Sergio > Sergio's Quotes

“I keep thinking about this river somewhere, with the water moving really fast. And these two people in the water, trying to hold onto each other, holding on as hard as they can, but in the end it’s just too much. The current’s too strong. They’ve got to let go, drift apart.”
― Kazuo Ishiguro, Never Let Me Go

“Words and magic were in the beginning one and the same thing, and even today words retain much of their magical power.”
― Sigmund Freud, Introductory Lectures on Psychoanalysis

“Jekyll had more than a father's interest; Hyde had more than a son's indifference.”
― Robert Louis Stevenson, Dr. Jekyll and Mr. Hyde

“Quizá la mayor facultad que posee nuestra mente sea la capacidad de sobrellevar el dolor. El pensamiento clásico nos enseña las cuatro puertas de la mente, por las que cada uno pasa según sus necesidades.
La primera puerta es la puerta del sueño. El sueño nos ofrece un refugio del mundo y de todo su dolor. El sueño marca el paso del tiempo y nos proporciona distancia de las cosas que nos han hecho daño. Cuando una persona resulta herida, suele perder el conocimiento. Y cuando alguien recibe una noticia traumática, suele desvanecerse o desmayarse. Así es como la mente se protege del dolor: pasando por la primera puerta.
La segunda es la puerta del olvido. Algunas heridas son demasiado profundas para curarse, o para curarse deprisa. Además, muchos recuerdos son dolorosos, y no hay curación posible. El dicho de que <> es falso. El tiempo cura la mayoría de las heridas. El resto están escondidas detrás de esa puerta.
La tercera es la puerta de la locura. A veces, la mente recibe un golpe tan brutal que se esconde en la demencia. Puede parecer que eso no sea beneficioso, pero lo es. A veces, la realidad es solo dolor, y para huir de ese dolor, la mente tiene que abandonar la realidad.
La última puerta es la de la muerte. El último recurso. Después de morir, nada puede hacernos daño, o eso nos han enseñado.”
― Patrick Rothfuss, The Name of the Wind

“Masks in one layer after another—as many as ten or twenty—had fastened themselves upon me, and I could no longer tell how sad any one of them really was.”
― Osamu Dazai, Crackling Mountain and Other Stories

“The world is too brutal for me—I am glad there is such a thing as the grave—I am sure I shall never have any rest till I get there.”
― John Keats, Letters of John Keats

“What do you like doing best in the world, Pooh?"
"Well," said Pooh, "what I like best-" and then he had to stop and think. Because although Eating Honey was a very good thing to do, there was a moment just before you began to eat it which was better than when you were, but he didn't know what it was called. And then he thought that being with Christopher Robin was a very good thing to do, and having Piglet near was a very friendly thing to have; and so, when he had thought it all out, he said, "What I like best in the whole world is Me and Piglet going to see You, and You saying 'What about a little something?' and Me saying, 'Well, I shouldn't mind a little something, should you, Piglet,' and it being a hummy sort of day outside, and birds singing."
"I like that too," said Christopher Robin, "but what I like doing best is Nothing.”
― A.A. Milne, The House at Pooh Corner

“Instead of committing suicide, people go to work.”
― Thomas Bernhard, Correction

“We bury things so deep we no longer remember there was anything to bury. Our bodies remember. Our neurotic states remember. But we don't.”
― Jeanette Winterson, Why Be Happy When You Could Be Normal?

“I came into the world under the sign of Saturn -- the star of the slowest revolution, the planet of detours and delays.”
― Walter Benjamin, Aesthetics and Politics

“All practical jokes, friendly, harmless or malevolent, involve deception, but not all deceptions are practical jokes. The two men digging up the street, for example, might have been two burglars who wished to recover some swag which they knew to be buried there. But, in that case, having found what they were looking for, they would have departed quietly and never been heard of again, whereas, if they are practical jokers, they must reveal afterwards what they have done or the joke will be lost. The practical joker must not only deceive but also, when he has succeeded, unmask and reveal the truth to his victims. The satisfaction of the practical joker is the look of astonishment on the faces of others when they learn that all the time they were convinced that they were thinking and acting on their own initiative, they were actually the puppets of another’s will. Thus, though his jokes may be harmless in themselves and extremely funny, there is something slightly sinister about every practical joker, for they betray him as someone who likes to play God behind the scenes. […] The success of a practical joker depends upon his accurate estimate of the weaknesses of others, their ignorances, their social reflexes, their unquestioned presuppositions, their obsessive desires, and even the most harmless practical joke is an expression of the joker’s contempt for those he deceives.”
― W.H. Auden, The Dyer's Hand and Other Essays

“Great men are always of a nature originally melancholy.”
― Aristotle

“Do you hate people?”

