Amogha > Amogha's Quotes

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  • #1
    Amruta Patil
    “To know if a tale is worth its weight in gold, check if it reveals threefold.
    In your bloodstream. In the town square. In the turning of galaxies.
    If it does: Gold.
    If it makes you giddy just to think of the scope of the tale: Gold.”
    Amruta Patil, Adi Parva - Churning of the Ocean

  • #2
    Jalal ad-Din Muhammad ar-Rumi
    “Words are a pretext. It is the inner bond that draws one person to another, not words.”
    Rumi

  • #3
    Haruki Murakami
    “Memories warm you up from the inside. But they also tear you apart.”
    Haruki Murakami, Kafka on the Shore

  • #4
    Haruki Murakami
    “It's like Tolstoy said. Happiness is an allegory, unhappiness a story.”
    Haruki Murakami, Kafka on the Shore

  • #5
    Haruki Murakami
    “Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine.

    And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others.

    And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.”
    Haruki Murakami, Kafka on the Shore

  • #6
    Haruki Murakami
    “Time weighs down on you like an old, ambiguous dream. You keep on moving, trying to sleep through it. But even if you go to the ends of the earth, you won't be able to escape it. Still, you have to go there- to the edge of the world. There's something you can't do unless you get there.”
    Haruki Murakami, Kafka on the Shore

  • #7
    Haruki Murakami
    “Closing your eyes isn't going to change anything. Nothing's going to disappear just because you can't see what's going on. In fact, things will even be worse the next time you open your eyes. That's the kind of world we live in. Keep your eyes wide open. Only a coward closes his eyes. Closing your eyes and plugging up your ears won't make time stand still.”
    Haruki Murakami, Kafka on the Shore

  • #8
    Haruki Murakami
    “In everybody’s life there’s a point of no return. And in a very few cases, a point where you can’t go forward anymore. And when we reach that point, all we can do is quietly accept the fact. That’s how we survive.”
    Haruki Murakami, Kafka on the Shore

  • #9
    Haruki Murakami
    “Nobody likes being alone that much. I don't go out of my way to make friends, that's all. It just leads to disappointment. ”
    Haruki Murakami, Norwegian Wood

  • #10
    Haruki Murakami
    “What happens when people open their hearts?"
    "They get better.”
    Haruki Murakami, Norwegian Wood

  • #11
    Haruki Murakami
    “Memory is a funny thing. When I was in the scene, I hardly paid it any mind. I never stopped to think of it as something that would make a lasting impression, certainly never imagined that eighteen years later I would recall it in such detail. I didn't give a damn about the scenery that day. I was thinking about myself. I was thinking about the beautiful girl walking next to me. I was thinking about the two of us together, and then about myself again. It was the age, that time of life when every sight, every feeling, every thought came back, like a boomerang, to me. And worse, I was in love. Love with complications. The scenery was the last thing on my mind.”
    Haruki Murakami, Norwegian Wood

  • #12
    Haruki Murakami
    “I guess I've been waiting so long I'm looking for perfection. That makes it tough."

    "Waiting for perfect love?"

    "No, even I know better than that. I'm looking for selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you're doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don't want it anymore and throw it out the window. That's what I'm looking for.”
    Haruki Murakami, Norwegian Wood

  • #13
    Nicholas Sparks
    “The best love is the kind that awakens the soul and makes us reach for more, that plants a fire in our hearts and brings peace to our minds. And that's what you've given me. That's what I'd hoped to give you forever”
    Nicholas Sparks

  • #14
    Nicholas Sparks
    “You are the answer to every prayer I've offered. You are a song, a dream, a whisper, and I don't know how I could have lived without you for as long as I have.”
    Nicholas Sparks, The Notebook

  • #15
    Nicholas Sparks
    “I love you. I am who I am because of you. You are every reason, every hope, and every dream I've ever had, and no matter what happens to us in the future, everyday we are together is the greatest day of my life. I will always be yours. ”
    Nicholas Sparks, The Notebook

  • #16
    Nicholas Sparks
    “The reason it hurts so much to separate is because our souls are connected. Maybe they always have been and will be. Maybe we've lived a thousand lives before this one and in each of them we've found each other. And maybe each time, we've been forced apart for the same reasons. That means that this goodbye is both a goodbye for the past ten thousand years and a prelude to what will come.”
    Nicholas Sparks, The Notebook

