Nikki G. > Nikki's Quotes

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  • #1
    Henry Miller
    “1) Work on one thing at a time until finished.
    2) Start no more new books, add no more new material to "Black Spring."
    3) Don't be nervous. Work calmly, joyously, recklessly on whatever is in hand.
    4) Work according to Program and not according to mood. Stop at the appointed time!
    5) When you can't create you can work.
    6) Cement a little every day, rather than add new fertilizers.
    7) Keep human! See people, go places, drink if you feel like it.
    8) Don't be a draught-horse! Work with pleasure only.
    9) Discard the Program when you feel like it—but go back to it next day. Concentrate. Narrow down. Exclude.
    10) Forget the books you want to write. Think only of the book you are writing.
    11) Write first and always. Painting, music, friends, cinema, all these come afterwards.”
    Henry Miller

  • #2
    Roberto Bolaño
    “What twisted people we are. How simple we seem, or at least pretend to be in front of others, and how twisted we are deep down. How paltry we are and how spectacularly we contort ourselves before our own eyes, and the eyes of others...And all for what? To hide what? To make people believe what?”
    Roberto Bolaño

  • #3
    Anaïs Nin
    “I want to make my own discoveries…….penetrate the evil which attracts me”
    Anais Nin, Henry and June: The Unexpurgated Diary of Anaïs Nin, 1931-1932

  • #4
    Henry Miller
    “To be joyous is to be a madman in a world of sad ghosts.”
    Henry Miller

  • #5
    Henry Miller
    “I found that what I had desired all my life was not to live - if what others are doing is called living - but to express myself.”
    Henry Miller, Tropic of Capricorn

  • #6
    Henry Miller
    “New York! The white prisons, the sidewalks swarming with maggots, the breadlines, the opium joints that are built like palaces, the kikes that are there, the lepers, the thugs, and above all, the ennui, the monotony of faces, streets, legs, houses, skyscrapers, meals, posters, jobs, crimes, loves... A whole city erected over a hollow pit of nothingness. Meaningless. Absolute meaningless.”
    Henry Miller, Tropic of Cancer

  • #7
    Henry Miller
    “All my life I have felt a great kinship with the madman and the criminal. Practically all my life I have dwelt in big cities; I am unhappy, uneasy, unless I am in a big city. My feeling for Nature is limited to water, mountain and desert. These three form a trine which is more imperative, for me, than any spiritual alimentation. But in the city I am aware of another element which is beyond all these in power of fascination: the labyrinth. To be lost in a strange city is the greatest joy I know; to become oriented is to lose everything. To me the city is crime personified, insanity personified. I feel at home.”
    Henry Miller, The Cosmological Eye

  • #8
    Henry Miller
    “America is no place for an artist: to be an artist is to be a moral leper, an economic misfit, a social liability. A corn-fed hog enjoys a better life than a creative writer, painter or musician. To be a rabbit is better still.”
    Henry Miller, The Air-Conditioned Nightmare

  • #9
    Oscar Wilde
    “Behind every exquisite thing that existed, there was something tragic.”
    Oscar Wilde, The Picture of Dorian Gray

  • #10
    Oscar Wilde
    “Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing.”
    Oscar Wilde, The Picture of Dorian Gray

  • #11
    Oscar Wilde
    “It is the stupid and the ugly who have the best of it in this world”
    Oscar Wilde, The Picture of Dorian Gray

  • #12
    Oscar Wilde
    “It is only shallow people who require years to get rid of an emotion. A man who is master of himself can end a sorrow as easily as he can invent a pleasure. I don't want to be at the mercy of my emotions. I want to use them, to enjoy them, and to dominate them.”
    Oscar Wilde, The Picture of Dorian Gray

  • #13
    Oscar Wilde
    “I am happy in my prison of passion”
    Oscar Wilde, The Picture of Dorian Gray

  • #14
    Oscar Wilde
    “Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless failure, or giving away your life to the ignorant, the common, and the vulgar”
    Oscar Wilde, The Picture of Dorian Gray

  • #15
    Oscar Wilde
    “Ah! realize your youth while you have it. Don’t squander the gold of your days, listening to the tedious, trying to improve the hopeless failure, or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals, of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing.”
    Oscar Wilde, The Picture of Dorian Gray

  • #16
    Oscar Wilde
    “Every saint has a past, and every sinner has a future.”
    Oscar Wilde

  • #17
    Oscar Wilde
    “I like men who have a future and women who have a past.”
    Oscar Wilde

  • #18
    Anaïs Nin
    “I like to live always at the beginnings of life, not at their end. We all lose some of our faith under the oppression of mad leaders, insane history, pathologic cruelties of daily life. I am by nature always beginning and believing and so I find your company more fruitful than that of, say, Edmund Wilson, who asserts his opinions, beliefs, and knowledge as the ultimate verity. Older people fall into rigid patterns. Curiosity, risk, exploration are forgotten by them. You have not yet discovered that you have a lot to give, and that the more you give the more riches you will find in yourself. It amazed me that you felt that each time you write a story you gave away one of your dreams and you felt the poorer for it. But then you have not thought that this dream is planted in others, others begin to live it too, it is shared, it is the beginning of friendship and love.

