Derek Nelson > Derek's Quotes

“There’s my baby!” I cried, quite carried away. “There’s my Poochiekins!”
Ammit ran at me and leaped into my arms, nuzzling me with his rough snout.
“My lord Osiris!” Disturber lost the bottom of his scroll again, which unraveled around his legs. “This is an outrage!”
“Sadie,” Dad said firmly, “please do not refer to the Devourer of Souls as Poochiekins.”
― Rick Riordan, The Serpent's Shadow

“Met them. Killed them. Got the T-shirt.”
― Rick Riordan, The Serpent's Shadow

“I lifted my wand, hoping she would see this as a dramatic move, not a threat. “Why once, in my bunker at Charing Cross Station, I stalked the
deadly prey known as Jelly Babies.”
Neith’s eyes widened. “They are dangerous?”
“Horrible,” I agreed. “Oh, they seem small alone, but they always appear in great numbers. Sticky, fattening—quite deadly. There I was, alone
with only two quid and a Tube pass, beset by Jelly Babies, when…Ah, but never mind. When the Jelly Babies come for you…you will find out on
your own.”
She lowered her bow. “Tell me. I must know how to hunt Jelly Babies.”
I looked at Walt gravely. “How many months have I trained you, Walt?”
“Seven,” he said. “Almost eight.”
“And have I ever deemed you worthy of hunting Jelly Babies with me?”
“Uh…no.”
― Rick Riordan, The Serpent's Shadow

“Lacy had warned me about Drew the first day of school. Apparently the two of them had gone to some summer camp together––blah, blah, I didn't really listen to teh details––and Drew had been just as much a tyrant there.

~Sadie Kane, about Lacy and Drew of Aphrodite cabin.”
― Rick Riordan, The Serpent's Shadow

“If I win, I'm a prodigy. If I lose, then I'm crazy. That's the way history is written.”
― Eoin Colfer, Artemis Fowl

“Confidence is ignorance. If you're feeling cocky, it's because there's something you don't know.”
― Eoin Colfer, Artemis Fowl

“Trust me. I'm a genius.”
― Eoin Colfer, Artemis Fowl

“Knock yourself out... Or rather, don't.”
― Eion Colfer, Artemis Fowl

“You go Picasso!”
― Sarah Weeks, So B. It

“You cannot change what you are, only what you do.”
― Philip Pullman, The Golden Compass

“We are all subject to the fates. But we must act as if we are not, or die of despair.”
― Philip Pullman, The Golden Compass

“We accept the love we think we deserve.”
― Stephen Chbosky, The Perks of Being a Wallflower

“And in that moment, I swear we were infinite.”
― Stephen Chbosky, The Perks of Being a Wallflower

“I would die for you. But I won't live for you.”
― Stephen Chbosky, The Perks of Being a Wallflower

“Once on a yellow piece of paper with green lines
he wrote a poem
And he called it "Chops"
because that was the name of his dog

And that's what it was all about
And his teacher gave him an A
and a gold star
And his mother hung it on the kitchen door
and read it to his aunts
That was the year Father Tracy
took all the kids to the zoo

And he let them sing on the bus
And his little sister was born
with tiny toenails and no hair
And his mother and father kissed a lot
And the girl around the corner sent him a
Valentine signed with a row of X's

and he had to ask his father what the X's meant
And his father always tucked him in bed at night
And was always there to do it

Once on a piece of white paper with blue lines
he wrote a poem
And he called it "Autumn"

because that was the name of the season
And that's what it was all about
And his teacher gave him an A
and asked him to write more clearly
And his mother never hung it on the kitchen door
because of its new paint

And the kids told him
that Father Tracy smoked cigars
And left butts on the pews
And sometimes they would burn holes
That was the year his sister got glasses
with thick lenses and black frames
And the girl around the corner laughed

when he asked her to go see Santa Claus
And the kids told him why
his mother and father kissed a lot
And his father never tucked him in bed at night
And his father got mad
when he cried for him to do it.


Once on a paper torn from his notebook
he wrote a poem
And he called it "Innocence: A Question"
because that was the question about his girl
And that's what it was all about
And his professor gave him an A

and a strange steady look
And his mother never hung it on the kitchen door
because he never showed her
That was the year that Father Tracy died
And he forgot how the end
of the Apostle's Creed went

And he caught his sister
making out on the back porch
And his mother and father never kissed
or even talked
And the girl around the corner
wore too much makeup
That made him cough when he kissed her

but he kissed her anyway
because that was the thing to do
And at three a.m. he tucked himself into bed
his father snoring soundly

That's why on the back of a brown paper bag
he tried another poem

And he called it "Absolutely Nothing"
Because that's what it was really all about
And he gave himself an A
and a slash on each damned wrist
And he hung it on the bathroom door
because this time he didn't think

he could reach the kitchen.”
― Stephen Chbosky, The Perks of Being a Wallflower

“Act
on your impulse,
swallow the bottle,
cut a little deeper,
put the gun to your chest.”
― Ellen Hopkins, Impulse

“If you were half as funny as you think you are, you'd be twice as funny as you really are.”
― H.N. Turteltaub, The Sacred Land

“Don't touch any of my weapons without my permission."
"Well, there goes my plan for selling them all on eBay," Clary muttered.
"Selling them on what?"
Clary smiled blandly at him. "A mythical place of great magical power.”
― Cassandra Clare, City of Bones

“What's this?" he demanded, looking from Clary to his companions, as if they might know what she was doing there.
"It's a girl," Jace said,recovering his composure. "Surely you've seen girls before, Alec. Your sister Isabelle is one.”
― Cassandra Clare, City of Bones

“Jace?"
"Yeah?"
"How did you know I had Shadowhunter blood? Was there some way you could tell?"
The elevator arrived with a final groan. Jace unlatched the gate and slid it open. The inside reminded Clary of a birdcage, all black metal and decorative bits of gilt. "I guessed," he said, latching the door behind them. "It seemed like the most likely explanation."
"You guessed? You must have been pretty sure, considering you could have killed me."
He pressed a button in the wall, and the elevator lurched into action with a vibrating groan that she felt all through the bones in her feet. "I was ninety percent sure."
"I see," Clary said.
There must have been something in her voice, because he turned to look at her. Her hand cracked across his face, a slap that rocked him back on his heels. He put a hand to his cheek, more in surprise than pain. "What the hell was that for?"
The other ten percent," she said, and they rode the rest of the way down to the street in silence.”
― Cassandra Clare, City of Bones