Justin > Justin's Quotes

“It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story.”
― Patrick Rothfuss, The Name of the Wind

“Words are pale shadows of forgotten names. As names have power, words have power. Words can light fires in the minds of men. Words can wring tears from the hardest hearts.”
― Patrick Rothfuss, The Name of the Wind

“It's the questions we can't answer that teach us the most. They teach us how to think. If you give a man an answer, all he gains is a little fact. But give him a question and he'll look for his own answers.”
― Patrick Rothfuss, The Wise Man's Fear

“When we are children we seldom think of the future. This innocence leaves us free to enjoy ourselves as few adults can. The day we fret about the future is the day we leave our childhood behind.”
― Patrick Rothfuss, The Name of the Wind

“It had flaws, but what does that matter when it comes to matters of the heart? We love what we love. Reason does not enter into it. In many ways, unwise love is the truest love. Anyone can love a thing because. That's as easy as putting a penny in your pocket. But to love something despite. To know the flaws and love them too. That is rare and pure and perfect.”
― Patrick Rothfuss, The Wise Man's Fear

“We understand how dangerous a mask can be. We all become what we pretend to be.”
― Patrick Rothfuss, The Name of the Wind

“Half of seeming clever is keeping your mouth shut at the right times.”
― Patrick Rothfuss, The Wise Man's Fear

“You have to be a bit of a liar to tell a story the right way.”
― Patrick Rothfuss, The Name of the Wind

“Bones mend. Regret stays with you forever.”
― Patrick Rothfuss, The Name of the Wind

“I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to gods, loved women, and written songs that make the minstrels weep. You may have heard of me.”
― Patrick Rothfuss, The Name of the Wind

“Books are a poor substitute for female companionship, but they are easier to find.”
― Patrick Rothfuss, The Wise Man's Fear

“My parents danced together, her head on his chest. Both had their eyes closed. They seemed so perfectly content. If you can find someone like that, someone who you can hold and close your eyes to the world with, then you're lucky. Even if it only lasts for a minute or a day. The image of them gently swaying to the music is how I picture love in my mind even after all these years.”
― Patrick Rothfuss, The Name of the Wind

“I've waited a long time to show these flowers how pretty you are.”
― Patrick Rothfuss, The Wise Man's Fear

“The truth is that the world is full of dragons, and none of us are as powerful or cool as we’d like to be. And that sucks. But when you’re confronted with that fact, you can either crawl into a hole and quit, or you can get out there, take off your shoes, and Bilbo it up.”
― Patrick Rothfuss

“I thought of all the others who had tried to tie her to the ground and failed. So I resisted showing her the songs and poems I had written, knowing that too much truth can ruin a thing. And if that meant she wasn't entirely mine, what of it? I would be the one she could always return to without fear of recrimination or question. So I did not try to win her and contented myself with playing a beautiful game. But there was always a part of me that hoped for more, and so there was a part of me that was always a fool.”
― Patrick Rothfuss, The Wise Man's Fear

“I have an apple that thinks its a pear. And a bun that thinks it’s a cat. And a lettuce that thinks its a lettuce."
"It’s a clever lettuce, then."
"Hardly," she said with a delicate snort. "Why would anything clever think it’s a lettuce?"
"Even if it is a lettuce?" I asked.
"Especially then," she said. "Bad enough to be a lettuce. How awful to think you are a lettuce too.”
― Patrick Rothfuss, The Wise Man's Fear

“If you want to write a fantasy story with Norse gods, sentient robots, and telepathic dinosaurs, you can do just that. Want to throw in a vampire and a lesbian unicorn while you're at it? Go ahead. Nothing's off limits. But the endless possibility of the genre is a trap. It's easy to get distracted by the glittering props available to you and forget what you're supposed to be doing: telling a good story. Don't get me wrong, magic is cool. But a nervous mother singing to her child at night while something moves quietly through the dark outside her house? That's a story. Handled properly, it's more dramatic than any apocalypse or goblin army could ever be.”
― Patrick Rothfuss

