Nicolle Cannock > Nicolle's Quotes

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  • #1
    David Nicholls
    “Salmon. Salmon, salmon, salmon, salmon. I eat so much salmon at these weddings, twice a year I get this urge to swim upstream.”
    David Nicholls, One Day

  • #2
    Nicole Krauss
    “When will you learn that there isn't a word for everything?”
    Nicole Krauss, The History of Love

  • #3
    David Nicholls
    “Sometimes, when it's going badly, she wonders if what she believes to be a love of the written word is really just a fetish for stationery. The true writer, the born writer, will scribble words on scraps of litter, the back of a bus tickets, on the wall of a cell .Emma is lost on anything less than 120gsm.”
    David Nicholls, One Day

  • #4
    Nicole Krauss
    “Even now, all possible feelings do not yet exist, there are still those that lie beyond our capacity and our imagination. From time to time, when a piece of music no one has ever written or a painting no one has ever painted, or something else impossible to predict, fathom or yet describe takes place, a new feeling enters the world. And then, for the millionth time in the history of feeling, the heart surges and absorbs the impact.”
    Nicole Krauss, The History of Love

  • #5
    Nicole Krauss
    “I try to make a point of being seen. Sometimes when I'm out, I'll buy a juice even when I'm not thirsty. If the store is crowded I'll even go so far as dropping change all over the floor, nickels and dimes skidding in every direction. All I want is not to die on a day I went unseen.”
    Nicole Krauss, The History of Love

  • #6
    David Nicholls
    “You can't throw away years of your life because it makes a funny anecdote.”
    David Nicholls, One Day

  • #7
    Nicole Krauss
    “The first language humans had was gestures. There was nothing primitive about this language that flowed from people’s hands, nothing we say now that could not be said in the endless array of movements possible with the fine bones of the fingers and wrists. The gestures were complex and subtle, involving a delicacy of motion that has since been lost completely.

    During the Age of Silence, people communicated more, not less. Basic survival demanded that the hands were almost never still, and so it was only during sleep (and sometimes not even then) that people were not saying something or other. No distinction was made between the gestures of language and the gestures of life. The labor of building a house, say, or preparing a meal was no less an expression than making the sign for I love you or I feel serious. When a hand was used to shield one’s face when frightened by a loud noise something was being said, and when fingers were used to pick up what someone else had dropped something was being said; and even when the hands were at rest, that, too, was saying something. Naturally, there were misunderstandings. There were times when a finger might have been lifted to scratch a nose, and if casual eye contact was made with one’s lover just then, the lover might accidentally take it to be the gesture, not at all dissimilar, for Now I realize I was wrong to love you. These mistakes were heartbreaking. And yet, because people knew how easily they could happen, because they didn’t go round with the illusion that they understood perfectly the things other people said, they were used to interrupting each other to ask if they’d understood correctly. Sometimes these misunderstandings were even desirable, since they gave people a reason to say, Forgive me, I was only scratching my nose. Of course I know I’ve always been right to love you. Because of the frequency of these mistakes, over time the gesture for asking forgiveness evolved into the simplest form. Just to open your palm was to say: Forgive me."

    "If at large gatherings or parties, or around people with whom you feel distant, your hands sometimes hang awkwardly at the ends of your arms – if you find yourself at a loss for what to do with them, overcome with sadness that comes when you recognize the foreignness of your own body – it’s because your hands remember a time when the division between mind and body, brain and heart, what’s inside and what’s outside, was so much less. It’s not that we’ve forgotten the language of gestures entirely. The habit of moving our hands while we speak is left over from it. Clapping, pointing, giving the thumbs-up, for example, is a way to remember how it feels to say nothing together. And at night, when it’s too dark to see, we find it necessary to gesture on each other’s bodies to make ourselves understood.”
    Nicole Krauss, The History of Love

  • #8
    Nicole Krauss
    “When they write my obituary. Tomorrow. Or the next day. It will say, Leo Gursky is survived by an apartment full of shit”
    Nicole Krauss, The History of Love

  • #9
    Mitch Albom
    “All parents damage their children. It cannot be helped. Youth, like pristine glass, absorbs the prints of its handlers. Some parents smudge, others crack, a few shatter childhoods completely into jagged little pieces, beyond repair.”
    Mitch Albom, The Five People You Meet in Heaven

  • #10
    Mitch Albom
    “Learn this from me. Holding anger is a poison. It eats you from inside. We think that hating is a weapon that attacks the person who harmed us. But hatred is a curved blade. And the harm we do, we do to ourselves.”
    Mitch Albom, The Five People You Meet in Heaven

