Jack Bernardi > Jack 's Quotes

“The wrath of God lies sleeping. It was hid a million years before men were and only men have the power to wake it. Hell aint half full. Hear me. Ye carry war of a madman’s making onto a foreign land. Ye’ll wake more than the dogs.”
― Cormac McCarthy, Blood Meridian, or, the Evening Redness in the West

“Yet is Dixon certain, as certain as the lightness he feels now, lightness premonitory of Flying, that far worse happen’d here, to these poor People, as the blood flew and the Children cried, - that at the end no one understood what they said as they died.”
― Thomas Pynchon, Mason & Dixon

“Does Britannia, when she sleeps, dream? Is America her dream?-- in which all that cannot pass in the metropolitan Wakefulness is allow'd Expression away in the restless Slumber of these Provinces, and on West-ward, wherever 'tis not yet mapp'd, nor written down, nor ever, by the majority of Mankind, seen,-- serving as a very Rubbish-Tip for subjunctive Hopes, for all that may yet be true,-- Earthly Paradise, Fountain of Youth, Realms of Prester John, Christ's Kingdom, ever behind the sunset, safe til the next Territory to the West be seen and recorded, measur'd and tied in, back into the Net-Work of Points already known, that slowly triangulates its Way into the Continent, changing all from subjunctive to declarative, reducing Possibilities to Simplicities that serve the ends of Governments,-- winning away from the realm of the Sacred, its Borderlands one by one, and assuming them unto the bare mortal World that is our home, and our Despair.”
― Thomas Pynchon, Mason & Dixon

“It seemed to Alabama that, reaching her goal, she would drive the devils that had driven her - that, in proving herself, she would achieve that peace which she imagined went only in surety of one’s self - that she would be able, through the medium of the dance, to command her emotions, to summon love or pity or happiness at will, having provided a channel through which they might flow. She drove herself mercilessly, and the summer dragged on.”
― Zelda Fitzgerald, Save Me the Waltz

“I think that there is a terrible possibility now, in the World. We may not brush it away, we must look at it. It is possible that They will not die. That it is now within the state of Their art to go on forever - though we, of course, will keep dying as we always have. Death has been the source of Their power. It was easy enough for us to see that. If we are here once, only once, then clearly we are here to take what we can while we may. If They have taken much more, and taken not only from Earth but also from us - well, why begrudge Them, when they’re just as doomed to die as we are? All in the same boat, all under the same shadow … yes … yes. But is that really true? Or is it the best, and the most carefully propagated, of all Their lies, known and unknown?

We have to carry on under the possibility that we die only because They want us to: because They need our terror for Their survival.”
― Thomas Pynchon, Gravity’s Rainbow

“Each day the mythical return Enzian dreamed of seems less possible. Once it was necessary to know uniforms, insignia, airplane markings, to observe boundaries. But by now too many choices have been made. The single root lost, way back there in the May desolation. Each bird has his branch now, and each one is the Zone.”
― Thomas Pynchon, Gravity’s Rainbow

“I can remember how when I was young I believed death to be a phenomenon of the body; now I know it to be merely a function of the mind -- and that of the minds who suffer the bereavement. The nihilists say it is the end; the fundamentalists, the beginning; when in reality it is no more than a single tenant or family moving out of a tenement or a town.”
― William Faulkner

“Burden … began to read to the child in Spanish from the book which he had brought with him from California, interspersing the fine, sonorous flowing of mysticism in a foreign tongue with harsh, extemporized dissertations composed half of the bleak and bloodless logic which he remembered from his father on interminable New England Sundays, and half of immediate hellfire and tangible brimstone of which any country Methodist circuit rider would have been proud.”
― William Faulkner, Light in August

“Memory believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders. Knows remembers believes a corridor in a big long garbled cold echoing building of dark red brick sootbleakened by more chimneys than its own, set in a grassless cinderstrewnpacked compound surrounded by smoking factory purlieus and enclosed by ten food steel-and-wire fence like a penitentiary or a zoo, where in random erratic surges, with sparrowlike childtrebling, orphans in identical and uniform blue denim in and out of remembering but in knowing constant in the bleak walls, the bleak windows where in rain soot from the yearly adjacenting chimneys streaked like black tears.”
― William Faulkner, Light in August

“A man will talk about how he’d like to escape from living folks. but it’s the dead folks that do him the damage. It’s the dead ones that lay quiet in one place and don’t try to hold him, that he cant escape from”
― William Faulkner, Light in August

“…he is invariably a kind of super-size but unmistakably ‘classical’ neurotic, an aberrant who only occasionally, and never deeply, wishes to surrender his aberration; or, in English, a Sick Man who not at all seldom, though he’s reported to childishly deny it, gives out terrible cries of pain, as if he would wholeheartedly let go of both his art and soul to experience what passes in other people for wellness, and yet (the rumor continues) when his unsalutary-looking little room is broken into and someone - not infrequently, at that, someone who actually loves him - passionately asks him where the pain is, he either declines or seems unable to discuss it an any constructive critical length, and in the morning, when even great poets and painters presumably feel a bit more chipper than usual, he looks more perversely determined than ever to see his sickness run its course, as though by the light of another, presumably working day he had remembered that all men, the healthy ones included, eventually die, but that he, lucky man, is at least being done in by the most stimulating companion, disease or no, he has ever known.”
― J.D. Salinger, Raise High the Roof Beam, Carpenters & Seymour: An Introduction

“In the trenches of the First World War, English men came to love one another decently, without shame or make-believe, under the easy likelihoods of their sudden deaths, and to find in the faces of other young men evidence of otherworldly visits, some poor hope that may have helped redeem even mud, shit, the decaying pieces of human meat... It was the end of the world, it was total revolution (though not quite in the way Walter Rathenau had announced): every day thousands of the aristocracy new and old, still haloed in their ideas of right and wrong, went to the loud guillotine of Flanders, run day in and out, on and on, by no visible hands, certainly not those of the people - an English class was being decimated, the ones who'd volunteered were dying for those who'd known something and hadn't, and despite it all, despite knowing, some of them, of the betrayal, while Europe died meanly in its own wastes, men loved. But the life-cry of that love has long since hissed away into no more than this idle and bitchy faggotry. In this latest War, death was no enemy, but a collaborator. Homosexuality in high places is just a carnal afterthought now, and the real and only fucking is done on paper...”
― Thomas Pynchon, Gravity’s Rainbow

“Tragedy was foresworn, in ritual denial of the ripe knowledge that we are drawing away from one another, that we share only one thing, share the fear of belonging to another, or to others, or to God; love or money, tender equated in advertising and the world, where only money is currency, and under dead trees and brittle ornaments prehensile hands exchange forgeries of what the heart dare not surrender.”
― William Gaddis, The Recognitions