Ola > Ola's Quotes

“It's like Tolstoy said. Happiness is an allegory, unhappiness a story.”
― Haruki Murakami, Kafka on the Shore

“Clocks slay time... time is dead as long as it is being clicked off by little wheels; only when the clock stops does time come to life.”
― William Faulkner, The Sound and the Fury

“...I give you the mausoleum of all hope and desire...I give it to you not that you may remember time, but that you might forget it now and then for a moment and not spend all of your breath trying to conquer it. Because no battle is ever won he said. They are not even fought. The field only reveals to man his own folly and despair, and victory is an illusion of philosophers and fools.”
― William Faulkner, The Sound and the Fury

“A man is the sum of his misfortunes. One day you'd think misfortune would get tired but then time is your misfortune”
― William Faulkner, The Sound and the Fury

“She loved him not only in spite of but because he himself was incapable of love.”
― William Faulkner, The Sound and the Fury

“Every one of us is losing something precious to us. Lost opportunities, lost possibilities, feelings we can never get back again. That’s part of what it means to be alive.”
― Haruki Murakami, Kafka on the Shore

“Being with her I feel a pain, like a frozen knife stuck in my chest. An awful pain, but the funny thing is I'm thankful for it. It's like that frozen pain and my very existence are one.
The pain is an anchor, mooring me here.”
― Haruki Murakami, Kafka on the Shore

“If you only read the books that everyone else is reading, you can only think what everyone else is thinking.”
― Haruki Murakami, Norwegian Wood

“But who can say what's best? That's why you need to grab whatever chance you have of happiness where you find it, and not worry about other people too much. My experience tells me that we get no more than two or three such chances in a life time, and if we let them go, we regret it for the rest of our lives.”
― Haruki Murakami, Norwegian Wood

“I want you always to remember me. Will you remember that I existed, and that I stood next to you here like this?”
― Haruki Murakami, Norwegian Wood

“Letters are just pieces of paper," I said. "Burn them, and what stays in your heart will stay; keep them, and what vanishes will vanish.”
― Haruki Murakami, Norwegian Wood

“I really like you, Midori. A lot.”
“How much is a lot?”
“Like a spring bear,” I said.
“A spring bear?” Midori looked up again. “What’s that all about? A spring bear.”
“You’re walking through a field all by yourself one day in spring, and this sweet little bear cub with velvet fur and shiny little eyes comes walking along. And he says to you, “Hi, there, little lady. Want to tumble with me?’ So you and the bear cub spend the whole day in each other’s arms, tumbling down this clover-covered hill. Nice, huh?”
“Yeah. Really nice.”
“That’s how much I like you.”
― Haruki Murakami, Norwegian Wood

“People leave strange little memories of themselves behind when they die.”
― Haruki Murakami, Norwegian Wood

“Death was not the opposite of life. It was already here, within my being, it had always been here, and no struggle would permit me to forget that.”
― Haruki Murakami, Norwegian Wood

“The dead will always be dead, but we have to go on living.”
― Haruki Murakami, Norwegian Wood

“I’ve never once thought about how I was going to die,” she said. “I can’t think about it. I don’t even know how I’m going to live.”
― Haruki Murakami, Norwegian Wood

“What if I’ve forgotten the most important thing? What if somewhere inside me there is a dark limbo where all the truly important memories are heaped and slowly turning into mud?...the thought fills me with an almost unbearable sorrow.”
― Haruki Murakami, Norwegian Wood

“That's the kind of death that frightens me. The shadow of death slowly, slowly eats away at the region of life, and before you know it everything's dark and you can't see, and the people around you think of you as more dead than alive.”
― Haruki Murakami, Norwegian Wood

“Tell me something, Toru,” She said. “Do you love me?”

“You know I do.”

“Will you do me two favors?”

“You can have up to three wishes, Madame.”

Naoko smiled and shook her head.” No, two will do. One is for you to realize how grateful I am that you came to see me here. I hope you’ll understand how happy you’ve made me. I know it’s going to save me if anything will. I may not show it, but it’s true.”

“I’ll come to see you again.” I said. “And what is the other wish?”

“I want you always remember me. Will you remember that I existed, and that I stood next to you here like this?”

“Always,” I said. “I’ll always remember.”
― Haruki Murakami, Norwegian Wood

“She knew that my memories of her would fade. Which is precisely why she begged me never to forget her, to remember that she had existed.
The thought fills me with an almost unbearable sorrow. Because Naoko never loved me.”
― Haruki Murakami, Norwegian Wood

“Where are you now?’

Where was I now?

Gripping the receiver, I raised my hand and turned to see what lay beyond the telephone booth. Where was I now? I had no idea. No idea at all. Where was this place? All that flashed into my eyes were the countless shapes of people walking by to nowhere. Again and again, I called out for Midori from the dead center of this place that was no place.”
― Haruki Murakami, Norwegian Wood

“Now I have neither happiness nor unhappiness.

Everything passes.

That is the one and only thing that I have thought resembled a truth in the society of human beings where I have dwelled up to now as in a burning hell.

Everything passes.”
― Osamu Dazai, No Longer Human

“I have always shook with fright before human beings. Unable as I was to feel the least particle of confidence in my ability to speak and act like a human being, I kept my solitary agonies locked in my breast. I kept my melancholy and my agitation hidden, careful lest any trace should be left exposed. I feigned an innocent optimism; I gradually perfected myself in the role of the farcical eccentric.”
― Osamu Dazai, No Longer Human

“I saw my life branching out before me like the green fig tree in the story. From the tip of every branch, like a fat purple fig, a wonderful future beckoned and winked. One fig was a husband and a happy home and children, and another fig was a famous poet and another fig was a brilliant professor, and another fig was Ee Gee, the amazing editor, and another fig was Europe and Africa and South America, and another fig was Constantin and Socrates and Attila and a pack of other lovers with queer names and offbeat professions, and another fig was an Olympic lady crew champion, and beyond and above these figs were many more figs I couldn't quite make out. I saw myself sitting in the crotch of this fig tree, starving to death, just because I couldn't make up my mind which of the figs I would choose. I wanted each and every one of them, but choosing one meant losing all the rest, and, as I sat there, unable to decide, the figs began to wrinkle and go black, and, one by one, they plopped to the ground at my feet.”
― Sylvia Plath, The Bell Jar

“The silence depressed me. It wasn't the silence of silence. It was my own silence.”
― Sylvia Plath, The Bell Jar

“You once told me that the human eye is god's loneliest creation. How so much of the world passes through the pupil and still it holds nothing. The eye, alone in its socket, doesn't even know there's another one, just like it, an inch away, just as hungry, as empty.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“I miss you more than I remember you.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“I am writing because they told me to never start a sentence with because. But I wasn't trying to make a sentence—I was trying to break free. Because freedom, I am told, is nothing but the distance between the hunter and its prey.”
― Ocean Vuong, On Earth We're Briefly Gorgeous

“for there is nothing heavier than compassion. Not even one's own pain weighs so heavy as the pain one feels with someone, for someone, a pain intensified by the imagination and prolonged by a hundred echoes.”
― Milan Kundera, The Unbearable Lightness of Being

“Anyone whose goal is 'something higher' must expect someday to suffer vertigo. What is vertigo? Fear of falling? No, Vertigo is something other than fear of falling. It is the voice of the emptiness below us which tempts and lures us, it is the desire to fall, against which, terrified, we defend ourselves.”
― Milan Kundera, The Unbearable Lightness of Being