Chong Molitoris > Chong's Quotes

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  • #1
    “But when people talk about it they call it The Zombie Room.”
    R.D. Ronald, The Zombie Room

  • #2
    M. Agueev
    “I was terrified as only grown men and women can be when they wake up in the middle of the night and begin to realise, in the absolute silence and solitude all around them, that it is not only their dream that has woken them, that it is their whole way of life.”
    M. Ageyev, Novel with Cocaine

  • #3
    Georges Bataille
    “From incoherent barkings of desire, man can advance to distinct speech now that, labelling the object with a name, he is able to make an implicit connection between the material it is made of and the work required to get it from the old state to the new in which it is ready for use. Thenceforth language firmly anchors the object in the stream of time.”
    Georges Bataille, La peinture préhistorique : Lascaux ou la naissance de l'art

  • #4
    Luke Rhinehart
    “But we must come to realise that every word is perfect, including those we scratch out. As my pen moves across this page the whole world writes. All of human history combines at this mere moment now to produce in the flow of this hand a single dot: Who are you and I, dear friends, to contradict the whole past of the universe? Let us then in our wisdom say yes to the flow of the pen.”
    Luke Rhinehart, The Dice Man

  • #5
    Iain Banks
    “I let myself into the cellar, locked the door behind me. The cellar was cold. I found the whisky, let myself out of the cellar and locked it, turned all the lights out, gave Mrs McSpadden the bottle, accepted a belated new-year kiss from her, then made my way out through the kitchen and the corridor and the crowded hall where the music sounded loud and people were laughing, and out through the now almost empty entrance hall and down the steps of the castle and down the driveway and down to Gallanach, where I walked along the esplanade - occasionally having to wave to say 'Happy New Year' to various people I didn't know - until I got to the old railway pier and then the harbour, where I sat on the quayside, legs dangling, drinking my whisky and watching a couple of swans glide on black, still water, to the distant sound of highland jigs coming from the Steam Packet Hotel, and singing and happy-new-year shouts echoing in the streets of the town, and the occasional sniff as my nose watered in sympathy with my eyes.”
    Iain M. Banks, The Crow Road

  • #6
    Megan Abbott
    “she told me her secret. And showed me what darkness was, and is, and how it works, and how it never goes away or ends.”
    Megan Abbott, Give Me Your Hand

  • #7
    Paul Auster
    “That was the trouble. The land is too big out there, and after a while it starts to swallow you up. I reached a point when I couldn't take it anymore. All that bloody silence and emptiness. You try to find your bearings in it, but it's too big, the dimensions are too monstrous, and eventually, I don't know how else to put it, eventually it just stops being there. There's no world, no land, no nothing. It comes down to that, Fogg, in the end it's all a figment. The only place you exist is in your head.”
    Paul Auster, Moon Palace

  • #8
    Marisha Pessl
    “Connie Madison Parker, age 36, on Merchandise: "You got to put your
    goods on display, babe. Otherwise, not only will the boys ignore you but—an'
    trust me on this, my sister's flat as you—we're talkin' the Great Plains of East Texas — no landmarks — one day you'll look down and have no wares at all.
    What'll you do then?”
    Marisha Pessl, Special Topics in Calamity Physics

  • #9
    “Los demonios que eran enviados para atormentarme intentaban separar mi mente de mi espíritu.”
    John Ramirez, FUERA DEL CALDERO DEL DIABLO

  • #10
    Steven Decker
    “Of course, Emily, of course. I know. But here in Holland, we live first, work second. We truly appreciate life and make it our highest priority to enjoy it.”
    Steven Decker, Projector for Sale

  • #11
    Paul Spencer Sochaczewski
    “Writing history is slippery, there is little Truth with an upper case T, but a lot of lower-case “truths” that are filtered through the perceptions of others.”
    Paul Spencer Sochaczewski, "Look Here, Sir, What a Curious Bird": Searching for Ali, Alfred Russel Wallace's Faithful Companion

  • #12
    Anne  Michaud
    “Perhaps this sort of marriage, at the top echelons of Washington and international society, was made from different rules. Fidelity, honesty – perhaps these were quaint ideas better suited to less ambitious people. When one had the heights of the free world practically in one’s grasp, maybe the bargain at the altar became more pragmatic.”
    Anne Michaud, Why They Stay: Sex Scandals, Deals, and Hidden Agendas of Nine Political Wives

  • #13
    “Of course it’s taken many years to be able to express what’s been inside me. But nowadays I say to people I was born and brought up in a Latvian house in the country of Australia. So I consider that this house has always been a small part of Latvia, there’s always been Latvian traditions, Latvian foods, Latvian language and I’ve always considered that even though I lived in a large city, I lived in a Latvian ghetto. I mentioned the word ‘ghetto’ … which a lot of people consider negatively, but I consider it in a positive sense. I consider myself quite a competent schizophrenic—I am able to be very Latvian and very dinky-di strong. I don’t have any trouble switching hats. - Viktor Brenners, 2nd Generation DP”
    Peter Brune, Suffering, Redemption and Triumph: The first wave of post-war Australian immigrants 1945-66

  • #14
    Malcolm  Collins
    “There are four steps to gaining ownership and intentionality over your personal identity and beliefs: Determining your objective function What is the purpose of my life? Determining your ideological tree How do I best fulfill that purpose? Determining your personal identity Who do I want to be? Determining your public identity How do I want others to think of me?”
    Malcolm Collins, The Pragmatist’s Guide to Life: A Guide to Creating Your Own Answers to Life’s Biggest Questions

  • #15
    Simone Collins
    “A culture that has a moral compass which always points toward the elite’s conception of good—or a society’s default conceptions of “good”—has a broken moral compass. Compasses have value because they point toward a single magnetic North, not a moving position.”
    Simone Collins, The Pragmatist’s Guide to Crafting Religion: A playbook for sculpting cultures that overcome demographic collapse & facilitate long-term human flourishing

  • #16
    Tim LaHaye
    “demonstrates His own love toward us, in that while we were still sinners, Christ died for us.”
    Tim LaHaye, The Rising: Antichrist is Born

  • #17
    Markus Zusak
    “The bittersweetness of uncertainty: To win or to lose.”
    Markus Zusak, The Book Thief

  • #18
    Jeffrey Archer
    “only a fool blames the messenger.”
    Jeffrey Archer, Only Time Will Tell

  • #19
    “In the lobby of the visitor center, the glass doors had been shattered, and a cold gray mist blew through the cavernous main hall. A sign that read WHEN DINOSAURS RULED THE EARTH dangled from one hinge, creaking in the wind.”
    Michael Crichton, Jurassic Park

  • #20
    Arthur Golden
    “... agora sei que o nosso mundo não e mais permanente do que uma onda a erguer-se no oceano. E quaisquer que sejam as nossas lutas e triunfos, como quer que os possamos sofrer, muito rapidamente se dissolvem todos numa aguada, como tinta de pintar no papel”
    Arthur Golden, Memoirs of a Geisha

  • #21
    Richard  Adams
    “Molti uomini dicono di godersi l'inverno, ma ciò che in realtà si godono è il sentirsi al riparo da esso.L'inverno non può nuocere, quindi accresce il loro senso di sicurezza, di ingegnosità.”
    Richard Adams



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