Riyadh Forex > Riyadh's Quotes

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  • #1
    Joseph Conrad
    “Being a woman is a terribly difficult trade since it consists principally of dealings with men.”
    Joseph Conrad, Chance

  • #2
    Jim Morrison
    “The most important kind of freedom is to be what you really are. You trade in your reality for a role. You trade in your sense for an act. You give up your ability to feel, and in exchange, put on a mask. There can't be any large-scale revolution until there's a personal revolution, on an individual level. It's got to happen inside first.”
    Jim MORRISON

  • #3
    Margaret Mitchell
    “Life's under no obligation to give us what we expect.”
    Margaret Mitchell

  • #4
    Maurice Switzer
    “It is better to remain silent at the risk of being thought a fool, than to talk and remove all doubt of it.”
    Maurice Switzer, Mrs. Goose, Her Book

  • #5
    William Shakespeare
    “The fool doth think he is wise, but the wise man knows himself to be a fool.”
    William Shakespeare, As You Like It

  • #6
    Theodore Roosevelt
    “Nothing in the world is worth having or worth doing unless it means effort, pain, difficulty… I have never in my life envied a human being who led an easy life. I have envied a great many people who led difficult lives and led them well.”
    Theodore Roosevelt

  • #7
    “On Writing: Aphorisms and Ten-Second Essays

    1. A beginning ends what an end begins.

    2. The despair of the blank page: it is so full.

    3. In the head Art’s not democratic. I wait a long time to be a writer good enough even for myself.

    4. The best time is stolen time.

    5. All work is the avoidance of harder work.

    6. When I am trying to write I turn on music so I can hear what is keeping me from hearing.

    7. I envy music for being beyond words. But then, every word is beyond music.

    8. Why would we write if we’d already heard what we wanted to hear?

    9. The poem in the quarterly is sure to fail within two lines: flaccid, rhythmless, hopelessly dutiful. But I read poets from strange languages with freedom and pleasure because I can believe in all that has been lost in translation. Though all works, all acts, all languages are already translation.

    10. Writer: how books read each other.

    11. Idolaters of the great need to believe that what they love cannot fail them, adorers of camp, kitsch, trash that they cannot fail what they love.

    12. If I didn’t spend so much time writing, I’d know a lot more. But I wouldn’t know anything.

    13. If you’re Larkin or Bishop, one book a decade is enough. If you’re not? More than enough.

    14. Writing is like washing windows in the sun. With every attempt to perfect clarity you make a new smear.

    15. There are silences harder to take back than words.

    16. Opacity gives way. Transparency is the mystery.

    17. I need a much greater vocabulary to talk to you than to talk to myself.

    18. Only half of writing is saying what you mean. The other half is preventing people from reading what they expected you to mean.

    19. Believe stupid praise, deserve stupid criticism.

    20. Writing a book is like doing a huge jigsaw puzzle, unendurably slow at first, almost self-propelled at the end. Actually, it’s more like doing a puzzle from a box in which several puzzles have been mixed. Starting out, you can’t tell whether a piece belongs to the puzzle at hand, or one you’ve already done, or will do in ten years, or will never do.

    21. Minds go from intuition to articulation to self-defense, which is what they die of.

    22. The dead are still writing. Every morning, somewhere, is a line, a passage, a whole book you are sure wasn’t there yesterday.

    23. To feel an end is to discover that there had been a beginning. A parenthesis closes that we hadn’t realized was open).

    24. There, all along, was what you wanted to say. But this is not what you wanted, is it, to have said it?”
    James Richardson

  • #8
    J.K. Rowling
    “Unlike any other creature on this planet, human beings can learn and understand without having experienced. They can think themselves into other peoples’ places. Of course, this is a power like my brand of fictional magic that is morally neutral. One might use such a power to manipulate or control, just as much as to understand or sympathize. And many prefer not to exercise their imaginations at all. They choose to remain comfortably within the bounds of their own experience, never troubling to wonder how it would feel to have been born other than they are. They can refuse to hear screams or peer inside cages. They can close their hearts and minds to any suffering that does not touch them personally. They can refuse to know. I might be tempted to envy people who can live that way, except that I do not think that they have any fewer nightmares than I do.”
    JK Rowling, Very Good Lives: The Fringe Benefits of Failure and the Importance of Imagination