  • #17
    Nicholas Sparks
    “Dusk is just an illusion because the sun is either above the horizon or below it. And that means that day and night are linked in a way that few things are there cannot be one without the other yet they cannot exist at the same time. How would it feel I remember wondering to be always together yet forever apart?”
    Nicholas Sparks, The Notebook

  • #18
    Mario Puzo
    “I'm gonna make him an offer he can't refuse.”
    Mario Puzo, The Godfather

  • #19
    Mario Puzo
    “Revenge is a dish that tastes best when served cold.”
    Mario Puzo, The Godfather

  • #20
    Mario Puzo
    “You cannot say 'no' to the people you love, not often. That's the secret. And then when you do, it has to sound like a 'yes'. Or you have to make them say 'no.' You have to take time and trouble.”
    Mario Puzo, The Godfather

  • #21
    Mario Puzo
    “Italians have a little joke, that the world is so hard a man must have two fathers to look after him, and that's why they have godfathers.”
    Mario Puzo, The Godfather

  • #22
    Khaled Hosseini
    “One could not count the moons that shimmer on her roofs,
    Or the thousand splendid suns that hide behind her walls.”
    Khaled Hosseini, A Thousand Splendid Suns

  • #23
    Khaled Hosseini
    “Marriage can wait, education cannot.”
    Khaled Hosseini, A Thousand Splendid Suns

  • #24
    Khaled Hosseini
    “I will follow you to the ends of the world.”
    Khaled Hosseini, A Thousand Splendid Suns

  • #25
    Khaled Hosseini
    “and yet she was leaving the world as a woman who had love and been loved back. she was leaving it as a friend, a companion, a guardian. a mother. a person of consequence at last.”
    Khaled Hosseini, A Thousand Splendid Suns

  • #26
    Khaled Hosseini
    “Mariam lay on the couch, hands tucked between her knees, watched the whirlpool of snow twisting and spinning outside the window. She remembered Nana saying once that each snowflake was a sigh heaved by an aggrieved woman somewhere in the world. That all the sighs drifted up the sky, gathered into clouds, then broke into tiny pieces that fell silently on the people below. As a reminder of how people like us suffer, she'd said. How quietly we endure all that falls upon us.”
    Khaled Hosseini, A Thousand Splendid Suns

  • #27
    Khaled Hosseini
    “With the passing of time, she would slowly tire of this exercise. She would find it increasingly exhausting to conjure up, to dust off, to resuscitate once again what was long dead. There would come a day, in fact, years later, when [she] would no longer bewail his loss. Or not as relentlessly; not nearly. There would come a day when the details of his face would begin to slip from memory's grip, when overhearing a mother on the street call after her child by [his] name would no longer cut her adrift. She would not miss him as she did now, when the ache of his absence was her unremitting companion--like the phantom pain of an amputee.”
    Khaled Hosseini, A Thousand Splendid Suns

  • #28
    Khaled Hosseini
    “She would never leave her mark on Mammy's heart the way her brothers had, because Mammy's heart was like a pallid beach where Laila's footprints would forever wash away beneath the waves of sorrow that swelled and crashed, swelled and crashed. ”
    Khaled Hosseini, A Thousand Splendid Suns

  • #29
    Khaled Hosseini
    “But Laila has decided that she will not be crippled by resentment. Mariam wouldn’t want it that way. ‘What’s the sense?’ she would say with a smile both innocent and wise. ‘What good is it, Laila jo?’ And so Laila has resigned herself to moving on. For her own sake, for Tariq’s, for her children’s. And for Mariam, who still visits Laila in her dreams, who is never more than a breath or two below her consciousness. Laila has moved on. Because in the end she knows that’s all she can do. That and hope.”
    Khaled Hosseini, A Thousand Splendid Suns

  • #30
    Gabriel García Márquez
    “But when a woman decides to sleep with a man, there is no wall she will not scale, no fortress she will not destroy, no moral consideration she will not ignore at its very root: there is no God worth worrying about.”
    Gabriel García Márquez, Love in the Time of Cholera



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