Thiago > Thiago's Quotes

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  • #1
    Andy Weir
    “Human beings have a remarkable ability to accept the abnormal and make it normal.”
    Andy Weir, Project Hail Mary

  • #2
    Claire North
    “The most it ever seems we know how to do with time, is to waste it.”
    Claire North, The First Fifteen Lives of Harry August

  • #3
    Aldous Huxley
    “But I don't want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin.”
    Aldous Huxley, Brave New World

  • #6
    Aldous Huxley
    “I am I, and I wish I weren't.”
    Aldous Huxley, Brave New World

  • #8
    Scott Lynch
    “Quit being so hard on yourself. We are what we are; we love what we love. We don't need to justify it to anyone... not even to ourselves.”
    Scott Lynch, The Republic of Thieves

  • #12
    Scott Lynch
    “What's the n-never-fail universal apology?"

    "'I was badly misinformed, I deeply regret the error, go fuck yourself with this bag of money.”
    Scott Lynch, The Republic of Thieves

  • #20
    Scott Lynch
    “You want a lesson, boy? If you find yourself being born, climb back in as quick as you can, because life's a bottomless feast of shit.”
    Scott Lynch, The Republic of Thieves

  • #23
    Kazuo Ishiguro
    “Until recently, I didn’t think that humans could choose
    loneliness. That there were sometimes forces more powerful than the wish to avoid loneliness.”
    Kazuo Ishiguro, Klara and the Sun

  • #25
    Kazuo Ishiguro
    “There was something very special, but it wasn't inside Josie. It was inside those who loved her.”
    Kazuo Ishiguro, Klara and the Sun

  • #28
    Victoria Schwab
    “When no one understands, that's usually a good sign that you're wrong.”
    Victoria Schwab, Vicious

  • #29
    Victoria Schwab
    “There are no good men in this game.”
    Victoria Schwab, Vicious

  • #31
    Victoria Schwab
    “Plenty of humans were monstrous, and plenty of monsters knew how to play at being human.”
    Victoria Schwab, Vicious

  • #33
    Victoria Schwab
    “If Eli really was a hero, and Victor meant to stop him, did that make him a villain?

    He took a long sip of his drink, tipped his head back against the couch, and decided he could live with that.”
    Victoria Schwab, Vicious

  • #36
    Andrzej Sapkowski
    “That’s the role of poetry, Ciri. To say what others cannot utter.”
    Andrzej Sapkowski, Time of Contempt

  • #39
    Andrzej Sapkowski
    “They didn’t teach me how to tend wounds,’ she said bitterly. ‘They taught me how to kill, telling me that’s how I could save people. It was one big lie, Little Horse. They deceived me.”
    Andrzej Sapkowski, The Time of Contempt

  • #42
    Andrzej Sapkowski
    “I mistook stars reflected in a pond at night for those in the sky.”
    Andrzej Sapkowski, Czas pogardy

  • #44
    Andrzej Sapkowski
    “What a company I ended up with,’ Geralt continued, shaking his head. ‘Brothers in arms! A team of heroes! What have I done to deserve it? A poetaster with a lute. A wild and lippy half-dryad, half-woman. A vampire, who’s about to notch up his fifth century. And a bloody Nilfgaardian who insists he isn’t a Nilfgaardian.”
    Andrzej Sapkowski, Baptism of Fire

  • #46
    Andrzej Sapkowski
    “But they’re your countrymen, Witcher,’ Regis said. ‘I mean, they call you Geralt of Rivia.’ ‘A slight correction,’ he replied coldly. ‘I call myself that to make my name sound fancier. It’s an addition that inspires more trust in my clients.’ ‘I see,’ the vampire said, smiling. ‘And why exactly did you choose Rivia?’ ‘I drew sticks, marked with various grand-sounding names. My witcher preceptor suggested that method to me, although not initially. Only after I’d insisted on adopting the name Geralt Roger Eric du Haute-Bellegarde. Vesemir thought it was ridiculous; pretentious and idiotic. I dare say he was right.”
    Andrzej Sapkowski, Baptism of Fire

  • #47
    Graeme Simsion
    “And how could I be sure that other people were not doing the same—playing the game to be accepted but suspecting all the time that they were different?”
    Graeme Simsion, The Rosie Project

  • #48
    Graeme Simsion
    “But why, why, why can't people just say what they mean?”
    Graeme Simsion, The Rosie Project

  • #49
    Graeme Simsion
    “Humans often fail to see what is close to them and obvious to others.”
    Graeme Simsion, The Rosie Project

  • #50
    Erin Morgenstern
    “Someone needs to tell those tales. When the battles are fought and won and lost, when the pirates find their treasures and the dragons eat their foes for breakfast with a nice cup of Lapsang souchong, someone needs to tell their bits of overlapping narrative. There's magic in that. It's in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict. From the mundane to the profound. You may tell a tale that takes up residence in someone's soul, becomes their blood and self and purpose. That tale will move them and drive them and who knows what they might do because of it, because of your words. That is your role, your gift. Your sister may be able to see the future, but you yourself can shape it, boy. Do not forget that... there are many kinds of magic, after all.”
    Erin Morgenstern, The Night Circus

  • #51
    Erin Morgenstern
    “Stories have changed, my dear boy,” the man in the grey suit says, his voice almost imperceptibly sad. “There are no more battles between good and evil, no monsters to slay, no maidens in need of rescue. Most maidens are perfectly capable of rescuing themselves in my experience, at least the ones worth something, in any case. There are no longer simple tales with quests and beasts and happy endings. The quests lack clarity of goal or path. The beasts take different forms and are difficult to recognize for what they are. And there are never really endings, happy or otherwise. Things keep overlapping and blur, your story is part of your sister’s story is part of many other stories, and there in no telling where any of them may lead. Good and evil are a great deal more complex than a princess and a dragon, or a wolf and a scarlet-clad little girl. And is not the dragon the hero of his own story? Is not the wolf simply acting as a wolf should act? Though perhaps it is a singular wolf who goes to such lengths as to dress as a grandmother to toy with its prey.”
    Erin Morgenstern, The Night Circus

  • #52
    Erin Morgenstern
    “The finest of pleasures are always the unexpected ones.”
    Erin Morgenstern, The Night Circus

  • #53
    Matt Haig
    “And I knew the point of love right then.
    The point of love was to help you survive.
    The point was also to forget meaning. To stop looking and start living. The meaning was to hold the hand of someone you cared about and to live inside the present. Past and future were myths. The past was just the present that had died and the future would never exist anyway, because by the time we got to it the future would have turned into the present. The present was all there was.”
    Matt Haig, The Humans

  • #54
    Matt Haig
    “Don’t aim for perfection. Evolution, and life, only happen through mistakes.”
    Matt Haig, The Humans

  • #55
    Blake Crouch
    “We're more than the sum total of our choices, that all the paths we might have taken factor somehow into the math of our identity.”
    Blake Crouch, Dark Matter

  • #56
    Blake Crouch
    “We all live day to day completely oblivious to the fact that we’re a part of a much larger and stranger reality than we can possibly imagine.”
    Blake Crouch, Dark Matter

  • #57
    Blake Crouch
    “It's the beautiful thing about youth.

    There's a weightlessness that permeates everything because no damning choices have been made, no paths committed to, and the road forking out ahead is pure, unlimited potential.”
    Blake Crouch, Dark Matter

  • #58
    Blake Crouch
    “Until everything topples, we have no idea what we actually have, how precariously and perfectly it all hangs together.”
    Blake Crouch, Dark Matter



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