  • #9
    Georg Büchner
    “The bees sit so slothfully on the flowers, and the sunshine lies so lazily on the ground. A horrible idleness prevails. -- Idleness is the root of all vice. -- What people won't do out of boredom! They study out of boredom, they pray out of boredom, they fall in love, marry, and multiply out of boredom and finally die out of boredom, and -- and that's the humor in it -- they do everything with the most serious faces, without realizing why and with God knows what intentions. All these heroes, these geniuses, these idiots, these saints, these sinners, these fathers of families are basically nothing but refined idlers. -- Why must I be the one to know this? Why can't I take myself seriously and dress this poor puppet in tails and put an umbrella in its hand so that it will become very proper and very useful and very moral? That man who just left me -- I envied him, I could have beaten him out of envy. Oh, to be someone else for once! Just for a minute. -- How that man runs! If only I knew of one thing under the sun that could still make me run.”
    Georg Büchner, Leonce und Lena

  • #10
    Susan Cain
    “I have found that there are three key steps to identifying your own core personal projects.
    First, think back to what you loved to do when you were a child. How did you answer the question of what you wanted to be when you grew up? The specific answer you gave may have been off the mark, but the underlying impulse was not. If you wanted to be a fireman, what did a fireman mean to you? A good man who rescued people in distress? A daredevil? Or the simple pleasure of operating a truck? If you wanted to be a dancer, was it because you got to wear a costume, or because you craved applause, or was it the pure joy of twirling around at lightning speed? You may have known more about who you were then than you do now.
    Second, pay attention to the work you gravitate to. At my law firm I never once volunteered to take on an extra corporate legal assignment, but I did spend a lot of time doing pro bono work for a nonprofit women’s leadership organization. I also sat on several law firm committees dedicated to mentoring, training, and personal development for young lawyers in the firm. Now, as you can probably tell from this book, I am not the committee type. But the goals of those committees lit me up, so that’s what I did.
    Finally, pay attention to what you envy. Jealousy is an ugly emotion, but it tells the truth. You mostly envy those who have what you desire.”
    Susan Cain, Quiet: The Power of Introverts in a World That Can't Stop Talking

  • #11
    Søren Kierkegaard
    “I have never been joyful, and yet it has always seemed as if joy were my constant companion, as if the buoyant jinn of joy danced around me, invisible to others but not to me, whose eyes shone with delight. Then when I walk past people, happy-go-lucky as a god, and they envy me because of my good fortune, I laugh, for I despise people, and I take my revenge. I have never wished to do anyone an injustice, but I have always made it appear as if anyone who came close to me would be wronged and injured. Then when I hear others praised for their faithfulness, their integrity, I laugh, for I despise people, and I take my revenge. My heart has never been hardened toward anyone, but I have always made it appear, especially when I was touched most deeply, as if my heart were closed and alien to every feeling. Then when I hear others lauded for their good hearts, see them loved for their deep, rich feelings, then I laugh, for I despise people and take my revenge. When I see myself cursed, abhorred, hated for my coldness and heartlessness, then I laugh, then my rage is satisfied. The point is that if the good people could make me be actually in the wrong, make me actually do an injustice-well, then I would have lost.”
    Søren Kierkegaard, Either/Or: A Fragment of Life

  • #12
    César Aira
    “At this point there's something I should explain about myself, which is that I don't talk much, probably too little, and I think this has been detrimental to my social life. It's not that I have trouble expressing myself, or no more than people generally have when they're trying to put something complex into words. I'd even say I have less trouble than most because my long involvement with literature has given me a better-than-average capacity for handling language. But I have no gift for small talk, and there's no point trying to learn or pretend; it wouldn't be convincing. My conversational style is spasmodic (someone once described it as "hollowing"). Every sentence opens up gaps, which require new beginnings. I can't maintain any continuity. In short, I speak when I have something to say. My problem, I suppose - and this may be an effect of involvement with literature - is that I attribute too much importance to the subject. For me, it's never simply a question of "talking" but always a question of "what to talk about". And the effort of weighing up potential subjects kills the spontaneity of dialogue. In other words, when everything you say has to be "worth the effort", it's too much effort to go on talking. I envy people who can launch into a conversation with gusto and energy, and keep it going. I envy them that human contact, so full of promise, a living reality from which, in my mute isolation, I feel excluded. "But what do they talk about?" I wonder, which is obviously the wrong question to ask. The crabbed awkwardness of my social interactions is a result of this failing on my part. Looking back, I can see that it was responsible for most of my missed opportunities and almost all the woes of solitude. The older I get, the more convinced I am that this is a mutilation, for which my professional success cannot compensate, much less my "rich inner life." And I've never been able to resolve the conundrum that conversationalists pose for me: how do they keep coming up with things to talk about? I don't even wonder about it anymore, perhaps because I know there's no answer.”
    César Aira