“All the truth in the world is held in stories.”
― Patrick Rothfuss, The Wise Man's Fear

“Music is a proud, temperamental mistress. Give her the time and attention she deserves, and she is yours. Slight her and there will come a day when you call and she will not answer. So I began sleeping less to give her the time she needed.”
― Patrick Rothfuss, The Name of the Wind

“It was wise enough to know itself, and brave enough to BE itself, and wild enough to change itself while somehow staying altogether true.”
― Patrick Rothfuss, The Slow Regard of Silent Things

“Go out in the early days of winter, after the first cold snap of the season. Find a pool of water with a sheet of ice across the top, still fresh and new and clear as glass. Near the shore the ice will hold you. Slide out farther. Farther. Eventually you'll find the place where the surface just barely bears your weight. There you will feel what I felt. The ice splinters under your feet. Look down and you can see the white cracks darting through the ice like mad, elaborate spiderwebs. It is perfectly silent, but you can feel the sudden sharp vibrations through the bottoms of your feet.
That is what happened when Denna smiled at me.”
― Patrick Rothfuss, The Name of the Wind

“No man is brave that has never walked a hundred miles. If you want to know the truth of who you are, walk until not a person knows your name. Travel is the great leveler, the great teacher, bitter as medicine, crueler than mirror-glass. A long stretch of road will teach you more about yourself than a hundred years of quiet.”
― Patrick Rothfuss

“Once upon a time,” I began. “There was a little boy born in a little town. He was perfect, or so his mother thought. But one thing was different about him. He had a gold screw in his belly button. Just the head of it peeping out.
“Now his mother was simply glad he had all his fingers and toes to count with. But as the boy grew up he realized not everyone had screws in their belly buttons, let alone gold ones. He asked his mother what it was for, but she didn’t know. Next he asked his father, but his father didn’t know. He asked his grandparents, but they didn’t know either.
“That settled it for a while, but it kept nagging him. Finally, when he was old enough, he packed a bag and set out, hoping he could find someone who knew the truth of it.
“He went from place to place, asking everyone who claimed to know something about anything. He asked midwives and physickers, but they couldn’t make heads or tails of it. The boy asked arcanists, tinkers, and old hermits living in the woods, but no one had ever seen anything like it.
“He went to ask the Cealdim merchants, thinking if anyone would know about gold, it would be them. But the Cealdim merchants didn’t know. He went to the arcanists at the University, thinking if anyone would know about screws and their workings, they would. But the arcanists didn’t know. The boy followed the road over the Stormwal to ask the witch women of the Tahl, but none of them could give him an answer.
“Eventually he went to the King of Vint, the richest king in the world. But the king didn’t know. He went to the Emperor of Atur, but even with all his power, the emperor didn’t know. He went to each of the small kingdoms, one by one, but no one could tell him anything.
“Finally the boy went to the High King of Modeg, the wisest of all the kings in the world. The high king looked closely at the head of the golden screw peeping from the boy’s belly button. Then the high king made a gesture, and his seneschal brought out a pillow of golden silk. On that pillow was a golden box. The high king took a golden key from around his neck, opened the box, and inside was a golden screwdriver.
“The high king took the screwdriver and motioned the boy to come closer. Trembling with excitement, the boy did. Then the high king took the golden screwdriver and put it in the boy’s belly button.”
I paused to take a long drink of water. I could feel my small audience leaning toward me. “Then the
high king carefully turned the golden screw. Once: Nothing. Twice: Nothing. Then he turned it the third time, and the boy’s ass fell off.”
There was a moment of stunned silence.
“What?” Hespe asked incredulously.
“His ass fell off.”
― Patrick Rothfuss, The Wise Man's Fear

“Remember this, son, if you forget everything else. A poet is a musician who can't sing. Words have to find a man's mind before they can touch his heart, and some men's minds are woeful small targets. Music touches their hearts directly no matter how small or stubborn the mind of the man who listens.”
― Patrick Rothfuss, The Name of the Wind

“Teccam explains there are two types of secrets. There are secrets of the mouth and secrets of the heart.

