himself from the world of people. In other words, it was at the time when his mental illness had just erupted. But for that very reason I feel his gesture has broad implications: Nietzsche was trying to apologize to the horse of Descartes. His lunacy (that is, his final break with mankind) began at the very moment he burst into tears over the horse.”
― Milan Kundera, The Unbearable Lightness of Being

“When Don Quixote went out into the world, that world turned into a mystery before his eyes. That is the legacy of the first European novel to the entire subsequent history of the novel. The novel teaches us to comprehend the world as a question. There is wisdom and tolerance in that attitude.”
― Milan Kundera, The Book of Laughter and Forgetting

“She is sadder and sadder, and for a man there is no balm more soothing than the sadness he has caused a woman.”
― Milan Kundera, Slowness

“Everything that occurs out of necessity, everything expected, repeated day in and day out is mute. Only chance can speak to us. We read its message much as gypsies read the images made by coffee grounds at the bottom of the cup.”
― Milan Kundera, The Unbearable Lightness of Being

“Yes, it was too late, and Sabina knew she would leave Paris, move on, and on again, because were she to die here they would cover her up with a stone, and in the mind of a woman for whom no place is home the thought of an end to all flight is unbearable.”
― Milan Kundera, The Unbearable Lightness of Being

“We are born one time only, we can never start a new life equipped with the experience we've gained from the previous one. We leave childhood without knowing what youth is, we marry without knowing what it is to be married, and even when we enter old age, we don't know what it is we're heading for: the old are innocent children innocent of thier old age. In that sense, man's world is the planet of inexperience.”
― Milan Kundera, The Art of the Novel

“But just make someone who has fallen in love listen to his stomach rumble, and the unity of body and soul, that lyrical illusion of the age of science , instantly fades away. ”
― Milan Kundera, The Unbearable Lightness of Being

“Living, there is no happiness in that. Living: carrying one’s painful self through the world.
But being, being is happiness. Being: Becoming a fountain, a fountain on which the universe falls like warm rain.”
― Milan Kundera, Immortality

“Only after a while did it occur to me (in spite of the chilly silence which surrounded me) that my story was not of the tragic sort, but rather of the comic variety.

At any rate that afforded me some comfort.”
― Milan Kundera, Laughable Loves