Bella > Bella's Quotes

“They know and do not know, that acting is suffering
And suffering is action. Neither does the actor suffer
Nor the patient act. But both are fixed
To an eternal action, an eternal patience
To which all must consent that it may be willed
And which all must suffer that they may will it,
That the pattern may subsist, for the pattern is the action
And the suffering, that the wheel may turn and still
Be forever still.”
― T.S. Eliot, Murder in the Cathedral

“He was afraid of defiling the love which filled his soul.”
― Leo Tolstoy, Anna Karenina

“All happy families are alike; each unhappy family is unhappy in its own way.”
― Leo Tolstoy , Anna Karenina

“Respect was invented to cover the empty place where love should be.”
― Leo Tolstoy, Anna Karenina

“Is it really possible to tell someone else what one feels?”
― Leo Tolstoy, Anna Karenina

“I've always loved you, and when you love someone, you love the whole person, just as he or she is, and not as you would like them to be.”
― Leo Tolstoy, Anna Karenina

“He soon felt that the fulfillment of his desires gave him only one grain of the mountain of happiness he had expected. This fulfillment showed him the eternal error men make in imagining that their happiness depends on the realization of their desires.”
― Leo Tolstoy, Anna Karenina

“He looked at her as a man might look at a faded flower he had plucked, in which it was difficult for him to trace the beauty that had made him pick and so destroy it”
― Leo Tolstoy, Anna Karenina

“And not only the pride of intellect, but the stupidity of intellect. And, above all, the dishonesty, yes, the dishonesty of intellect. Yes, indeed, the dishonesty and trickery of intellect.”
― Leo Tolstoy, Anna Karenina

“she smiled at him, and at her own fears.”
― Leo Tolstoy, Anna Karenina

“I ask one thing: I ask the right to hope and suffer as I do now."
Vronsky”
― Leo Tolstoy, Ana Karenina

“When Mother smiled, no matter how nice her face had been before, it became incomparably nicer and everything around seemed to brighten up as well.”
― Leo Tolstoy, Childhood, Boyhood, Youth

“Will the freshness, lightheartedness, the need for love, and strength of faith which you have in childhood ever return? What better time than when the two best virtues -- innocent joy and the boundless desire for love -- were the only motives in life?”
― Leo Tolstoy, Childhood, Boyhood, Youth

“Before and after the funeral I never ceased to cry and be miserable, but it makes me ashamed when I think back on that sadness of mine, seeing that always in it was an element of self-love - now a desire to show that I prayed more than any one else, now concern about the impression I was producing on others, now an aimless curiosity which caused me to observe Mimi's cap or the faces of those around me. I despised myself for not experiencing sorrow to the exclusion of everything else, and I tried to conceal all other feelings: this made my grief insincere and unnatural. Moreover, I felt a kind of enjoyment in knowing that I was unhappy and I tried to stimulate my sense of unhappiness, and this interest in myself did more than anything else to stifle real sorrow in me.”
― Leo Tolstoy, Childhood, Boyhood, Youth

“Yes, it was real hatred - not the hatred we only read about in novels, which I do not believe in, hatred that is supposed to find satisfaction in doing some one harm - but the hatred that fills you with overpowering aversion for a person who, however, deserves your respect, yet whose hair, his neck, the way he walks, the sound of his voice, his whole person, his every gesture are repulsive to you, and at the same time some unaccountable force draws you to him and compels you to follow his slightest acts with uneasy attention.”
― Leo Tolstoy, Childhood, Boyhood, Youth

“There are moments when the future looks so black that one is afraid to let one's thoughts dwell on it, refuses to let one's mind function and tries to convince oneself that the future will not be, and the past has not been. At such moments, when the will is not governed or modified by reflection and the only incentives that remain in life are our physical instincts, I can understand how a child, being particularly prone owing to lack of experience to fall into such a state, may without the least hesitation or fear, with a smile of curiosity deliberately set fire to his own house - and then fan the flames where is brothers, his father an his mother, all of who he loves dearly, are sleeping.”
― Leo Tolstoy, Childhood, Boyhood, Youth

“Does such a thing as 'the fatal flaw,' that showy dark crack running down the middle of a life, exist outside literature? I used to think it didn't. Now I think it does. And I think that mine is this: a morbid longing for the picturesque at all costs.”
― Donna Tartt, The Secret History

“Beauty is rarely soft or consolatory. Quite the contrary. Genuine beauty is always quite alarming.”
― Donna Tartt, The Secret History

“It's a very Greek idea, and a very profound one. Beauty is terror. Whatever we call beautiful, we quiver before it. And what could be more terrifying and beautiful, to souls like the Greeks or our own, than to lose control completely? To throw off the chains of being for an instant, to shatter the accident of our mortal selves? Euripides speaks of the Maenads: head thrown I back, throat to the stars, "more like deer than human being." To be absolutely free! One is quite capable, of course, of working out these destructive passions in more vulgar and less efficient ways. But how glorious to release them in a single burst! To sing, to scream, to dance barefoot in the woods in the dead of night, with no more awareness of mortality than an animal! These are powerful mysteries. The bellowing of bulls. Springs of honey bubbling from the ground. If we are strong enough in our souls we can rip away the veil and look that naked, terrible beauty right in the face; let God consume us, devour us, unstring our bones. Then spit us out reborn.”
― Donna Tartt, The Secret History

“Forgive me, for all the things I did but mostly for the ones that I did not.”
― Donna Tartt, The Secret History

“But how,” said Charles, who was close to tears, “how can you possibly justify cold-blooded murder?’
Henry lit a cigarette. “I prefer to think of it,” he had said, “as redistribution of matter.”
― Donna Tartt, The Secret History

“Well, honey, a shot never does a coke any harm!”
― Tennessee Williams, A Streetcar Named Desire

“Don't you just love those long rainy afternoons in New Orleans when an hour isn't just an hour - but a little piece of eternity dropped into your hands - and who knows what to do with it?”
― Tennessee Williams, A Streetcar Named Desire

“I don't want realism. I want magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don't tell the truth, I tell what ought to be the truth. And it that's sinful, then let me be damned for it!”
― Tennessee Williams, A Streetcar Named Desire

“Perhaps home is not a place but simply an irrevocable condition.”
― James Baldwin, Giovanni’s Room

“You don’t have a home until you leave it and then, when you have left it, you never can go back.”
― James Baldwin, Giovanni’s Room

“Confusion is a luxury which only the very, very young can possibly afford and you are not that young anymore”
― James Baldwin, Giovanni’s Room

“Tell me, he said, "What is this thing about time? Why is it better to be late than early? People are always saying, we must wait, we must wait. what are they waiting for?"

"Well […] I guess people wait in order to make sure of what they feel."

"And when you have waited—-has it made you sure?”
― James Baldwin, Giovanni’s Room

“I often wonder what I'd do if there weren't any books in the world.”
― James Baldwin , Giovanni’s Room

“If you cannot love me, I will die. Before you came I wanted to die, I have told you many times. It is cruel to have made me want to live only to make my death more bloody.”
― James Baldwin, Giovanni’s Room