Maddie > Maddie's Quotes

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  • #1
    John Keats
    “My heart aches, and a drowsy numbness pains
    My sense, as though of hemlock I had drunk,
    Or emptied some dull opiate to the drains
    One minute past, and Lethe-wards had sunk:
    'Tis not through envy of thy happy lot,
    But being too happy in thine happiness,—
    That thou, light-winged Dryad of the trees
    In some melodious plot
    Of beechen green, and shadows numberless,
    Singest of summer in full-throated ease.

    O for a beaker full of the warm South,
    Full of the true, the blushful Hippocrene,
    With beaded bubbles winking at the brim,
    And purple-stained mouth;
    That I might drink, and leave the world unseen,
    And with thee fade away into the forest dim:

    Fade far away, dissolve, and quite forget
    What thou among the leaves hast never known,
    The weariness, the fever, and the fret
    Here, where men sit and hear each other groan;
    Where palsy shakes a few, sad, last gray hairs,
    Where youth grows pale, and spectre-thin, and dies;
    Where but to think is to be full of sorrow
    And leaden-eyed despairs,
    Where Beauty cannot keep her lustrous eyes,
    Or new Love pine at them beyond to-morrow.

    Away! away! for I will fly to thee,
    Not charioted by Bacchus and his pards,
    But on the viewless wings of Poesy,
    Though the dull brain perplexes and retards:
    Already with thee! tender is the night,
    And haply the Queen-Moon is on her throne,
    Cluster'd around by all her starry Fays;
    But here there is no light,
    Save what from heaven is with the breezes blown
    Through verdurous glooms and winding mossy ways.

    I cannot see what flowers are at my feet,
    Nor what soft incense hangs upon the boughs,
    But, in embalmed darkness, guess each sweet
    Wherewith the seasonable month endows
    The grass, the thicket, and the fruit-tree wild;
    White hawthorn, and the pastoral eglantine;
    Fast fading violets cover'd up in leaves;
    And mid-May's eldest child,
    The coming musk-rose, full of dewy wine,
    The murmurous haunt of flies on summer eves.

    Darkling I listen; and, for many a time
    I have been half in love with easeful Death,
    Call'd him soft names in many a mused rhyme,
    To take into the air my quiet breath;
    Now more than ever seems it rich to die,
    To cease upon the midnight with no pain,
    While thou art pouring forth thy soul abroad
    Thou wast not born for death, immortal Bird!
    No hungry generations tread thee down;
    The voice I hear this passing night was heard
    In ancient days by emperor and clown:
    Perhaps the self-same song that found a path
    Through the sad heart of Ruth, when, sick for home,
    She stood in tears amid the alien corn;
    The same that oft-times hath
    Charm'd magic casements, opening on the foam
    Of perilous seas, in faery lands forlorn.

    Forlorn! the very word is like a bell
    To toll me back from thee to my sole self!
    Adieu! the fancy cannot cheat so well
    As she is fam'd to do, deceiving elf.
    Adieu! adieu! thy plaintive anthem fades
    Past the near meadows, over the still stream,
    Up the hill-side; and now 'tis buried deep
    In the next valley-glades:
    Was it a vision, or a waking dream?
    Fled is that music:—Do I wake or sleep?

    - Ode to a Nightingale
    John Keats, The Complete Poems

  • #2
    Jennifer L. Armentrout
    “But even so, sometimes, the heartbreak that comes with loving someone is worth it, even if loving that person means eventually saying goodbye to them.”
    Jennifer L. Armentrout, A Kingdom of Flesh and Fire

  • #3
    Jennifer L. Armentrout
    “You’re an absolutely stunning, murderous little creature,” he murmured.”
    Jennifer L. Armentrout, A Kingdom of Flesh and Fire

  • #4
    William Shakespeare
    “This above all: to thine own self be true,
    And it must follow, as the night the day,
    Thou canst not then be false to any man.”
    William Shakespeare, Hamlet

  • #5
    Leigh Bardugo
    “They had an ordinary life, full of ordinary things—if love can ever be called that.”
    Leigh Bardugo, Ruin and Rising

  • #6
    Leigh Bardugo
    “Mal shouted. I heard scuffling behind me and knew Tolya had taken hold of him. “Alina!” His voice was raw white wood, torn from the heart of a tree. I did not turn.”
    Leigh Bardugo, Siege and Storm

  • #7
    Leigh Bardugo
    “We are alike,” he said, “as no one else is, as no one else will ever be.”