    […]

    You must not fear, hold back, count or be a miser with your thoughts and feelings. It is also true that creation comes from an overflow, so you have to learn to intake, to imbibe, to nourish yourself and not be afraid of fullness. The fullness is like a tidal wave which then carries you, sweeps you into experience and into writing. Permit yourself to flow and overflow, allow for the rise in temperature, all the expansions and intensifications. Something is always born of excess: great art was born of great terrors, great loneliness, great inhibitions, instabilities, and it always balances them. If it seems to you that I move in a world of certitudes, you, par contre, must benefit from the great privilege of youth, which is that you move in a world of mysteries. But both must be ruled by faith.”
    Anaïs Nin

  • #19
    Anaïs Nin
    “When she closed her eyes she felt he had many hands, which touched her everywhere, and many mouths, which passed so swiftly over her, and with a wolflike sharpness, his teeth sank into her fleshiest parts. Naked now, he lay his full length over her. She enjoyed his weight on her, enjoyed being crushed under his body. She wanted him soldered to her, from mouth to feet. Shivers passed through her body.”
    Anaïs Nin, Delta of Venus

  • #20
    Anaïs Nin
    “Slowly what she composed with the new day was her own focus, to bring together body and mind. This was made with an effort, as if all the dissolutions and dispersions of her self the night before were difficult to reassemble. She was like an actress who must compose a face, an attitude to meet the day.

    The eyebrow pencil was no mere charcoal emphasis on blond eyebrows, but a design necessary to balance a chaotic asymmetry. Make up and powder were not simply applied to heighten a porcelain texture, to efface the uneven swellings caused by sleep, but to smooth out the sharp furrows designed by nightmares, to reform the contours and blurred surfaces of the cheeks, to erase the contradictions and conflicts which strained the clarity of the face’s lines, disturbing the purity of its forms.

    She must redesign the face, smooth the anxious brows, separate the crushed eyelashes, wash off the traces of secret interior tears, accentuate the mouth as upon a canvas, so it will hold its luxuriant smile.

    Inner chaos, like those secret volcanoes which suddenly lift the neat furrows of a peacefully ploughed field, awaited behind all disorders of face, hair, and costume, for a fissure through which to explode.

    What she saw in the mirror now was a flushed, clear-eyed face, smiling, smooth, beautiful. The multiple acts of composure and artifice had merely dissolved her anxieties; now that she felt prepared to meet the day, her true beauty emerged which had been frayed and marred by anxiety.”
    Anaïs Nin, A Spy in the House of Love

  • #21
    Lord Byron
    “If I do not write to empty my mind, I go mad.”
    George Gordon Byron

  • #22
    James Baldwin
    “You think your pain and your heartbreak are unprecedented in the history of the world, but then you read. It was books that taught me that the things that tormented me most were the very things that connected me with all the people who were alive, who had ever been alive.”
    James Baldwin

  • #23
    Paul Bowles
    “Security is a false God. Begin to make sacrifices to it and you are lost.”
    Paul Bowles

  • #24
    Paul Bowles
    “She was saved from prettiness by the intensity of her gaze.”
    Paul Bowles, The Sheltering Sky

  • #25
    Arthur Rimbaud
    “By being too sensitive I have wasted my life.”
    Arthur Rimbaud

  • #26
    Arthur Rimbaud
    “He would say, "How funny it will all seem, all you've gone through, when I'm not here anymore, when you no longer feel my arms around your shoulders, nor my heart beneath you, nor this mouth on your eyes, because I will have to go away some day, far away..." And in that instant I could feel myself with him gone, dizzy with fear, sinking down into the most horrible blackness: into death.”
    Arthur Rimbaud, A Season in Hell and The Drunken Boat

  • #27
    Arthur Rimbaud
    “What am I doing here?”
    Arthur Rimbaud

  • #28
    Marcel Proust
    “We don't receive wisdom; we must discover it for ourselves after a journey that no one can take for us or spare us.”
    Marcel Proust

  • #29
    Marcel Proust
    “If a little dreaming is dangerous, the cure for it is not to dream less, but to dream more, to dream all the time.”
    Marcel Proust, Remembrance of Things Past Volumes 1-3 Box Set

  • #30
    Marcel Proust
    “Like many intellectuals, he was incapable of saying a simple thing in a simple way”
    Marcel Proust



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