  • #13
    Theodore Roosevelt
    “Nothing in this world is worth having or worth doing unless it means effort, pain, difficulty. No kind of life is worth leading if it is always an easy life. I know that your life is hard; I know that your work is hard; and hardest of all for those of you who have the highest trained consciences, and who therefore feel always how much you ought to do. I know your work is hard, and that is why I congratulate you with all my heart. I have never in my life envied a human being who led an easy life; I have envied a great many people who led difficult lives and led them well.”
    Theodore Roosevelt, American Ideals: And Other Essays, Social and Political

  • #14
    Dave Eggers
    “What matters is that you do good work. What matters is that you produce things that are true and will stand. What matters is that the Flaming Lips’s new album is ravishing and I’ve listened to it a thousand times already, sometimes for days on end, and it enriches me and makes me want to save people. What matters is that it will stand forever, long after any narrow-hearted curmudgeons have forgotten their appearance on goddamn 90210. What matters is not the perception, nor the fashion, not who’s up and who’s down, but what someone has done and if they meant it. What matters is that you want to see and make and do, on as grand a scale as you want, regardless of what the tiny voices of tiny people say. Do not be critics, you people, I beg you. I was a critic and I wish I could take it all back because it came from a smelly and ignorant place in me, and spoke with a voice that was all rage and envy. Do not dismiss a book until you have written one, and do not dismiss a movie until you have made one, and do not dismiss a person until you have met them. It is a fuckload of work to be open-minded and generous and understanding and forgiving and accepting, but Christ, that is what matters. What matters is saying yes.”
    Dave Eggers

  • #15
    Iris Murdoch
    “The theatre is a tragic place, full of endings and partings and heartbreak. You dedicate yourself passionately to something, to a project, to people, to a family, you think of nothing else for weeks and months, then suddenly it's over, it's perpetual destruction, perpetual divorce, perpetual adieu. It's like éternel retour, it's a koan. It's like falling in love and being smashed over and over again.’
    'You do, then, fall in love.’
    'Only with fictions, I love players, but actors are so ephemeral. And then there’s waiting for the perfect part, and being offered it the day after you've committed yourself to something utterly rotten. The remorse, and the envy and the jealousy. An old actor told me if I wanted to stay in the trade I had better kill off envy and jealousy at the start.”
    Iris Murdoch, The Green Knight

  • #16
    Marvin Minsky
    “We shouldn't let our envy of distinguished masters of the arts distract us from the wonder of how each of us gets new ideas. Perhaps we hold on to our superstitions about creativity in order to make our own deficiencies seem more excusable. For when we tell ourselves that masterful abilities are simply unexplainable, we're also comforting ourselves by saying that those superheroes come endowed with all the qualities we don't possess. Our failures are therefore no fault of our own, nor are those heroes' virtues to their credit, either. If it isn't learned, it isn't earned.

    When we actually meet the heroes whom our culture views as great, we don't find any singular propensities––only combinations of ingredients quite common in themselves. Most of these heroes are intensely motivated, but so are many other people. They're usually very proficient in some field--but in itself we simply call this craftmanship or expertise. They often have enough self-confidence to stand up to the scorn of peers--but in itself, we might just call that stubbornness. They surely think of things in some novel ways, but so does everyone from time to time. And as for what we call "intelligence", my view is that each person who can speak coherently already has the better part of what our heroes have. Then what makes genius appear to stand apart, if we each have most of what it takes?