Most secrets are secrets of the mouth. Gossip shared and small scandals whispered. There secrets long to be let loose upon the world. A secret of the mouth is like a stone in your boot. At first you’re barely aware of it. Then it grows irritating, then intolerable. Secrets of the mouth grow larger the longer you keep them, swelling until they press against your lips. They fight to be let free.

Secrets of the heart are different. They are private and painful, and we want nothing more than to hide them from the world. They do not swell and press against the mouth. They live in the heart, and the longer they are kept, the heavier they become.

Teccam claims it is better to have a mouthful of poison than a secret of the heart. Any fool will spit out poison, he says, but we hoard these painful treasures. We swallow hard against them every day, forcing them deep inside us. They they sit, growing heavier, festering. Given enough time, they cannot help but crush the heart that holds them.”
― Patrick Rothfuss, The Wise Man's Fear

“All stories are true,” Skarpi said. “But this one really happened, if that’s what you mean.” He took another slow drink, then smiled again, his bright eyes dancing. “More or less. You have to be a bit of a liar to tell a story the right way. Too much truth confuses the facts. Too much honesty makes you sound insincere.”
― Patrick Rothfuss, The Name of the Wind

“You think I'm playing at some game? You think iron will keep you safe? Hear my words, manling. Do not mistake me for my mask. You see light dappling on the water and forget the deep, cold dark beneath. Listen. You cannot hurt me. You cannot run or hide. In this I will not be defied.

I swear by all the salt in me: if you run counter to my desire, the remainder of your brief mortal span will be an orchestra of misery.

I swear by stone and oak and elm: I'll make a game of you. I'll follow you unseen and smother any spark of joy you find. You'll never know a woman's touch, a breath of rest, a moment's peace of mind.

And I swear by the night sky and the ever-moving moon: if you lead my master to despair, I will slit you open and splash around like a child in a muddy puddle. I'll string a fiddle with your guts and make you play it while I dance. You are an educated man. You know there are no such things as demons. There is only my kind. You are not wise enough to fear me as I should be feared. You do not know the first note of the music that moves me. -Bast”
― Patrick Rothfuss, The Name of the Wind

“I have heard what poets write about women. They rhyme and rhapsodize and lie. I have watched sailors on the shore stare mutely at the slow-rolling swell of the sea. I have watched old soldiers with hearts like leather grow teary-eyed at their king's colors stretched against the wind.
Listen to me: these men know nothing of love.
You will not find it in the words of poets or the longing eyes of sailors. If you want to know of love, look to a trouper's hands as he makes his music.
A trouper knows.”
― Patrick Rothfuss, The Wise Man's Fear

“I cannot help but wonder how many of us walk through our lives, day after day, feeling slightly broken and alone, surrounded all the time by others who feel exactly the same way.”
― Patrick Rothfuss, The Slow Regard of Silent Things

“Think of all the stories you've heard, Bast. You have a young boy, the hero. His parents are killed he sets out for vengeance. What next?"
Bast hesitated, his expression puzzled. Chronicler answered the question instead. "He finds help. A clever talking squirrel. An old drunken swordsman. A mad hermit in the woods. That sort of thing."
Kvothe nodded. "Exactly! He finds the mad hermit in the woods, proves himself worthy, and learns the names of all things, just like Taborlin the Great. Then with these powerful magics at his beck and call, what does he do?"
Chronicler shrugged. "He finds the villains and kills them."
"Of course," Kvothe said grandly. "Clean, quick, and easy as lying. We know how it ends practically before it starts. That's why stories appeal to us. They give us the clarity and simplicity our real lives lack.”
― Patrick Rothfuss, The Name of the Wind