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  • #1
    С. Анудар
    “Хоёр саад – үхэл, муу юм тохиолдож шаналал гарах. Үхлийг мэдэхгүй. Үхсэн гэдгээ харж харамсахгүй. Харин муу юм тохиолдвол би өөрөө өөр хүн болно. Өөр сонирхолтой, өөр бүх юммтай, тэрний бүх юм нь болсон юмнаас гарсан гутрал. Өөр амьдрал. Одоогийн надаа хамаагүй амьдрал. Тэр хүн надаа пад алга. Одоо, энэ Дэлгэрт бүх юм сайхан. Би яасан, дараа яахыг би мэдэхгүй, аргагүй, мэдсэн ч ялгаагүй. Юу болно – тэр болно. Байгаагаараа бай, бүх юмны тухай битгий бод. Энэ жаргал туйлын жаргал, илүү юу ч үгүй. Намайг яасан ч би энэ жаргалыг эдэлнэ. Ямар ч муу юм болсон би жаргалтай байна.”
    С. Анудар, 4 биш 4

  • #2
    Ray Bradbury
    “Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you're there.

    It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime.”
    Ray Bradbury, Fahrenheit 451

  • #3
    Ray Bradbury
    “We need not to be let alone. We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real?”
    Ray Bradbury, Fahrenheit 451

  • #4
    Ray Bradbury
    “Don't ask for guarantees. And don't look to be saved in any one thing, person, machine, or library. Do your own bit of saving, and if you drown, at least die knowing you were heading for shore.”
    Ray Bradbury, Fahrenheit 451

  • #5
    Ray Bradbury
    “The good writers touch life often. The mediocre ones run a quick hand over her. The bad ones rape her and leave her for the flies.”
    Ray Bradbury, Fahrenheit 451

  • #6
    Ray Bradbury
    “If you don't want a man unhappy politically, don't give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of noncombustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change.”
    Ray Bradbury, Fahrenheit 451

  • #7
    Ray Bradbury
    “Nobody listens anymore. I can't talk to the walls because they're yelling at me, I can't talk to my wife; she listens to the walls. I just want someone to hear what I have to say. And maybe if I talk long enough it'll make sense. And I want you to teach me to understand what I read.”
    Ray Bradbury, Fahrenheit 451

  • #8
    Ray Bradbury
    “That's the good part of dying; when you've nothing to lose, you run any risk you want.”
    Ray Bradbury, Fahrenheit 451

  • #9
    Ray Bradbury
    “Stuff your eyes with wonder," he said, 'live as if you'd drop dead in ten seconds. See the world. It's more fantastic than any dream made or paid for in factories. Ask no guarantees, ask for no security, there never was such an animal. And if there were, it would be related to the great sloth which hangs upside down in a tree all day every day, sleeping its life away. To hell with that," he said, "shake the tree and knock the great sloth down on his ass.”
    Ray Bradbury, Fahrenheit 451



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