Tina > Tina's Quotes

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  • #1
    Jane Austen
    “A lady's imagination is very rapid; it jumps from admiration to love, from love to matrimony in a moment.”
    Jane Austen, Pride and Prejudice

  • #2
    Anthony Doerr
    “To men like that, time was a surfeit, a barrel they watched slowly drain. When really, he thinks, it’s a glowing puddle you carry in your hands; you should spend all your energy protecting it. Fighting for it. Working so hard not to spill one single drop.”
    Anthony Doerr, All the Light We Cannot See

  • #3
    Jane Austen
    “I cannot fix on the hour, or the spot, or the look or the words, which laid the foundation. It is too long ago. I was in the middle before I knew that I had begun.”
    Jane Austen, Pride and Prejudice

  • #4
    Anthony Doerr
    “To really touch something, she is learning—the bark of a sycamore tree in the gardens; a pinned stag beetle in the Department of Etymology; the exquisitely polished interior of a scallop shell in Dr. Geffard’s workshop—is to love it.”
    Anthony Doerr, All the Light We Cannot See

  • #5
    Jane Austen
    “What are men to rocks and mountains?”
    Jane Austen, Pride and Prejudice

  • #6
    Charlotte Brontë
    “Do you think I am an automaton? — a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! — I have as much soul as you — and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh: it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal — as we are!”
    Charlotte Brontë, Jane Eyre

  • #7
    Jane Austen
    “But people themselves alter so much, that there is something new to be observed in them for ever.”
    Jane Austen, Pride and Prejudice

  • #8
    Charlotte Brontë
    “I can live alone, if self-respect, and circumstances require me so to do. I need not sell my soul to buy bliss. I have an inward treasure born with me, which can keep me alive if all extraneous delights should be withheld, or offered only at a price I cannot afford to give.”
    Charlotte Brontë, Jane Eyre

  • #9
    Dale Carnegie
    “It isn't what you have or who you are or where you are or what you are doing that makes you happy or unhappy. It is what you think about it.”
    Dale Carnegie, How to Win Friends & Influence People

  • #10
    Joseph Conrad
    “We live as we dream--alone....”
    Joseph Conrad, Heart of Darkness

  • #11
    Dale Carnegie
    “Talk to someone about themselves and they'll listen for hours.”
    Dale Carnegie, How to Win Friends & Influence People

  • #12
    Joseph Conrad
    “Your strength is just an accident arising from the weakness of others.”
    Joseph Conrad, Heart of Darkness

  • #13
    Charles Dickens
    “When a man's his own enemy, it's only because he's too much his own friend; not because he's careful for everybody but himself. Pooh! Pooh! There ain't such a thing in nature.”
    Charles Dickens, Oliver Twist

  • #14
    Jeffrey Eugenides
    “You used to be able to tell a person's nationality by the face. Immigration ended that. Next you discerned nationality via the footwear. Globalization ended that. Those Finnish seal puppies, those German flounders - you don't see them much anymore. Only Nikes, on Basque, on Dutch, on Siberian feet.”
    Jeffrey Eugenides, Middlesex

  • #15
    Alexandre Dumas
    “There is neither happiness nor misery in the world; there is only the comparison of one state with another, nothing more. He who has felt the deepest grief is best able to experience supreme happiness.”
    Alexandre Dumas

  • #16
    Jeffrey Eugenides
    “College wasn't like the real world. In the real world people dropped names based on their renown. In college, people dropped names based on their obscurity.”
    Jeffrey Eugenides, The Marriage Plot

  • #17
    Charles Dickens
    “I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evils of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out. I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years’ time enriching them with all he has, and passing tranquilly to his reward. I see that I hold sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other’s soul, than I was in the souls of both. I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, bringing a boy of my name, with a forehead that I know and golden hair, to this place – then fair to look upon, with not a trace of this day’s disfigurement – and I hear him tell the child my story, with a tender and faltering voice. It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.”
    Charles Dickens, A Tale of Two Cities

  • #18
    Jeffrey Eugenides
    “Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions. Germanic traincar constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy". I'd like to show how "intimations of mortality brought on by aging family members" connects with "the hatred of mirrors that begins in middle age.”
    Jeffrey Eugenides, Middlesex

  • #19
    Jeffrey Eugenides
    “In Madeleine's face was a stupidity Mitchell had never seen before. It was the stupidity of all normal people. It was the stupidity of the fortunate and the beautiful, of everybody who got what they wanted in life and so remained unremarkable.”
    Jeffrey Eugenides, The Marriage Plot

  • #20
    Alexandre Dumas
    “It's necessary to have wished for death in order to know how good it is to live.”
    Alexandre Dumas, The Count of Monte Cristo

  • #21
    Jeffrey Eugenides
    “Great discoveries, whether of silk or gravity, are always windfalls. They happen to people loafing under trees.”
    Jeffrey Eugenides, Middlesex

  • #22
    Jeffrey Eugenides
    “Here's a question I still can't answer: Did I see through the male tricks because I was destined to scheme that way myself? Or do girls see through the tricks, too, and just pretend not to notice?”
    Jeffrey Eugenides, Middlesex

  • #23
    Jeffrey Eugenides
    “There is no evidence against genetic determinism more persuasive than the children of the rich.”
    Jeffrey Eugenides, Middlesex

  • #24
    Jeffrey Eugenides
    “The mind self-edits. The mind airbrushes. It's a different thing to be inside a body than outside. From outside, you can look, inspect, compare. From inside there is no comparison.”
    Jeffrey Eugenides, Middlesex

  • #25
    Arthur Golden
    “At the temple there is a poem called "Loss" carved into the stone. It has three words, but the poet has scratched them out. You cannot read loss, only feel it.”
    Arthur Golden, Memoirs of a Geisha

  • #26
    Arthur Golden
    “Adversity is like a strong wind. I don't mean just that it holds us back from places we might otherwise go. It also tears away from us all but the things that cannot be torn, so that afterward we see ourselves as we really are, and not merely as we might like to be.”
    Arthur Golden, Memoirs of a Geisha

  • #27
    Arthur Golden
    “This is why dreams can be such dangerous things: they smolder on like a fire does, and sometimes they consume us completely.”
    Arthur Golden, Memoirs of a Geisha

  • #28
    Arthur Golden
    “Can't you see? Every step I have taken, since I was that child on the bridge, has been to bring myself closer to you. ”
    Arthur Golden, Memoirs Of A Geisha, Memoirs of a Geisha
    tags: love

  • #29
    Chad Harbach
    “So much of one's life was spent reading; it made sense not to do it alone.”
    Chad Harbach, The Art of Fielding

  • #30
    Chad Harbach
    “Each of us, deep down, believes that the whole world issues from his own precious body, like images projected from a tiny slide onto an earth-sized screen. And then, deeper down, each of us knows he’s wrong.”
    Chad Harbach, The Art of Fielding



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