Ashlea > Ashlea's Quotes

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  • #1
    Karen Marie Moning
    “He pulls me around and kisses me. "You're Mac," he says. "And I'm Jericho. And nothing else matters. Never will. You exist in a place that is beyond all rules for me. Do you understand that?"
    I do.
    Jericho Barrons just told me he loves me.”
    Karen Marie Moning, Shadowfever

  • #2
    Karen Marie Moning
    “Dying is overrated. Human sentimentality has twisted it into the ultimate act of love. Biggest load of bullshit in the world. Dying for someone isn't the hard thing. The man that dies escapes. Plain and simple. Game over. End of pain...Try living for someone. Through it all-good, bad, thick, thin, joy, suffering. That's the hard thing.”
    Karen Marie Moning, Shadowfever

  • #3
    Karen Marie Moning
    “Some people bring out the worst in you, others bring out the best, and then there are those remarkably rare, addictive ones who just bring out the most. Of everything.
    They make you feel so alive that you'd follow them straight into hell, just to keep getting your fix.”
    Karen Marie Moning, Shadowfever

  • #4
    Karen Marie Moning
    “V'lane: Are you busy tomorrow MacKayla ?
    Barrons: She's working on old texts with me.
    V'lane: Ah. Old texts. A banner day at the bookstore.
    Barrons: We're translating Kama Sutra...with interactive aids.”
    Karen Marie Moning, Shadowfever

  • #5
    Karen Marie Moning
    “Last night you said you wanted to know what to expect so you could better select your attire. I told you we were going to visit a vampire in a Goth-den tonight. Why, then, Ms. Lane, do you look like a perky rainbow?”
    Karen Marie Moning, Darkfever

  • #6
    Holly Black
    “Most of all, I hate you because I think of you. Often. It's disgusting, and I can't stop.”
    Holly Black, The Cruel Prince

  • #7
    Holly Black
    “If I cannot be better than them, I will become so much worse.”
    Holly Black, The Cruel Prince

  • #8
    Holly Black
    “Come home and shout at me. Come home and fight with me. Come home and break my heart, if you must.”
    Holly Black, The Queen of Nothing

  • #9
    Cassandra Clare
    “Jesus!" Luke exclaimed.
    "Actually, it's just me," said Simon. "Although I've been told the resemblance is startling.”
    Cassandra Clare

  • #10
    Cassandra Clare
    “Well, I’m not kissing the mundane," said Jace. "I’d rather stay down here and rot."
    "Forever?" said Simon. "Forever’s an awfully long time."
    Jace raised his eyebrows. "I knew it," he said. "You want to kiss me, don’t you?”
    Cassandra Clare, City of Ashes

  • #11
    Cassandra Clare
    “Is this the part where you say if I hurt her, you'll kill me?"
    "No" Simon said, "If you hurt Clary she's quite capable of killing you herself. Possibly with a variety of weapons.”
    Cassandra Clare, City of Glass

  • #12
    Cassandra Clare
    “I am a badass, and I recognize that you, too, are a badass.”
    Cassandra Clare

  • #13
    S.G. Blaise
    “It wasn’t a death stare--not for a few seconds at least.”
    S.G. Blaise, The Last Lumenian

  • #14
    S.G. Blaise
    “You won’t throw up. Unless you’re allergic to lemon root… but let’s not worry about that now.”
    S.G. Blaise, The Last Lumenian

  • #15
    S.G. Blaise
    “Will they come if you whistle? If you can’t whistle loud enough, Teague here would be happy to help you out.”
    S.G. Blaise, The Last Lumenian

  • #16
    S.G. Blaise
    “The road to power is forged with lies and lives,” Loch says. “I have no regrets.”
    S.G. Blaise, The Last Lumenian

  • #17
    S.G. Blaise
    “I feel as if he is judging me, only to find I’ve fallen short of his expectations. I recognize it, because I've seen such a disappointing look before. Father’s.”
    S.G. Blaise, The Last Lumenian

  • #18
    S.G. Blaise
    “I thought you had more self-control,” I whisper. With his face so close, I can practically feel his kiss.
    “I am about to reevaluate that fact.”
    S.G. Blaise, The Last Lumenian

