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  • #1
    Edward W. Said
    “Every empire, however, tells itself and the world that it is unlike all other empires, that its mission is not to plunder and control but to educate and liberate."

    (Los Angeles Times, July 20, 2003)”
    Edward W. Said

  • #2
    Edward W. Said
    “الأرض كلها فندق.. وبيتي القدس”
    إدوارد سعيد

  • #3
    Edward W. Said
    “I emphasize in it [my Orientalism] accortdingly that neither the term Orient nor the concept of the West has any ontological stability; each is made up of human effort, partly affirmation, partly identification of the Other.”
    Edward Said

  • #4
    Edward W. Said
    “Much as I have no wish to hurt anyone's feelings, my first obligation has not been to be nice but to be true to my perhaps peculiar memories, experiences and feelings.”
    Edward W. Said, Out of Place

  • #5
    Edward W. Said
    “فلم يكن القصد من وصف شخص ما بأنه شرقي، على نحو ما دأب عليه المستشرقون، ينحصر في الإشارة إلى أن لغة هذا الشخص وجغرافية بلاده وتاريخه من موضوعات الدراسة العلمية، بل كثيراً ما كان ذلك التعبير يرمي إلى الحط من شأن الشخص ويعني أنه ينتمي إلى سلالة دنيا من البشر، وإن كان ذلك لاينفي أن كلمة "الشرق" كانت ترتبط في أذهان بعض المبدعين مثل نيرفال وسيجالين ارتباطاً رائعاً وخلاباً بالغرابة، والبهاء، والغموض، والوعد، ولكن الكلمة كانت بمثابة تعميم تاريخي مغرق في شموله.”
    Edward W. Said, Orientalism

  • #6
    Edward W. Said
    “Modern Orientalism embodies a systematic discipline of accumulation. Far from this being exclusively an intellectual or theoretical feature, it made Orientalism tend fatally towards the systematic accumulation of human beings and territories. To reconstruct a dead or lost Oriental language meant ultimately to reconstruct a dead or neglected Orient; it also meant that reconstructive precision, science, even imagination could prepare the way for what armies, administrators, and bureaucracies would later do on the ground.”
    Edward W. Said, Orientalism

  • #7
    Fyodor Dostoevsky
    “Even now, so many years later, all this is somehow a very evil memory. I have many evil memories now, but ... hadn't I better end my "Notes" here? I believe I made a mistake in beginning to write them, anyway I have felt ashamed all the time I've been writing this story; so it's hardly literature so much as a corrective punishment. Why, to tell long stories, showing how I have spoiled my life through morally rotting in my corner, through lack of fitting environment, through divorce from real life, and rankling spite in my underground world, would certainly not be interesting; a novel needs a hero, and all the traits for an anti-hero are expressly gathered together here, and what matters most, it all produces an unpleasant impression, for we are all divorced from life, we are all cripples, every one of us, more or less. We are so divorced from it that we feel at once a sort of loathing for real life, and so cannot bear to be reminded of it. Why, we have come almost to looking upon real life as an effort, almost as hard work, and we are all privately agreed that it is better in books. And why do we fuss and fume sometimes? Why are we perverse and ask for something else? We don't know what ourselves. It would be the worse for us if our petulant prayers were answered. Come, try, give any one of us, for instance, a little more independence, untie our hands, widen the spheres of our activity, relax the control and we ... yes, I assure you ... we should be begging to be under control again at once. I know that you will very likely be angry with me for that, and will begin shouting and stamping. Speak for yourself, you will say, and for your miseries in your underground holes, and don't dare to say all of us-- excuse me, gentlemen, I am not justifying myself with that "all of us." As for what concerns me in particular I have only in my life carried to an extreme what you have not dared to carry halfway, and what's more, you have taken your cowardice for good sense, and have found comfort in deceiving yourselves. So that perhaps, after all, there is more life in me than in you. Look into it more carefully! Why, we don't even know what living means now, what it is, and what it is called? Leave us alone without books and we shall be lost and in confusion at once. We shall not know what to join on to, what to cling to, what to love and what to hate, what to respect and what to despise. We are oppressed at being men--men with a real individual body and blood, we are ashamed of it, we think it a disgrace and try to contrive to be some sort of impossible generalised man. We are stillborn, and for generations past have been begotten, not by living fathers, and that suits us better and better. We are developing a taste for it. Soon we shall contrive to be born somehow from an idea. But enough; I don't want to write more from "Underground."


    [The notes of this paradoxalist do not end here, however. He could not
    refrain from going on with them, but it seems to us that we may stop
    here.]

    Fyodor Dostoevsky, Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead

  • #8
    Anaïs Nin
    “We don't see things as they are, we see them as we are.”
    Anaïs Nin

  • #9
    Anaïs Nin
    “I, with a deeper instinct, choose a man who compels my strength, who makes enormous demands on me, who does not doubt my courage or my toughness, who does not believe me naïve or innocent, who has the courage to treat me like a woman.”
    Anaïs Nin

  • #10
    Anaïs Nin
    “Love never dies a natural death. It dies because we don't know how to replenish its source. It dies of blindness and errors and betrayals. It dies of illness and wounds; it dies of weariness, of witherings, of tarnishings.”
    Anais Nin

  • #11
    Anaïs Nin
    “I am an excitable person who only understands life lyrically, musically, in whom feelings are much stronger as reason. I am so thirsty for the marvelous that only the marvelous has power over me. Anything I can not transform into something marvelous, I let go. Reality doesn't impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls.”
    Anais Nin

  • #12
    Anaïs Nin
    “I am only responsible for my own heart, you offered yours up for the smashing my darling. Only a fool would give out such a vital organ”
    Anais Nin

  • #13
    Anaïs Nin
    “I am lonely, yet not everybody will do. I don't know why, some people fill the gaps and others emphasize my loneliness. In reality those who satisfy me are those who simply allow me to live with my ''idea of them.”
    Anais Nin

  • #14
    Anaïs Nin
    “Throw your dreams into space like a kite, and you do not know what it will bring back, a new life, a new friend, a new love, a new country.”
    Anais Nin

  • #15
    Anaïs Nin
    “The role of a writer is not to say what we can all say, but what we are unable to say.”
    Anais Nin

  • #16
    Anaïs Nin
    “I am the most tired woman in the world. I am tired when I get up. Life requires an effort I cannot make. Please give me that heavy book. I need to put something heavy like that on top of my head. I have to place my feet under the pillows always, so as to be able to stay on earth. Otherwise I feel myself going away, going away at a tremendous speed, on account of my lightness. I know that I am dead. As soon as I utter a phrase my sincerity dies, becomes a lie whose coldness chills me. Don't say anything, because I see that you understand me, and I am afraid of your understanding. I have such a fear of finding another like myself, and such a desire to find one! I am so utterly lonely, but I also have such a fear that my isolation be broken through, and I no longer be the head and ruler of my universe. I am in great terror of your understanding by which you penetrate into my world; and then I stand revealed and I have to share my kingdom with you.”
    Anais Nin



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