“I don't hate them...I just feel better when they're not around.”
― Charles Bukowski, Barfly

“what matters most is how well you walk through the fire”
― Charles Bukowski

“We're all going to die, all of us, what a circus! That alone should make us love each other but it doesn't. We are terrorized and flattened by trivialities, we are eaten up by nothing.”
― Charles Bukowski

“You have to die a few times before you can really
live.”
― Charles Bukowski, The People Look Like Flowers at Last

“I wanted the whole world or nothing.”
― Charles Bukowski, Post Office

“If you're losing your soul and you know it, then you've still got a soul left to lose”
― Charles Bukowski and Carl Weissner

“being alone never felt right. sometimes it felt good, but it never felt right.”
― Charles Bukowski, Women

“those who escape hell
however
never talk about
it
and nothing much
bothers them
after
that.”
― Charles Bukowski

“the free soul is rare, but you know it when you see it - basically because you feel good, very good, when you are near or with them.”
― Charles Bukowski, Tales of Ordinary Madness

“The heart dies a slow death, shedding each hope like leaves until one day there are none. No hopes. Nothing remains.”
― Arthur Golden, Memoirs of a Geisha

“I will not and cannot believe that evil is the normal condition of mankind.”
― Fyodor Dostoevsky, The Dream of a Ridiculous Man

“I want to suffer so that I may love.”
― Fyodor Dostoevsky, The Dream of a Ridiculous Man

“Killing myself was a matter of such indifference to me that I felt like waiting for a moment when it would make some difference.”
― Fyodor Dostoevsky, The Dream of a Ridiculous Man

“This life is a hospital in which each patient is possessed by the desire to change beds. One wants to suffer in front of the stove and another believes that he will get well near the window.

It always seems to me that I will be better off there where I am not, and this question of moving about is one that I discuss endlessly with my soul

"Tell me, my soul, my poor chilled soul, what would you think about going to live in Lisbon? It must be warm there, and you'll be able to soak up the sun like a lizard there. That city is on the shore; they say that it is built all out of marble, and that the people there have such a hatred of the vegetable, that they tear down all the trees. There's a country after your own heart -- a landscape made out of light and mineral, and liquid to reflect them!"

My soul does not reply.

"Because you love rest so much, combined with the spectacle of movement, do you want to come and live in Holland, that beatifying land? Perhaps you will be entertained in that country whose image you have so often admired in museums. What do you think of Rotterdam, you who love forests of masts and ships anchored at the foot of houses?"

My soul remains mute.

"Does Batavia please you more, perhaps? There we would find, after all, the European spirit married to tropical beauty."

Not a word. -- Is my soul dead?

Have you then reached such a degree of torpor that you are only happy with your illness? If that's the case, let us flee toward lands that are the analogies of Death. -- I've got it, poor soul! We'll pack our bags for Torneo. Let's go even further, to the far end of the Baltic. Even further from life if that is possible: let's go live at the pole. There the sun only grazes the earth obliquely, and the slow alternation of light and darkness suppresses variety and augments monotony, that half of nothingness. There we could take long baths in the shadows, while, to entertain us, the aurora borealis send us from time to time its pink sheaf of sparkling light, like the reflection of fireworks in Hell!"

Finally, my soul explodes, and wisely she shrieks at me: "It doesn't matter where! It doesn't matter where! As long as it's out of this world!”
― Charles Baudelaire, Paris Spleen

“The punishment of desire is the agony of unfulfillment”
― Hermes Trismegistus, Poimandres

“They swallow God without thinking, they swallow country without thinking. Soon they forget how to think, they let others think for them.”
― Charles Bukowski

“There’s nothing to mourn about death any more than there is to mourn about the growing of a flower. What is terrible is not death but the lives people live or don’t live up until their death. They don’t honor their own lives, they piss on their lives. They shit them away. Dumb fuckers. They concentrate too much on fucking, movies, money, family, fucking. Their minds are full of cotton. They swallow God without thinking, they swallow country without thinking. Soon they forget how to think, they let others think for them. Their brains are stuffed with cotton. They look ugly, they talk ugly, they walk ugly. Play them the great music of the centuries and they can’t hear it. Most people’s deaths are a sham. There’s nothing left to die.”
― Charles Bukowski

“Silence is always beautiful, and a silent person is always more beautiful than one who talks.”
― Fyodor Dostoyevsky, The Adolescent