Sydney Monagan > Sydney's Quotes

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  • #1
    K.  Ritz
    “Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment. 
    The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death?  Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become.
    As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge.  The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper. 
    She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale.
    Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?”
    I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.
     “Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”
                I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”
     I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank.
    “Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”
      I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”
      So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.”
    K. Ritz, Sheever's Journal, Diary of a Poison Master

  • #2
    Sara Pascoe
    “And she was right. No matter how they tried, the two humans, with the cat but without the microchip, couldn’t connect to headquarters. Raya heard a loud popping sound in her mind, like a huge rubber band being snapped, like a glider plane released from a Piper Cub.”
    Sara Pascoe, Being a Witch, and Other Things I Didn't Ask For

  • #3
    Therisa Peimer
    “Mom, please don't use 'the happy voice.' It reminds me of the day Tinkles died."
    "Who was Tinkles?" Sue asked around a mouthful of pancake.
    "My cat. When I was five, Tinkles died choking on a mouse that was a bit ambitious for a kitten to eat."
    "It was terribly traumatic for Aurelia because it was the first time she'd experienced loss." 
    "What did you do to help her get through it?" 
    Rosalind smiled at Mother Guardian. "Well, after a good cry, we performed an autopsy."
    Aurelia reached for her mother's hand. "I never thanked you for that.”
    Therisa Peimer, Taming Flame

  • #4
    Gregory David Roberts
    “No-one, and nothing, could make me very happy. I was tough, which is probably the saddest thing you can say about a man.”
    Gregory David Roberts, Shantaram

  • #5
    L.M. Montgomery
    “Isn't it nice to think that tomorrow is a new day with no mistakes in it yet?”
    L.M. Montgomery

  • #6
    Kazuo Ishiguro
    “The point is, there was a gap in Miss Emily's calendar collection: none of them had a single picture of Norfolk. I'd always wonder each lesson if this time she'd found a picture, but it was always the same. She'd wave her pointer over the map and say, as a sort of afterthought: 'And over here, we've got Norfolk. Very nice there.'
    Then, that particular time, I remember how she paused and drifted off into thought. Eventually she came out of her dream and tapped the map again.
    'You see, because it's stuck out here on the east, on this hump jutting into the sea, it's not on the way to anywhere. People going north and south, they bypass it altogether. For that reason, it's a peaceful corner of England, rather nice. But it's also something of a lost corner.'
    Someone claimed after the lesson that Miss Emily had said Norfolk was England's 'lost corner' because that was were all the lost property found in the country ended up.
    Ruth said one evening, looking out at the sunset, that 'when we lost something precious, and we'd looked and looked and still couldn't find it, then we didn't have to be completely heartbroken. We still had that last bit of comfort, thinking one day, when we were grown up, and we were free to travel the country, we could always go and find it again in Norfolk.”
    Kazuo Ishiguro, Never Let Me Go

  • #7
    James Joyce
    “To speak of these things and to try to understand their nature and, having understood it, to try slowly and humbly and constantly to express, to press out again, from the gross earth or what it brings forth, from sound and shape and colour which are the prison gates of our soul, an image of the beauty we have come to understand—that is art.”
    James Joyce, A Portrait of the Artist as a Young Man

  • #8
    Ransom Riggs
    “So please enjoy these Tales—before a crackling fire on a chilly night, ideally,”
    Ransom Riggs, Tales of the Peculiar

  • #9
    D.H. Lawrence
    “For, of course, being a girl, one’s whole dignity and meaning in life consisted in the achievement of an absolute, a perfect, a pure and noble freedom. What else did a girl’s life mean?”
    D.H. Lawrence

  • #10
    Katherine Paterson
    “for them, not just something that makes you feel good giving it. Because Mrs. Myers had helped him already by understanding that he would never forget Leslie. He thought about it all day, how before Leslie came, he had been a nothing—a stupid, weird little kid who drew funny pictures and chased around a cow”
    Katherine Paterson, Bridge to Terabithia

  • #11
    Jojo Moyes
    “He smelt of the sun, as if it had seeped deep into his skin, and I found myself inhaling silently, as if he were something delicious.”
    Jojo Moyes, Me Before You

  • #12
    Eckhart Tolle
    “السكون هو جوهر طبيعتك. ماهو السكون؟ هو المساحة الذاتية والوعي الداخلي، والذي من خلاله تستطيع استيعاب الكلمات في هذه الصفحة ومن ثم تحويلها لأفكار. إذا لم يكن لدينا هكذا وعي فلن تكون لدينا بصيرة وإدراك.. لا أفكار.. لا عالم.”
    Eckhart Tolle

  • #13
    Art Spiegelman
    “But here God didn't come. We were all on our own.”
    Art Spiegelman, Maus II: A Survivor's Tale: And Here My Troubles Began

  • #14
    Jean M. Auel
    “he”
    Jean M. Auel, The Mammoth Hunters

  • #15
    Aesop
    “Hope not to succeed in borrowed plumes.”
    Aesop, Aesop's Fables



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