    I suspect that genius needs one thing more: in order to accumulate outstanding qualities, one needs unusually effective ways to learn. It's not enough to learn a lot; one also has to manage what one learns. Those masters have, beneath the surface of their mastery, some special knacks of "higher-order" expertise, which help them organize and apply the things they learn. It is those hidden tricks of mental management that produce the systems that create those works of genius. Why do certain people learn so many more and better skills? These all-important differences could begin with early accidents. One child works out clever ways to arrange some blocks in rows and stacks; a second child plays at rearranging how it thinks. Everyone can praise the first child's castles and towers, but no one can see what the second child has done, and one may even get the false impression of a lack of industry. But if the second child persists in seeking better ways to learn, this can lead to silent growth in which some better ways to learn may lead to better ways to learn to learn. Then, later, we'll observe an awesome, qualitative change, with no apparent cause--and give to it some empty name like talent, aptitude, or gift.”
    Marvin Minsky, The Society of Mind

  • #17
    V (formerly Eve Ensler)
    “A mother's body against a child's body makes a place. It says you are here. Without this body against your body there is no place. I envy people who miss their mother. Or miss a place or know something called home. The absence of a body against my body created a gap, a hole, a hunger. This hunger determined my life. ... The absence of a body against my body made attachment abstract. Made my own body dislocated and unable to rest or settle. A body pressed against your body is the beginning of nest. I grew up not in a home but in a kind of free fall of anger and violence that led to a life of constant movement, of leaving and falling. It is why at one point I couldn't stop drinking and fucking. Why I needed people to touch me all the time. It had less to do with sex than location. When you press against me, or put yourself inside me. When you hold me down or lift me up, when you lie on top of me and I can feel your weight, I exist. I am here.”
    Eve Ensler, In the Body of the World

  • #18
    Henry Miller
    “I was like Robinson Crusoe on the island of Tobago. For hours at a stretch I would lie in the sun doing nothing, thinking of nothing. To keep the mind empty is a feat, a very healthful feat too. To be silent the whole day long, see no newspaper, hear no radio, listen to no gossip, be thoroughly and completely lazy, thoroughly and completely indifferent to the fate of the world is the finest medicine a man can give himself. The book-learning gradually dribbles away; problems melt and dissolve; ties are gently severed; thinking, when you deign to indulge in it, becomes very primitive; the body becomes a new and wonderful instrument; you look at plants or stones or fish with different eyes; you wonder what people are struggling to accomplish with their frenzied activities; you know there is a war on but you haven't the faintest idea what it's about or why people should enjoy killing one another; you look at a place like Albania—it was constantly staring me in the eyes—and you say to yourself, yesterday it was Greek, to-day it's Italian, to-morrow it may be German or Japanese, and you let it be anything it chooses to be. When you're right with yourself it doesn't matter which flag is flying over your head or who owns what or whether you speak English or Monongahela. The absence of newspapers, the absence of news about what men are doing in different parts of the world to make life more livable or unlivable is the greatest single boon. If we could just eliminate newspapers a great advance would be made, I am sure of it. Newspapers engender lies, hatred, greed, envy, suspicion, fear, malice. We don't need the truth as it is dished up to us in the daily papers. We need peace and solitude and idleness. If we could all go on strike and honestly disavow all interest in what our neighbor is doing we might get a new lease on life. We might learn to do without telephones and radios and newspapers, without machines of any kind, without factories, without mills, without mines, without explosives, without battleships, without politicians, without lawyers, without canned goods, without gadgets, without razor blades even or cellophane or cigarettes or money. This is a pipe dream, I know.”
    Henry Miller, The Colossus of Maroussi

  • #19
    Jung Chang
    “The news filled me with such euphoria that for an instant I was numb. My ingrained self-censorship immediately started working: I registered the fact that there was an orgy of weeping going on around me, and that I had to come up with some suitable performance. There seemed nowhere to hide my lack of correct emotion except the shoulder of the woman in front of me, one of the student officials, who was apparently heartbroken. I swiftly buried my head in her shoulder and heaved appropriately. As so often in China, a bit of ritual did the trick. Sniveling heartily she made a movement as though she was going to turn around and embrace me I pressed my whole weight on her from behind to keep her in her place, hoping to give the impression that I was in a state of abandoned grief.

    In the days after Mao's death, I did a lot of thinking. I knew he was considered a philosopher, and I tried to think what his 'philosophy' really was. It seemed to me that its central principle was the need or the desire? for perpetual conflict. The core of his thinking seemed to be that human struggles were the motivating force of history and that in order to make history 'class enemies' had to be continuously created en masse. I wondered whether there were any other philosophers whose theories had led to the suffering and death of so many. I thought of the terror and misery to which the Chinese population had been subjected. For what?

