Talia Franks > Talia's Quotes

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  • #1
    Neil Gaiman
    “You don't have to test everything to destruction just to see if you made it right.”
    Neil Gaiman, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

  • #2
    Neil Gaiman
    “It may help to understand human affairs to be clear that most of the great triumphs and tragedies of history are caused, not by people being fundamentally good or fundamentally bad, but by people being fundamentally people.”
    Neil Gaiman, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

  • #3
    Terry Pratchett
    “People couldn't become truly holy, he said, unless they also had the opportunity to be definitively wicked.”
    Terry Pratchett, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

  • #4
    Neil Gaiman
    “An Angel who did not so much Fall as Saunter Vaguely Downwards.”
    Neil Gaiman & Terry Pratchett, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

  • #5
    Terry Pratchett
    “God does not play dice with the universe; He plays an ineffable game of His own devising, which might be compared, from the perspective of any of the other players [i.e. everybody], to being involved in an obscure and complex variant of poker in a pitch-dark room, with blank cards, for infinite stakes, with a Dealer who won't tell you the rules, and who smiles all the time.”
    Terry Pratchett, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

  • #6
    Trevor Noah
    “Nelson Mandela once said, 'If you talk to a man in a language he understands, that goes to his head. If you talk to him in his language, that goes to his heart.' He was so right. When you make the effort to speak someone else's language, even if it's just basic phrases here and there, you are saying to them, 'I understand that you have a culture and identity that exists beyond me. I see you as a human being”
    Trevor Noah, Born a Crime: Stories From a South African Childhood

  • #7
    Trevor Noah
    “People love to say, “Give a man a fish, and he’ll eat for a day. Teach a man to fish, and he’ll eat for a lifetime.” What they don’t say is, “And it would be nice if you gave him a fishing rod.” That’s the part of the analogy that’s missing.”
    Trevor Noah, Born a Crime: Stories From a South African Childhood

  • #8
    Ta-Nehisi Coates
    “My work is to give you what I know of my own particular path while allowing you to walk your own.”
    Ta-Nehisi Coates, Between the World and Me

  • #9
    Cassandra Clare
    “We came to see Jace. Is he alright?"
    "I don't know," Magnus said. "Does he normally just lie on the floor like that without moving?”
    Cassandra Clare, City of Ashes

  • #10
    Cassandra Clare
    “I've got a stele we can use. Who wants to do me?"
    "A regrettable choice of words," muttered Magnus.”
    Cassandra Clare, City of Ashes

  • #11
    Cassandra Clare
    “Magnus, standing by the door, snapped his fingers impatiently. "Move it along, teenagers. The only person who gets to canoodle in my bedroom is my magnificent self."
    "Canoodle?" repeated Clary, never having heard the word before.
    "Magnificent?" repeated Jace, who was just being nasty. Magnus growled. The growl sounded like "Get out.”
    Cassandra Clare, City of Bones

  • #12
    Cassandra Clare
    “There's no need to clarify my finger snap," said Magnus. "The implication was clear in the snap itself.”
    Cassandra Clare, City of Ashes

  • #13
    Cassandra Clare
    “Even the Inquisitor's eyebrows shot up when Magnus strode through the gate. The High Warlock was wearing black leather pants, a belt with a buckle in the shape of a jeweled M, and a cobalt-blue Prussian military jacket open over a white lace shirt. He shimmered with layers of glitter. His gaze rested for a moment on Alec's face with amusement and a hint of something else before moving on to Jace, prone on the ground.
    "Is he dead?" he inquired. "He looks dead."
    "No," snapped Maryse. "He's not dead."
    "Have you checked? I could kick him if you want." Magnus moved toward Jace.
    "Stop that!" the Inquisitor snapped, sounding like Clary's third-grade teacher demanding that she stop doodling on her desk with a marker.”
    Cassandra Clare, City of Ashes

  • #14
    Cassandra Clare
    “Black hair and blue eyes are my favorite combination.”
    Cassandra Clare, Clockwork Angel

  • #15
    Cassandra Clare
    “You endure what is unbearable, and you bear it. That is all.”
    Cassandra Clare, Clockwork Princess

  • #16
    Cassandra Clare
    “Come in. And try not to murder any of my guests."
    Jace edged into the doorway, sizing up Magnus with his eyes. "Even if one of them spills a drink on my new shoes?"

