Devanshi > Devanshi's Quotes

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  • #1
    Donna Tartt
    “Beauty is terror. Whatever we call beautiful, we quiver before it.”
    Donna Tartt, The Secret History

  • #2
    Donna Tartt
    “Forgive me, for all the things I did but mostly for the ones that I did not.”
    Donna Tartt, The Secret History

  • #3
    Donna Tartt
    “I suppose at one time in my life I might have had any number of stories, but now there is no other. This is the only story I will ever be able to tell.”
    Donna Tartt, The Secret History

  • #4
    Olivie Blake
    “The problem with knowledge, is its inexhaustible craving. the more of it you have, the less you feel you know”
    Olivie Blake, The Atlas Six

  • #5
    Olivie Blake
    “The moral of this story is:

    Beware the man who faces you unarmed.

    If in his eyes you are not the target,

    then you can be sure you are the weapon.”
    Olivie Blake, The Atlas Six

  • #6
    Olivie Blake
    “If not for her, Nico might not have noticed most of the things he did, and probably vice versa. A uniquely upsetting curse, really, how little he knew how to exist when she wasn’t there.”
    Olivie Blake, The Atlas Six

  • #7
    Olivie Blake
    “We are the gods of our own universes, aren't we? Destructive ones.”
    Olivie Blake, The Atlas Six

  • #8
    Olivie Blake
    “The day you are not a fire,” he said, “is the day the earth will fall still for me.”
    Olivie Blake, The Atlas Six

  • #9
    Olivie Blake
    “Don’t envy me, Reina,” she advised softly, turning to say it in Reina’s ear. “Fear me.”
    Olivie Blake, The Atlas Six

  • #10
    Olivie Blake
    “Depending who viewed it, Persephone had either been stolen or she had run from Demeter. Either way, she made herself queen.”
    Olivie Blake, The Atlas Six

  • #11
    Olivie Blake
    “It was the kind of look that reminded him she’d set him on fire the first time she’d met him without even batting an eye.
    He’d like her more if she did it more often.”
    Olivie Blake, The Atlas Six

  • #12
    Olivie Blake
    “I’ve got you, Rhodes. From here on, I swear.”
    Olivie Blake, The Atlas Six

  • #13
    Olivie Blake
    “I know exactly what shape she takes up in the universe,' he pleaded in explanation. 'If anyone can recognize her, it's me.”
    Olivie Blake, The Atlas Six

  • #14
    Olivie Blake
    “Every single one of us is missing something. We are all too powerful, too extraordinary, and don't you see it's because we're riddled with vacancies? We are empty and trying to fill, lighting ourselves on fire just to prove that we are normal - that we are ordinary. That we, like anything, can burn.”
    Olivie Blake, The Atlas Six

  • #15
    Olivie Blake
    “All the knowledge the world possessed existed at their fingertips, and all they had to do in return was continue to nurture it, to make it grow.”
    Olivie Blake, The Atlas Six

  • #16
    Olivie Blake
    “Libby was a hero. Parisa was a villain. Their goals were overarching, appositional. Nico and Reina were so impartial and self-interested as to be wholly negligible. Tristian was a soldier, he would follow where he was most persuasively led. It was Callum who was an assassin.”
    Olivie Blake, The Atlas Six

  • #17
    Olivie Blake
    “You're a fire hazard, Rhodes," he said. "So stop apologizing for the damage and just let the fucker burn.”
    Olivie Blake, The Atlas Six

  • #18
    Olivie Blake
    “She was afraid, always, except when she was proving herself.”
    Olivie Blake, The Atlas Six

  • #19
    Madeline Miller
    “I could recognize him by touch alone, by smell; I would know him blind, by the way his breaths came and his feet struck the earth. I would know him in death, at the end of the world.”
    Madeline Miller, The Song of Achilles

  • #20
    Madeline Miller
    “And perhaps it is the greater grief, after all, to be left on earth when another is gone.”
    Madeline Miller, The Song of Achilles

  • #21
    Madeline Miller
    “Name one hero who was happy."
    I considered. Heracles went mad and killed his family; Theseus lost his bride and father; Jason's children and new wife were murdered by his old; Bellerophon killed the Chimera but was crippled by the fall from Pegasus' back.
    "You can't." He was sitting up now, leaning forward.
    "I can't."
    "I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret."
    "Tell me." I loved it when he was like this.
    "I'm going to be the first." He took my palm and held it to his. "Swear it."
    "Why me?"
    "Because you're the reason. Swear it."
    "I swear it," I said, lost in the high color of his cheeks, the flame in his eyes.
    "I swear it," he echoed.
    We sat like that a moment, hands touching. He grinned.
    "I feel like I could eat the world raw.”
    Madeline Miller, The Song of Achilles

  • #22
    Madeline Miller
    “In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.”
    Madeline Miller, The Song of Achilles

  • #23
    Madeline Miller
    “He is half of my soul, as the poets say.”
    Madeline Miller, The Song of Achilles

  • #24
    Madeline Miller
    “That is — your friend?"
    "Philtatos," Achilles replied, sharply. Most beloved.”
    Madeline Miller, The Song of Achilles

  • #25
    Madeline Miller
    “He is a weapon, a killer. Do not forget it. You can use a spear as a walking stick, but that will not change its nature.”
    Madeline Miller, The Song of Achilles

  • #26
    Madeline Miller
    “Have you no more memories?"
    I am made of memories.
    "Speak, then.”
    Madeline Miller, The Song of Achilles

  • #27
    Natalie Haynes
    “It does hurt, I whispered. It should hurt. She isn't a footnote, she's a person. And she - all the Trojan women - should be memorialised as much as any other person.”
    Natalie Haynes, A Thousand Ships

  • #28
    Natalie Haynes
    “But this is a women's war, just as much as it is the men's, and the poet will look upon their pain - the pain of the women who have always been relegated to the edges of the story, victims of men, survivors of men, slaves of men - and he will tell it, or he will tell nothing at all. They have waited long enough for their turn.”
    Natalie Haynes, A Thousand Ships

  • #29
    Natalie Haynes
    “Men's deaths are epic, women's deaths are tragic: is that it? He has misunderstood the very nature of conflict. Epic is countless tragedies, woven together. Heroes don't become heroes without carnage, and carnage has both causes and consequences. And those don't begin and end on a battlefield.”
    Natalie Haynes, A Thousand Ships

  • #30
    Natalie Haynes
    “When a war was ended, the men lost their lives. But the women lost everything else.”
    Natalie Haynes, A Thousand Ships



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