Kayla > Kayla's Quotes

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  • #1
    Neil Gaiman
    “You're always you, and that don't change, and you're always changing, and there's nothing you can do about it.”
    Neil Gaiman, The Graveyard Book

  • #2
    Neil Gaiman
    “It's like the people who believe they'll be happy if they go and live somewhere else, but who learn it doesn't work that way. Wherever you go, you take yourself with you. If you see what I mean.”
    Neil Gaiman, The Graveyard Book

  • #3
    Neil Gaiman
    “You're alive, Bod. That means you have infinite potential. You can do anything, make anything, dream anything. If you can change the world, the world will change. Potential. Once you're dead, it's gone. Over. You've made what you've made, dreamed your dream, written your name. You may be buried here, you may even walk. But that potential is finished.”
    Neil Gaiman, The Graveyard Book

  • #4
    Neil Gaiman
    “We who make stories know that we tell lies for a living. But they are good lies that say true things, and we owe it to our readers to build them as best we can. Because somewhere out there is someone who needs that story. Someone who will grow up with a different landscape, who without that story will be a different person. And who with that story may have hope, or wisdom, or kindness, or comfort. And that is why we write.”
    Neil Gaiman, The Graveyard Book

  • #5
    Neil Gaiman
    “Be hole, be dust, be dream, be wind/Be night, be dark, be wish, be mind,/Now slip, now slide, now move unseen,/Above, beneath, betwixt, between.”
    Neil Gaiman, The Graveyard Book

  • #6
    Neil Gaiman
    “And there are always people who find their lives have become so unsupportable they believe the best thing they could do would be to hasten their transition to another plane of existence.'
    'They kill themselves, you mean?' said Bod. [...]
    'Indeed.'
    'Does it work? Are they happier dead?'
    'Sometimes. Mostly, no. It's like the people who believe they'll be happy if they go and live somewhere else, but who learn it doesn't work that way. Wherever you go, you take yourself with you.”
    Neil Gaiman, The Graveyard Book

  • #7
    James Thurber
    “Half the places I have been to, never were. I make things up. Half the things I say are there cannot be found. When I was young I told a tale of buried gold, and men from leagues around dug in the woods. I dug myself."

    "But why?"

    "I thought the tale of treasure might be true."

    "You said you made it up."

    "I know I did, but then I didn't know I had. I forget things, too.”
    James Thurber, The 13 Clocks

  • #8
    James Thurber
    “I make mistakes, but I am on the side of Good," the Golux said, "by accident and happenchance. I had high hopes of being Evil when I was two, but in my youth I came upon a firefly burning in a spider's web. I saved the victim's life."
    "The firefly's ?" said the minstrel.
    "The spider's. The blinking arsonist had set the web on fire.”
    James Thurber, The 13 Clocks

  • #9
    William Goldman
    “When I was your age, television was called books.”
    William Goldman, The Princess Bride

  • #10
    William Goldman
    “He held up a book then. “I'm going to read it to you for relax.”
    “Does it have any sports in it?”
    “Fencing. Fighting. Torture. Poison. True Love. Hate. Revenge. Giants. Hunters. Bad men. Good men. Beautifulest Ladies. Snakes. Spiders... Pain. Death. Brave men. Cowardly men. Strongest men. Chases. Escapes. Lies. Truths. Passion. Miracles.”
    “Sounds okay,” I said and I kind of closed my eyes.”
    William Goldman, The Princess Bride

  • #11
    Stephen        King
    “There are books full of great writing that don't have very good stories. Read sometimes for the story... don't be like the book-snobs who won't do that. Read sometimes for the words--the language. Don't be like the play-it-safers who won't do that. But when you find a book that has both a good story and good words, treasure that book.”
    Stephen King

  • #12
    Erin Morgenstern
    “Someone needs to tell those tales. When the battles are fought and won and lost, when the pirates find their treasures and the dragons eat their foes for breakfast with a nice cup of Lapsang souchong, someone needs to tell their bits of overlapping narrative. There's magic in that. It's in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict. From the mundane to the profound. You may tell a tale that takes up residence in someone's soul, becomes their blood and self and purpose. That tale will move them and drive them and who knows what they might do because of it, because of your words. That is your role, your gift. Your sister may be able to see the future, but you yourself can shape it, boy. Do not forget that... there are many kinds of magic, after all.”
    Erin Morgenstern, The Night Circus

  • #13
    Patrick Ness
    Stories are important, the monster said. They can be more important than anything. If they carry the truth.
    Patrick Ness, A Monster Calls

  • #14
    Patrick Ness
    “There is not always a good guy. Nor is there always a bad one. Most people are somewhere in between.”
    Patrick Ness, A Monster Calls

  • #15
    Patrick Ness
    Stories are wild creatures, the monster said. When you let them loose, who knows what havoc they might wreak?
    Patrick Ness, A Monster Calls

  • #16
    Patrick Ness
    “Your mind will believe comforting lies while also knowing the painful truths that make those lies necessary. And your mind will punish you for believing both.”
    Patrick Ness, A Monster Calls

  • #17
    Patrick Ness
    Because humans are complicated beasts, the monster said. How can a queen be both a good witch and a bad witch? How can a prince be a murderer and a saviour? How can an apothecary be evil-tempered but right-thinking? How can a parson be wrong-thinking but good-hearted? How can invisible men make themselves more lonely by being seen?