    "Even then.”
    Cassandra Clare, City of Bones

  • #17
    Cassandra Clare
    “A very magnanimous statement, Gideon,” said Magnus.
    “I’m Gabriel.”
    Magnus waved a hand. “All Lightwoods look the same to me.”
    Cassandra Clare, Clockwork Princess

  • #18
    Terry Pratchett
    “Many people, meeting Aziraphale for the first time, formed three impressions: that he was English, that he was intelligent, and that he was gayer than a treeful of monkeys on nitrous oxide.”
    Neil Gaiman, Terry Pratchett, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

  • #19
    Terry Pratchett
    “Aziraphale collected books. If he were totally honest with himself he would have to have admitted that his bookshop was simply somewhere to store them. He was not unusual in this. In order to maintain his cover as a typical second-hand book seller, he used every means short of actual physical violence to prevent customers from making a purchase. Unpleasant damp smells, glowering looks, erratic opening hours - he was incredibly good at it.”
    Terry Pratchett, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

  • #20
    Terry Pratchett
    “All tapes left in a car for more than about a fortnight metamorphose into Best of Queen albums.”
    Terry Pratchett, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

  • #21
    Neil Gaiman
    “He had heard about talking to plants in the early seventies, on Radio Four, and thought it was an excellent idea. Although talking is perhaps the wrong word for what Crowley did.
    What he did was put the fear of God into them.
    More precisely, the fear of Crowley.
    In addition to which, every couple of months Crowley would pick out a plant that was growing too slowly, or succumbing to leaf-wilt or browning, or just didn't look quite as good as the others, and he would carry it around to all the other plants. "Say goodbye to your friend," he'd say to them. "He just couldn't cut it. . . "
    Then he would leave the flat with the offending plant, and return an hour or so later with a large, empty flower pot, which he would leave somewhere conspicuously around the flat.
    The plants were the most luxurious, verdant, and beautiful in London. Also the most terrified.”
    Neil Gaiman, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

  • #22
    Neil Gaiman
    “He couldn’t see why people made such a fuss about people eating their silly old fruit anyway, but life would be a lot less fun if they didn’t. And there was never an apple, in Adam’s opinion, that wasn’t worth the trouble you got into for eating it.”
    Neil Gaiman, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

  • #23
    Terry Pratchett
    “Crowley had always known that he would be around when the world ended, because he was immortal and wouldn’t have any alternative. But he hoped it was a long way off. Because he rather liked people. It was major failing in a demon. Oh, he did his best to make their short lives miserable, because that was his job, but nothing he could think up was half as bad as the stuff they thought up themselves. They seemed to have a talent for it. It was built into the design, somehow. They were born into a world that was against them in a thousand little ways, and then devoted most of their energies to making it worse. Over the years Crowley had found it increasingly difficult to find anything demonic to do which showed up against the natural background of generalized nastiness. There had been times, over the past millennium, when he’d felt like sending a message back Below saying, Look we may as well give up right now, we might as well shut down Dis and Pandemonium and everywhere and move up here, there’s nothing we can do to them that they don’t do to themselves and they do things we’ve never even thought of, often involving electrodes. They’ve got what we lack. They’ve got imagination. And electricity, of course. One of them had written it, hadn’t he…”Hell is empty, and all the devils are here.”
    Terry Pratchett, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch

  • #24
    Trevor Noah
    “I don’t regret anything I’ve ever done in life, any choice that I’ve made. But I’m consumed with regret for the things I didn’t do, the choices I didn’t make, the things I didn’t say. We spend so much time being afraid of failure, afraid of rejection. But regret is the thing we should fear most. Failure is an answer. Rejection is an answer. Regret is an eternal question you will never have the answer to. “What if…” “If only…” “I wonder what would have…” You will never, never know, and it will haunt you for the rest of your days.”
    Trevor Noah, Born a Crime: Stories From a South African Childhood

  • #25
    Trevor Noah
    “Relationships are built in the silences. You spend time with people, you observe them and interact with them, and you come to know them—and that is what apartheid stole from us: time.”
    Trevor Noah, Born a Crime: Stories From a South African Childhood

  • #26
    Trevor Noah
    “The first thing I learned about having money was that it gives you choices. People don’t want to be rich. They want to be able to choose. The richer you are, the more choices you have. That is the freedom of money.”
    Trevor Noah, Born a Crime: Stories From a South African Childhood

  • #27
    Trevor Noah
    “Comfort can be dangerous. Comfort provides a floor but also a ceiling.”
    Trevor Noah, Born a Crime: Stories From a South African Childhood

  • #28
    Juno  Dawson
    “I can't start the day without a cup of tea from my favourite mug, can you? I like Yorkshire Tea the best. What about you?”
    Juno Dawson, Doctor Who: The Good Doctor

  • #29
    Juno  Dawson
    “You've got a choice. Peace or war? Life or death? Harmony or hate? I've never understood why that even needs discussion, it's so flippin' obvious!”
    Juno Dawson, Doctor Who: The Good Doctor

  • #30
    Steve Cole
    “P’haps because, out of all the life forms I’ve ever met, human beings are the … lifiest.' The Doctor swung her legs off the table and leaned forward. 'Here's how it is. I don't only care about the people of this planet. I happen to protect them.”
    Steve Cole, Doctor Who: Combat Magicks



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