  • #19
    S.G. Blaise
    “I look up, right into the Archgod of Chaos and Destruction’s bewildered eyes, gathering more of my magic. “Here’s a taste of consequences.”
    S.G. Blaise, The Last Lumenian

  • #20
    V.C. Andrews
    “I realize we lose our innocence in many ways, the most painful being when we realize those who are supposed to love us and care for us more than anything, really care for themselves and their own pleasures more. It's painful because it makes you realize how alone you really are.”
    V.C. Andrews, Darkest Hour

  • #21
    V.C. Andrews
    “What if I am a curse?" "Then you're the prettiest and nicest curse I know.”
    V.C. Andrews, Darkest Hour

  • #22
    Diane L. Kowalyshyn
    “…You’re throwing us away because you’re afraid to let yourself fall in love. You’re searching for something that isn’t real. You’re not Eric Stone. He’s your protagonist. Eric Stone is make-believe and life isn’t an adventure novel.”
    Diane L. Kowalyshyn, Crossover

  • #23
    Diane L. Kowalyshyn
    “On any other day, being fired would rank pretty high on Karlee’s stress-o-meter. But today wasn’t any other day. Inhaled into Shade’s memory, Karlee watch her friend dropped from a cliff. She still hadn’t processed it. Shade likely died from her injuries. That meant Shad had been murdered.”
    Diane L. Kowalyshyn, Crossover

  • #24
    Diane L. Kowalyshyn
    “A selfish man would never visit a comatose woman every day for two months. He wouldn’t have done what was best for everyone involved, or given an employee a proper burial. These are the acts of a loving man––a man who cared too much.”
    “What are you saying?”
    “Sara’s my biological mother.”
    Diane L. Kowalyshyn, Crossover

  • #25
    Diane L. Kowalyshyn
    “I brought a few old photos of Villageport. I didn’t know you were blind. I hoped you could put some names to the pictures.”
    “Eyes aren’t the only way to see, young lady.”
    Diane L. Kowalyshyn, Crossover

  • #26
    Diane L. Kowalyshyn
    “I don’t want to leave. I’m not sure how to carry on without you. We’ve always been together.
    “And that will never change. You’ll still be able to watch over me and keep me safe.”
    I’m not going to say goodbye then. See you later?
    “You bet,” Karlee said. “But not for another sixty years or so.”
    Diane L. Kowalyshyn, Crossover

  • #27
    Diane L. Kowalyshyn
    “She watched the clip several times—enough times to know w certainty her father had nothing to do with the crash. He’d done everything in his power to stop the car and avoid the truck. Someone else had been driving.”
    Diane L. Kowalyshyn, Crossover

  • #28
    Diane L. Kowalyshyn
    “He switched off the car and spun.
    The woman disappeared.
    He flipped forward and saw the reflection. The woman stuck out her tongue.
    “What the hell?” Cole said. “I want answers and I want them now.”
    “Answers about what?”
    “I’ve been watching you watching her, all day long,” he said. “Don’t deny it.”
    “What exactly are you saying?” Karlee jerked her head forward, and her mouth fell open.
    He felt like a crazy fool. “You know what I’m talking about. The... uh...thing that is sitting in the back seat of this car?”
    Diane L. Kowalyshyn, Crossover

  • #29
    Michael Tobert
    “Séamus’s eyebrows, like the antennae of the potato beetle but with a greater sense of grievance, poke forward as he delivers his first utterance of the morning.”
    Michael Tobert, Karna's Wheel

  • #30
    Michael Tobert
    “Thatched huts of mud sit humped in rows. Between the rows, a stagnant stream of sewage stews like thick soup bubbling in the clotted heat. Mosquitoes swarm. Garbage rots. Parvati gathers her sari about her and steps as lightly as she can down this gutter of filth. The boy stops outside one of the huts. Parvati and Sunil push aside the sacking that is over the doorway, stoop and step down onto a mud floor. Inside, there is no window, no light and no air. Only heat. Parvati puts her hand to her long elegant throat. Above her, one end of the roof is sagging as if about to collapse.
    ‘Bustee, very good,’ says the boy smiling.”
    Michael Tobert, Karna's Wheel



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