Timmy > Timmy's Quotes

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  • #1
    Sara Pascoe
    “Even though it's only a minority of men who are violent or predatory, I don't know if men realise that girls are trained our entire lives to minimise the danger from you - and blamed if we don't.”
    Sara Pascoe

  • #2
    Lesley Glaister
    “During the film (long, miserable) he takes her hand and squeezes rhythmically as if he's milking a cow.  She's distracted by wondering if he has ever, in fact, milked a cow.”
    Lesley Glaister, A Particular Man

  • #3
    A.R. Merrydew
    “With one hand disturbing a colony of parasitic life forms in his uncombed hair, he yawned loudly.
         ‘Morning Steve,’ Thomas said scratching his grubby face. His breath drifted across the space between them making Steve’s nose twitch involuntarily.”
    A.R. Merrydew, Our Blue Orange

  • #4
    Gabriel F.W. Koch
    “Notation on Quark Manipulation as Applied to the Time/Space Continuum.”
    Gabriel F.W. Koch, Steel Blood

  • #5
    “The written word
    Like a stone pillar
    May last for centuries
    Even if its meaning is forgotten.”
    Jack Borden

  • #6
    Candace L. Talmadge
    “Helen slowly became aware of an unnerving red light. She lifted her head and looked around. The glow bounced off the cold stone walls and intensified quickly. It filled her with thoughts of despair and hopelessness. She tried to shake them off.
    You have what’s mine! Where is it? I want it!
    Helen shuddered violently. She recalled the inner voice that urged
    her to use the stone to keep Prince Harnak from dying. That voice was
    comforting and encouraging. This voice was oppressive and angry and
    beat on her relentlessly.
    “No!” she muttered. “Go away. I have nothing for you or anyone
    else, not even me.”
    The red light flickered out. Only the numbing cold and her utter
    isolation, cheerless companions, remained.”
    Candace L. Talmadge, Stoneslayer: Book One Scandal

  • #7
    Helen Fielding
    “Now you go out there, do your best, and don't get caught up in everyone else's nonsense. It'll turn out fine, I promise you.”
    Helen Fielding, Bridget Jones's Baby: The Diaries

  • #8
    Mary Norton
    “...Borrower's don't steal."
    "Except from human beings," said the boy.
    Arrietty burst out laughing; she laughed so much that she had to hide her face in the primrose. "Oh dear," she gasped with tears in her eyes, "you are funny!" She stared upward at his puzzled face. "Human beans are for Borrowers - like bread's for butter!”
    Mary Norton, The Borrowers

  • #9
    Yuval Noah Harari
    “Many pedagogical experts argue that schools should switch to teaching “the four Cs”—critical thinking, communication, collaboration, and creativity.3 More broadly, they believe, schools should downplay technical skills and emphasize general-purpose life skills. Most important of all will be the ability to deal with change, learn new things, and preserve your mental balance in unfamiliar situations.”
    Yuval Noah Harari, 21 Lessons for the 21st Century

  • #10
    Koushun Takami
    “Takako looked into Hiroki's eyes and grinned.
    "You've become quie a stud."
    "And...you're the most stylin' girl in the world."
    Takako smiled faintly. She wanted to thank him, but she was out of breath. She just stared at Hiroki's eyes. She was grateful. At least she wasn't going to die alone. The last person to stay with her ended up being Hiroki. And she was grateful. She really was.”
    Koushun Takami, Battle Royale

  • #11
    Jojo Moyes
    “Some mistakes... Just have greater consequences than others. But you don't have to let the result of one mistake be the thing that defines you. You, Clark, have the choice not to let that happen.”
    Jojo Moyes, Me Before You

  • #12
    Charles Frazier
    “From inside the tavern came the sounds of a fiddle being tuned, various plucks and tentative bowings, then a slow and groping attempt at Aura Lee, interrupted every few notes by unplanned squeaks and howls. Nevertheless the beautiful and familiar tune was impervious to poor performance, and Inman thought how painfully young it sounded, as if the pattern of its notes allowed no room to imagine a future clouded and tangled and diminished.”
    Charles Frazier, Cold Mountain



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