    The truth of it rang through me. Like calls to like.
    Leigh Bardugo, Siege and Storm

  • #8
    Leigh Bardugo
    “The boy shook his head. He knew a cell when he saw one. He was wrong, of course. The girl could tell from the way the Apparat watched her struggle to her feet. She heard it in each fragile thump of her heart. This place was no prison. It was a tomb.”
    Leigh Bardugo, Siege and Storm

  • #9
    Leigh Bardugo
    “But he'd forgotten that before she'd become a Grisha and a Saint, she'd been a ghost of Keramizin. She and the boy hoarded secrets as Pelyekin hoarded treasures. They knew how to be thieves and phantoms, how to hide strength as well as mischief. Like the teachers at the Duke's estate, the priest thought he knew the girl and what she was capable of. He was wrong. He did not hear their hidden language, he did not understand the boy's resolve. He did not see the moment the girl ceased to bear her weakness as a burden and began to wear it as a guise.”
    Leigh Bardugo, Ruin and Rising

  • #10
    Leigh Bardugo
    “So many men had tried to make her a queen. Now she understood that she was meant for something more. The Darkling had told her he was destined to rule. He had claimed his throne, and a part of her too. He was welcome to it. For the living and the dead, she would make herself a reckoning. She would rise.”
    Leigh Bardugo, Siege and Storm

  • #11
    Leigh Bardugo
    “Because you would be the strong one?" "Because they're better men than you."
    "You might make me a better man."
    "And you might make me a monster.”
    Leigh Bardugo, Ruin and Rising

  • #12
    William Shakespeare
    “To be, or not to be: that is the question:
    Whether 'tis nobler in the mind to suffer
    The slings and arrows of outrageous fortune,
    Or to take arms against a sea of troubles,
    And by opposing end them? To die: to sleep;
    No more; and by a sleep to say we end
    The heart-ache and the thousand natural shocks
    That flesh is heir to, 'tis a consummation
    Devoutly to be wish'd. To die, to sleep;
    To sleep: perchance to dream: ay, there's the rub;
    For in that sleep of death what dreams may come
    When we have shuffled off this mortal coil,
    Must give us pause: there's the respect
    That makes calamity of so long life;
    For who would bear the whips and scorns of time,
    The oppressor's wrong, the proud man's contumely,
    The pangs of despised love, the law's delay,
    The insolence of office and the spurns
    That patient merit of the unworthy takes,
    When he himself might his quietus make
    With a bare bodkin? who would fardels bear,
    To grunt and sweat under a weary life,
    But that the dread of something after death,
    The undiscover'd country from whose bourn
    No traveller returns, puzzles the will
    And makes us rather bear those ills we have
    Than fly to others that we know not of?
    Thus conscience does make cowards of us all;
    And thus the native hue of resolution
    Is sicklied o'er with the pale cast of thought,
    And enterprises of great pith and moment
    With this regard their currents turn awry,
    And lose the name of action.--Soft you now!
    The fair Ophelia! Nymph, in thy orisons
    Be all my sins remember'd!”
    William Shakespeare, Hamlet

  • #13
    Leigh Bardugo
    “No longer. I was done being ashamed. Let him feel what it is to be haunted.”
    Leigh Bardugo, Ruin and Rising

  • #14
    Kerri Maniscalco
    “When he dragged his attention back to my face, something dark lurked in his gaze, forged deep in the pits of Hell.”
    Kerri Maniscalco, Kingdom of the Wicked

  • #15
    Kerri Maniscalco
    “A twig was just a bit of broken wood until it had been sharpened into a spear. Grief carved me in half. And fury honed the pieces into a weapon.
    Now it was time to unleash it.”
    Kerri Maniscalco, Kingdom of the Wicked