  • #11
    Rebecca Skloot
    “When he asked if she was okay, her eyes welled with tears and she said, “Like I’m always telling my brothers, if you gonna go into history, you can’t do it with a hate attitude. You got to remember, times was different.”
    Rebecca Skloot, The Immortal Life of Henrietta Lacks

  • #12
    Anne Frank
    “Anyhow, I've learned one thing now. You only really get to know people when you've had a jolly good row with them. Then and then only can you judge their true characters!”
    Anne Frank, The Diary of a Young Girl

  • #13
    Khaled Hosseini
    “Learn this now and learn it well. Like a compass facing north, a man’s accusing finger always finds a woman. Always. You remember that, Mariam.”
    Khaled Hosseini, A Thousand Splendid Suns

  • #14
    Khaled Hosseini
    “She thought of Aziza's stutter, and of what Aziza had said earlier about fractures and powerful collisions deep down and how sometimes all we see on the surface is a slight tremor.”
    Khaled Hosseini, A Thousand Splendid Suns

  • #15
    Khaled Hosseini
    “There are a lot of children in Afghanistan, but little childhood.”
    Khaled Hosseini, The Kite Runner

  • #16
    Khaled Hosseini
    “Time can be a greedy thing-sometimes it steals the details for itself.”
    Khaled Hosseini, The Kite Runner

  • #17
    Khaled Hosseini
    “Quiet is peace. Tranquility. Quiet is turning down the volume knob on life. Silence is pushing the off button. Shutting it down. All of it. - Amir”
    Khaled Hosseini, The Kite Runner

  • #18
    Arthur Golden
    “Hopes are like hair ornaments. Girls want to wear too many of them. When they become old women they look silly wearing even one.”
    Arthur Golden, Memoirs of a Geisha

  • #19
    William Shakespeare
    “He that hath a beard is more than a youth, and he that hath no beard is less than a man. He that is more than a youth is not for me, and he that is less than a man, I am not for him.”
    William Shakespeare, Much Ado About Nothing

  • #20
    William Shakespeare
    “For which of my bad parts didst thou first fall in love with me?”
    William Shakespeare, Much Ado About Nothing
    tags: love

  • #21
    David Nicholls
    “Just kidding' was exactly what people wrote when they meant every word.”
    David Nicholls, One Day

  • #22
    David Nicholls
    “He wanted to live life in such a way that if a photograph were taken at random, it would be a cool photograph.”
    David Nicholls, One Day

  • #23
    David Nicholls
    “She drinks pints of coffee and writes little observations and ideas for stories with her best fountain pen on the linen-white pages of expensive notebooks. Sometimes, when it's going badly, she wonders if what she believes to be a love of the written word is really just a fetish for stationery.”
    David Nicholls, One Day

  • #24
    Jane Austen
    “A lady's imagination is very rapid; it jumps from admiration to love, from love to matrimony in a moment.”
    Jane Austen, Pride and Prejudice

  • #25
    Jane Austen
    “I cannot fix on the hour, or the spot, or the look or the words, which laid the foundation. It is too long ago. I was in the middle before I knew that I had begun.”
    Jane Austen, Pride and Prejudice

  • #26
    Rebecca Skloot
    “But I tell you one thing, I don't want to be immortal if it mean living forever, cause then everybody else just die and get old in front of you while you stay the same, and that's just sad.”
    Rebecca Skloot, The Immortal Life of Henrietta Lacks

  • #27
    Rebecca Skloot
    “She's the most important person in the world and her family living in poverty. If our mother is so important to science, why can't we get health insurance?”
    Rebecca Skloot, The Immortal Life of Henrietta Lacks

  • #28
    Mitch Albom
    “All endings are also beginnings. We just don't know it at the time.”
    Mitch Albom, The Five People You Meet in Heaven

  • #29
    Mitch Albom
    “Parents rarely let go of their children, so children let go of them. They move on. They move away. The moments that used to define them - a mother's approval, a father's nod - are covered by moments of their own accomplishments. It is not until much later, as the skin sags and the heart weakens, that children understand; their stories, and all their accomplishments, sit atop the stories of their mothers and fathers, stones upon stones, beneath the waters of their lives.”
    Mitch Albom, The Five People You Meet in Heaven

  • #30
    Ian McEwan
    “A person is, among all else, a material thing, easily torn and not easily mended.”
    Ian McEwan, Atonement



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