    But Mao's theory might just be the extension of his personality. He was, it seemed to me, really a restless fight promoter by nature, and good at it. He understood ugly human instincts such as envy and resentment, and knew how to mobilize them for his ends. He ruled by getting people to hate each other. In doing so, he got ordinary Chinese to carry out many of the tasks undertaken in other dictatorships by professional elites. Mao had managed to turn the people into the ultimate weapon of dictatorship.

    That was why under him there was no real equivalent of the KGB in China. There was no need. In bringing out and nourishing the worst in people, Mao had created a moral wasteland and a land of hatred. But how much individual responsibility ordinary people should share, I could not decide.

    The other hallmark of Maoism, it seemed to me, was the reign of ignorance. Because of his calculation that the cultured class were an easy target for a population that was largely illiterate, because of his own deep resentment of formal education and the educated, because of his megalomania, which led to his scorn for the great figures of Chinese culture, and because of his contempt for the areas of Chinese civilization that he did not understand, such as architecture, art, and music, Mao destroyed much of the country's cultural heritage. He left behind not only a brutalized nation, but also an ugly land with little of its past glory remaining or appreciated.

    The Chinese seemed to be mourning Mao in a heartfelt fashion. But I wondered how many of their tears were genuine. People had practiced acting to such a degree that they confused it with their true feelings. Weeping for Mao was perhaps just another programmed act in their programmed lives.

    Yet the mood of the nation was unmistakably against continuing Mao's policies. Less than a month after his death, on 6 October, Mme Mao was arrested, along with the other members of the Gang of Four. They had no support from anyone not the army, not the police, not even their own guards. They had had only Mao. The Gang of Four had held power only because it was really a Gang of Five.

    When I heard about the ease with which the Four had been removed, I felt a wave of sadness. How could such a small group of second-rate tyrants ravage 900 million people for so long? But my main feeling was joy. The last tyrants of the Cultural Revolution were finally gone.”
    Jung Chang, Wild Swans: Three Daughters of China

  • #20
    Abraham Lincoln
    “Respected Teacher,

    My son will have to learn that all men are not just, all men are not true.

    But teach him also that for ever scoundrel there is a hero; that for every selfish politician, there is a dedicated leader. Teach him that for every enemy there is a friend.

    It will take time, I know; but teach him, if you can, that a dollar earned is far more valuable than five found.”
    Abraham Lincoln

  • #21
    C. JoyBell C.
    “The goodness of a person is normally judged based upon how they act towards those whom they consider to be less fortunate than themselves. This has become the standard for measuring the goodness of a person. But this is erroneous. It is in fact very easy to be good to those whom you consider to be less fortunate than yourself. You know what's difficult? Being good to those you envy! That is what's difficult to do! People believe themselves to practice equality because they are good to those who are lesser than they are, but this is not equality if they do not show the same amount of goodness to the people who happen to be more than they are. I always look at how a person treats those who are more than they are, and that is how I determine the goodness in a person. Because the other option is just too easy. The other option comes with all benefit and no loss.”
    C. JoyBell C.

  • #22
    Kaitlyn Greenidge
    “What I envy is not their skin but their insouciance. I envy the freedom to sin with only a little bit of consequence, to commit one selfish act and not have it mean the downfall of my entire people. Where indecency and mischief do not mean annihilation.”
    Kaitlyn Greenidge, We Love You, Charlie Freeman
    tags: racism

  • #23
    J. Krishnamurti
    “To inquire and to learn is the function of the mind, By learning I do not mean the mere cultivation of memory or the accumulation of knowledge, but the capacity to think clearly and sanely without illusion, to start from facts and not from beliefs and ideals. There is no learning if thought originates from conclusions. Merely to acquire information of knowledge is to not to learn. Learning implies the love of understanding and the love of doing a thing for itself. Learning is possible only when there is no coercion through influence, thought attachment or threat, through persuasive encouragement or subtle forms of reward. Most people think that learning is encouraged through comparison, whereas the contrary is the fact. Comparison brings about frustration and merely encourages envy, which is called competition. Like other forms of persuasion, comparison prevents learning and breeds fear.”
    Jiddu Krishnamurti, The Book of Life