  • #16
    Kerri Maniscalco
    “There was something about him that came across as lethally angelic. But if he ever had a halo, it was broken now.”
    Kerri Maniscalco, Kingdom of the Wicked

  • #17
    Richelle Mead
    “Roza." His voice had that same wonderful lowness, the same accent . . . it
    was all just colder. "You forgot my first lesson: Don’t hesitate.”
    Richelle Mead, Blood Promise

  • #18
    Giana Darling
    “I was a storm of calamity, cast adrift on a sea of black doings and loosely drawn rebel rules. He was an old growth oak with roots sunk deep into rich earth, limbs stretching wide across the sky, standing sentry across centuries as the world toiled away beneath its leaves.”
    Giana Darling, Good Gone Bad

  • #19
    Richelle Mead
    “You're beautiful in battle," said Dimitri. His cold voice carried to me clearly, even above the roar of combat. "Like an avenging angel come to deliver the justice of heaven."
    "Funny," I said, shifting my hold on the stake. "That is kind of why I'm here."
    "Angels fall, Rose.”
    Richelle Mead, Spirit Bound

  • #20
    Kerri Maniscalco
    “At times my simmering rage was the only indication I was alive.”
    Kerri Maniscalco, Kingdom of the Wicked

  • #21
    Giana Darling
    “Just Rosie, stripped of her thorns and even of her petals, just a seed of self. And he held her preciously, protectively and patiently as if he would do it forever and never fade or fail.”
    Giana Darling, Good Gone Bad

  • #22
    Kerri Maniscalco
    “...staring into the flames. I imagined myself burning. Not like our ancestors at the stake. An ember of anger was slowly igniting within me, reducing the person I used to be to ash.”
    Kerri Maniscalco, Kingdom of the Wicked

  • #23
    John Keats
    “When I have fears that I may cease to be
    Before my pen has glean’d my teeming brain,
    Before high piled books, in charact’ry,
    Hold like rich garners the full-ripen’d grain;
    When I behold, upon the night’s starr’d face,
    Huge cloudy symbols of a high romance,
    And think that I may never live to trace
    Their shadows, with the magic hand of chance;
    And when I feel, fair creature of an hour!
    That I shall never look upon thee more,
    Never have relish in the faery power
    Of unreflecting love!—then on the shore
    Of the wide world I stand alone, and think
    Till Love and Fame to nothingness do sink.

    When I Have Fears That I May Cease To Be
    John Keats, The Complete Poems

  • #24
    Giana Darling
    “I wanted to sew myself into every atom of his DNA and live there forever, intrinsically tied to him so that if any force tried to tear me away like I knew they would, they’d have to kill him to separate us. It was a gruesome way to love someone, but it was the way I felt about Lionel Danner and I knew that would never change. “Yeah, Lion,” I said, placing a hand on his strong-boned face. “I fucking love you, okay?”
    Giana Darling, Good Gone Bad

  • #25
    Giana Darling
    “Let you be my wild rose, bristling with thorns and red as blood, but also the soft flower, delicate under my touch and easily plucked between my fingers.”
    Giana Darling, Good Gone Bad

  • #25
    Richelle Mead
    “The greatest and most powerful revolutions often start very quietly, hidden in the shadows. Remember that.”
    Richelle Mead, Vampire Academy

  • #26
    Robert Frost
    “In three words I can sum up everything I've learned about life: it goes on.”
    Robert Frost

  • #26
    Giana Darling
    “Fucking love you too,” he rasped against my damp lips before pushing me back against the counter. “Brutally, savagely, fucking endlessly.”
    Giana Darling, Good Gone Bad

  • #26
    Giana Darling
    “I was on my knees before my rational brain could kick in. Truthfully, I didn't want it to. I was tired of thinking, of planning and scheming to save my family, to take down their enemies and save myself in the process. I didn't want to think anymore, to worry or even complain.
    I just wanted to feel.”
    Giana Darling, Good Gone Bad

  • #30
    Richelle Mead
    “Taking a deep breathe, I made one of the hardest decisions of my life.
    I walked away.”
    Richelle Mead, Vampire Academy



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