    "I don't know," Connor shrugged, exhausted. "Your stories never made any sense to me."

    The answer is that it does not matter what you think, the monster said, because your mind will contradict itself a hundred times each day. You wanted her to go at the same time you were desperate for me to save her. Your mind will believe comforting lies while also knowing the painful truths that make those lies necessary. And your mind will punish you for believing both.
    Patrick Ness, A Monster Calls

  • #18
    Mona Awad
    “Why do you lie so much? And about the weirdest little things?", my mother always asked me. "I don’t know", I always said. But I did know. It was very simple. Because it was a better story.”
    Mona Awad, Bunny

  • #19
    Mona Awad
    “Behold the lavish tent under which the overeducated mingle, well versed in every art but the one of conversation.”
    Mona Awad, Bunny

  • #20
    Mona Awad
    “But I wasn't listening. I wasn't stopping. Because we were already running away again, me and my imagination.”
    Mona Awad, Bunny

  • #21
    Mona Awad
    “Disorientation can be a very interesting space to occupy as a writer, Samantha. You should try it as an exercise over the holidays. It could be quite illuminating for you, I think.”
    Mona Awad, Bunny

  • #22
    Mona Awad
    “We huddle-hug on the velvety green among the cherry blossom trees. We link arms. We close our eyes the better to feel each other's bodies. We form a hot little circle of love and understanding. We press our faces into our faces, our cheeks against our cheeks, our eyelashes tickling our skins like little hummingbird wings, like Bunny nose twitches.”
    Mona Awad, Bunny

  • #23
    Mona Awad
    “Unlike my street, which smells of sad man piss, hers smells of autumn leaves.”
    Mona Awad, Bunny

  • #24
    Mona Awad
    “The real world lady, it's out there. Do you even know that? You're going to have to get back to it sometime.”
    Mona Awad, Bunny

  • #25
    Mona Awad
    “Or is it our amazingly empathic hive mind that we make by hugging so that we become one of those animals with a brain and heart in each tentacle that connects to a bigger, cosmic heart-brain that is like a shared, all-seeing third eye? Who knows? Who cares?”
    Mona Awad, Bunny

  • #26
    Mona Awad
    “You’re supposed to yell “fire,” though. Because no one comes when you yell “rape,” didn’t you know that, Bunny?”
    Mona Awad, Bunny

  • #27
    Mona Awad
    “That I think she should apologize to trees. Spend a whole day on her knees in the forest, looking up at the trembling aspens and oaks and whatever other trees paper is made of with tears in her languid eyes and say, I’m fucking sorry. I’m sorry that I think I’m so goddamned interesting when it is clear that I am not interesting. Here’s what I am: I’m a boring tree murderess.”
    Mona Awad, Bunny

  • #28
    Han Kang
    “The feeling that she had never really lived in this world caught her by surprise. It was a fact. She had never lived. Even as a child, as far back as she could remember, she had done nothing but endure. She had believed in her own inherent goodness, her humanity, and lived accordingly, never causing anyone harm. Her devotion to doing things the right way had been unflagging, all her successes had depended on it, and she would have gone on like that indefinitely. She didn't understand why, but faced with those decaying buildings and straggling grasses, she was nothing but a child who had never lived.”
    Han Kang, The Vegetarian

  • #29
    Han Kang
    “She was no longer able to cope with all that her sister reminded her of. She'd been unable to forgive her for soaring alone over a boundary she herself could never bring herself to cross, unable to forgive that magnificent irresponsibility that had enabled Yeong-hye to shuck off social constraints and leave her behind, still a prisoner. And before Yeong-hye had broken those bars, she'd never even known they were there.”
    Han Kang, The Vegetarian

  • #30
    Han Kang
    “Or perhaps it was simply that things were happening inside her, terrible things, which no one else could even guess at, and thus it was impossible for her to engage with everyday life at the same time. If so, she would naturally have no energy left, not just for curiosity or interest but indeed for any meaningful response to all the humdrum minutiae that went on on the surface.”
    Han Kang, The Vegetarian



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