  • #24
    Marcus Aurelius
    “People try to get away from it all—to the country, to the beach, to the mountains. You always wish that you could too. Which is idiotic: you can get away from it anytime you like. By going within. Nowhere you can go is more peaceful—more free of interruptions—than your own soul. Especially if you have other things to rely on. An instant’s recollection and there it is: complete tranquillity. And by tranquillity I mean a kind of harmony. So keep getting away from it all—like that. Renew yourself. But keep it brief and basic. A quick visit should be enough to ward off all < . . . > and send you back ready to face what awaits you. What’s there to complain about? People’s misbehavior? But take into consideration: • that rational beings exist for one another; • that doing what’s right sometimes requires patience; • that no one does the wrong thing deliberately; • and the number of people who have feuded and envied and hated and fought and died and been buried. . . . and keep your mouth shut. Or are you complaining about the things the world assigns you? But consider the two options: Providence or atoms. And all the arguments for seeing the world as a city. Or is it your body? Keep in mind that when the mind detaches itself and realizes its own nature, it no longer has anything to do with ordinary life—the rough and the smooth, either one. And remember all you’ve been taught—and accepted—about pain and pleasure. Or is it your reputation that’s bothering you? But look at how soon we’re all forgotten. The abyss of endless time that swallows it all. The emptiness of all those applauding hands. The people who praise us—how capricious they are, how arbitrary. And the tiny region in which it all takes place. The whole earth a point in space—and most of it uninhabited. How many people there will be to admire you, and who they are. So keep this refuge in mind: the back roads of your self. Above all, no strain and no stress. Be straightforward. Look at things like a man, like a human being, like a citizen, like a mortal. And among the things you turn to, these two: i. That things have no hold on the soul. They stand there unmoving, outside it. Disturbance comes only from within—from our own perceptions. ii. That everything you see will soon alter and cease to exist. Think of how many changes you’ve already seen. “The world is nothing but change. Our life is only perception.”
    Marcus Aurelius, Meditations

  • #25
    Michael R. Bloomberg
    “The changing climate should be seen as a series of discrete, manageable problems that can be attacked from all angles simultaneously. Each problem has a solution. And better still, each solution can make our society healthier and our economy stronger.”
    Michael R. Bloomberg, Climate of Hope: How Cities, Businesses, and Citizens Can Save the Planet

  • #26
    Michael Parenti
    “The basic distortions in the media are not innocent errors, for they are not random; rather they move in the same overall direction again and again, favoring management over labor, corporatism over anti-corporatism, the affluent over the poor, private enterprise over socialism, Whites over Blacks, males over females, officialdom over protesters, conventional politics over dissidence, anticommunism and arms-race militarism over disarmament, national chauvinism over internationalism, US dominance of the Third World over revolutionary or populist nationalist change. The press does many things and serves many functions but its major role, its irreducible responsibility, is to continually recreate a view of reality supportive of existing social and economic class power.”
    Michael Parenti, Inventing Reality: The Politics of News Media

  • #27
    Stewart Brand
    “Science is the only news. When you scan a news portal or magazine, all the human interest stuff is the same old he-said-she-said, the politics and economics the same cyclical dramas, the fashions a pathetic illusion of newness; even the technology is predictable if you know the science behind it. Human nature doesn't change much; science does, and the change accrues, altering the world irreversibly”
    Stewart Brand

  • #28
    Michael Shellenberger
    “The news media also deserves blame for having misrepresented climate change and other environmental problems as apocalyptic, and for having failed to put them in their global, historical, and economic context.”
    Michael Shellenberger, Apocalypse Never: Why Environmental Alarmism Hurts Us All

  • #29
    Stewart Brand
    “Science is the only news.
    When you scan through a newspaper or magazine, all the human interest stuff is the same old he-said-she-said, the politics and economics the same sorry cyclic dramas, the fashions a pathetic illusion of newness, and even the technology is predictable if you know the science.
    Human nature doesn’t change much; science does, and the change accrues, altering the world irreversibly. - Whole Earth Discipline (2009), page 216.”
    Stewart Brand, Whole Earth Discipline: An Ecopragmatist Manifesto

  • #30
    “The columns and all the news on TV, and posts/discussions on social media, betray only one fact: that the educated in India, including the columnists and TV news editors, commentariat and intelligentsia, professoriat and bureaucrats, and politicians; are all economical illiterates and totally unaware of real India and her problems. The clever in India pick up some catch words, learn to profess fake sympathy with the unfortunate, and in a sea of medicocrity that is India’s ruling elite and the educated minuscule population just below it, happily go about parading their ignorance as knowledge and learning, and thus controlling the narrative.”
    Anonymous



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